Sentences with phrase «on back of canvas»

(ETAT DEFINITIF) 1921» on back of canvas Oil on canvas, 36 1/4 x 23 5/8 (92 x 60) Purchased at Christie's (Grant - in - Aid), with the aid of the Friends of the Tate Gallery 1976 Prov: With Galerie Simon, Paris (purchased from the artist); Dr G.F. Reber, Lausanne, 1926; with Frau Walter Feilchenfeldt, Zurich, 1956; with Marlborough Fine Art, London, 1958; Gustav Zumsteg, Zurich, 1961; Zumsteg sale, Christie's, London, 6 April 1976, lot D, repr.

Inscribed» «Drought» 1962 Kenneth Noland» on back of canvas Acrylic on canvas, 69 1/2 x 69 1/2 (176.5 x 176.5) Purchased from the Galerie Rudolf Zwirner (Grant - in - Aid) 1965 Prov: With Galerie Lawrence, Paris (purchased from the artist 1962); with Galerie Rudolf Zwirner, Cologne Exh: Kenneth Noland, Galerie Lawrence, Paris, April - May 1963 (works not listed) Repr: Kenworth Moffett, Kenneth Noland (New York 1977), pl.115

Inscribed» «Morning» 1965 a.martin» on back of canvas Acrylic and pencil on canvas, 71 7/8 x 71 5/8 (182.7 x 182) Purchased from the Mayor Gallery (Grant - in - Aid) 1974 Prov: With Mayor Gallery, London (purchased from the artist 1974) Exh: Fundamentele Schilderkunst, Stedelijk Museum, Amsterdam, April - June 1975 (Martin 5, repr.)

Inscribed «Patrick Heron» and «March 1957» on back of canvas; «Scarlet Lemon and Ultramarine 24» x 72» March 1957» on stretcher.

Their built - up layers of paint and collage elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in which they are painted: on the floor, tacked to the wall, and on the back of the canvas, picking up studio detritus along the way.

The canvas de La Villéon painted that day was a landmark in his work, a presage of what was to come, and he himself considered it so important that he noted on the back of the canvas, the date and the fact that it was painted from nature.

Each canvas 1981 x 1473 (78 x 58) Inscribed on back of canvas in blue felt - tipped marker «3 Figures and Portrait 1975 Francis Bacon oil and pastel» top left Purchased from Galerie Claude Bernard (Grant - in - Aid), 1977 Provenance: Purchased from the artist by Marlborough Fine Art, London by whom sold to Galerie Claude Bernard, Paris Exhibited: Francis Bacon: oeuvres récentes, Musée Cantini, Marseilles, July - Sept.

«Patrick Heron Purple Shape in Blue 1964 52 x 48» on back of canvas.

and» «OPEN, # 121 (BOLTON LANDING ELEGY)» Robert Motherwell 1969» on back of canvas Liquitex brand acrylic on sized canvas, 96 x 174 (244 x 432) Presented by the artist through the American Federation of Arts 1969 Exh: L'Art Vivant aux Etats - Unis, Fondation Maeght, Saint - Paul, July - September 1970 (works not numbered, repr.)

Inscribed on the stretcher» «GIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, repr.)

It is a homage to the greats and at the same time undermines them with faked signatures on the back of the canvas.

(The Enchantress, Heinrich Lossow) «Both you and paintings are layered... first, ephemera and notations on the back of the canvas.

Mallary, was made as the inscription on the back of the canvas states: «after a drawing for Mallary sketch # 5 P - town Summer 1966.»

The canvas prints from Printcopia come with a hook already on the back of the canvas — and so it makes them super easy to hang.

Not exact matches

The back is literally the canvas on which all the rest of your upper body «show» muscles are displayed.

With the high price and fine leather of this bag, I'd probably be too nervous to take it on an airplane, even as a carry on, but I could certainly see myself throwing Monogram Canvas Speedy in the back seat of a rental convertible and setting out for the coast.

but here's the thing: the brand really took the comments to heart and came back this year with not only a lower price point on their original leather bag, but a brand new bag: the julien canvas set, which comes in the black you see in my photos, along with a variety of other fun color combinations.

Hhmmm, I've long time had this canvas bag by Stella McCartney in the back of my head, especially on hot days like this I really don't want to drag along a black leather shopper.

I'm linking up with these fab ladies: Let It Shine with Still Being Molly and Lipgloss and Crayons Manic Monday with On the Daily Express and More Pieces of Me How I Spring with Pink Sole and Cha Cha the Fashion Genius Mix It Mondays Style to Inspire Monday Mingle Creative Mondays Visible Monday Styled Up Shoe and Tell Sophisticated Style Linkup with Lisa Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Turning Heads Tuesday Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Oh, Hey Girl Watcha Wearing Wednesday Trendy Wednesday Thursday Fashion Files with Doused in Pink and Curly Crafty Mom Throw Back Thursday Let Your Light Shine with Made with Zeal & Rooted in Salt Thursday Favorite Things Fun Fashion Friday Fashion Friday Passion 4 Fashion

-LSB-...] Linking up with these fab ladies: Let It Shine with Still Being Molly and Lipgloss and Crayons I Would So Rock This Mix It Mondays Monday Bloom Manic Monday with On the Daily Express and More Pieces of Me How I Fall with Pink Sole and Cha Cha the Fashion Genius Style to Inspire Monday Mingle Creative Mondays Visible Monday Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Stylish Tuesday Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Watcha Wearing Wednesday Oh, Hey Girl What Wives Wear with God Life Happy Wife and Curly Crafty Mom Three - fer Thursday with Perfectly Coutured and White Coat Wardrobe Throw Back Thursday Let Your Light Shine with I'm Perfectly Human and Made with Zeal Thursday Favorite Things Be.You.Tiful -LSB-...]

I laid the back of the sweater on the canvas and centered it so there was about an inch of overhang on all four sides.

-LSB-...] Linking with these lovelies: Let It Shine with Still Being Molly and Lipgloss and Crayons I Would So Rock This Mix It Mondays Monday Bloom Manic Monday with On the Daily Express and More Pieces of Me How I Fall with Pink Sole and Cha Cha the Fashion Genius Style to Inspire Monday Mingle Creative Mondays Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Tremendous Tuesday Bloggers Who Have Inspired Me Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Midweek Muse What Wives Wear with God Life Happy Wife and Curly Crafty Mom Three - fer Thursday with Perfectly Coutured and White Coat Wardrobe Throw Back Thursday Let Your Light Shine with I'm Perfectly Human and Made with Zeal Thursday Favorite Things Be.You.Tiful -LSB-...]

-LSB-...] Linking up with these fab ladies: Let It Shine with Still Being Molly and Lipgloss and Crayons I Would So Rock This Mix It Mondays Monday Bloom Manic Monday with On the Daily Express and More Pieces of Me How I Fall with Pink Sole and Cha Cha the Fashion Genius Style to Inspire Monday Mingle Creative Mondays Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Tremendous Tuesday Stylish Tuesday Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Watcha Wearing Wednesday What Wives Wear with God Life Happy Wife and Curly Crafty Mom Three - fer Thursday with Perfectly Coutured and White Coat Wardrobe Throw Back Thursday Let Your Light Shine with I'm Perfectly Human and Made with Zeal Thursday Favorite Things Be.You.Tiful -LSB-...]

Whether you're watching Beck at a rural drive - in movie theater, backed up by 40 gospel singers, blowing into his rambler's harp, or the artist who dips marbles in ink and then sets them loose on a canvas, allowing the momentum of the train to dictate the drawing, every portion of Aitken's odyssey is a worthy addition to his collective ode to ideas and the endless possibilities of aesthetic communication.

The history of such directors making similar leaps is a mixed one: some have found great success and shown they can work on a big canvas, others have been sent back to the indie world with their tail between their legs.

Vocabulary gloves: have students write the vocabulary word on the back of cheap canvas gloves.

If you are short on space, there are some simple canvas ones that you can either hang on the back of a door or bolt to the wall like a piece of artwork.

While Canvas Curse introduced a new approach to platforming, Epic Yarn is a laid - back, calming breeze of a game that focuses less on the mechanics and more on the presentation.

Those curved areas may look back to Henri Matisse as well, pressed against a painting's edge like the leg and torso of a grand nude — even as that very edge takes on a touch of bare canvas that seems to change its dimensions and to divide a painting into two slightly misaligned panels.

As Frank Bowling put it, «the material landing on the surface (of the canvas) gives me back the information that I need to continue the search — I see if I can find the right balance and make it have meaning for me.»

Plenty of people have suggested Stella go back to geometric paintings on canvas.

Entitled «Reporting Back», the latter spans more than fifteen years of painting, whilst the exhibition in London presents new works, on canvas and paper.

The lovingly compiled exhibition highlights a recent body of paintings and drawings on canvas but also reaches back with prints, drawings and paintings beginning with his arrival in New York in... Read More

The lovingly compiled exhibition highlights a recent body of paintings and drawings on canvas but also reaches back with prints, drawings and paintings beginning with his arrival in New York in the late 70's.

In your inquiry, please include the unframed dimensions, the medium (oil, watercolor, pastel), the support (canvas, wood, cardboard, paper), any inscriptions on the front or back of the painting, and clear digital images of the front and back of the painting.

Finally, farthest back, there's a stretched linen canvas of the same dimensions on which the outlines of the facade are delineated in pencil.

The canvases sit one on top of the other, with the near one protruding horizontally, the one in back vertically — but to a different size and extent each time.

This superlative show is huge in every sense: big themes, giant icons of mid century art, enormous canvases, and no small amount of ambition on the Royal Academy's part, tackling an often shied from movement — or «ism» — which was last explored in such a survey in the UK back in 1959.

The color contrasts are startling, as in «Yellow Half» (1963), a canvas nearly six feet square with a solid V of vibrant red bordered by lemon yellow and then a more subtle red, the whole set on a stark black ground; that is, the ground forms two right triangles on either side of the V. Characteristically, Mr. Noland later went back to these V's, as in «Songs: Indian Love Call» (1984), but this time with very painterly effects, crumpling the flat surfaces with broken strokes of thick pigment.

He shed effortlessly the backing of Greenberg by rejecting the theology of post-painterly abstraction, which was that the colour should lie plainly on the surface emphasising the flatness of the canvas and eschewing illusion.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

Meanwhile, still other artists looked back on Malevich's monochrome with paintings that conveyed form only through the shape of the canvas, like Robert Rauschenberg's early 1951 white paintings (which he considered stages for the interplay of ambient light and shadow) and Brice Marden's imposing examples from the 1960s.

Lee's recent oil on canvas work and new prints bring the viewer back to Lee's early investigations of materials and process.

Despite using purist notions of abstract form and color that date back to 1950s art critic Clement Greenberg's domineering brand of New York School formalism, Lawson fashions nothing short of a vicious attack on photography's «objective eye» via these modestly sized canvases.

After Pollock viewed them, he went back home and blew them up to 9 by 12 feet (2.7 m × 3.7 m), pouring paint onto the canvas instead of brushing it on.

In working the two sides of a canvas, Nelson eventually decides on a «front» and «back» and then permanently stretches the canvas accordingly.

«Spiraling Out of Control» by Kieva Campbell is a unique acrylic on canvas painting signed by the artist on the back.

A lot of my sculptures have painted surfaces, and somehow I felt like I could have more fun going back to painting on canvas now.

He then poured paint on the back of the work and shifted the canvas to create different shapes.

The very first is displayed here lying flat on its back, so that the boxy canvas also reminds us of archival storage units and buried time capsules.