New York City About Blog BWGallerist is dedicated to promoting fine art photography with special emphasis
on Black and White photography.
Portrait Lighting has several shooting modes, including one focused
on black and white photography.
New York City About Blog BWGallerist is dedicated to promoting fine art photography with special emphasis
on Black and White photography.
Not exact matches
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Photography: Ashleigh Jayne
Photography / / Coordination & Styling: Angela Marie Events / / Place Cards: Peter Loves Jane / / Flowers
and Fabric Hearts: Poppy
and Mint / / Hand - Lettering: Whatchawant Design / / Hair: Alison Smith with Parket Paris Salon / / Makeup: Shena Cox / /
White Cart & Vanity: Timeless Vintage Rentals / / Gold Sequins Tablecloth: Sparkle Pony / / Dress, Fan, Cake Topper, Petticoat, Gold Pumps, Heart Sunglasses: Modcloth / / Tin Container, Striped Ribbons, Heart Chalkboard, Candy Containers, Cake Stand,
Black Lace Runner: Afloral / / Notebook, Glasses
on Table, Napkins: Anthropologie / / Groom's Attire: Urban Outfitters / / Venue: Desert Plantation in St. Francisville, Louisiana.
Find information
on Night & Nocturne
Photography, feature night photographers, black and white p
Photography, feature night photographers,
black and white photographyphotography.
Baumbach decided that the
photography should be
black and white,
and Sam Levy has done a splendid job of shooting it; it reinforces Frances» reductive outlook
on life.
It isn't just the
black and white photography or getting all the credits up front that establishes
On the Waterfront as an old production.
In the Tyrone Power featurette included
on Fox» Son of Fury DVD, Power apparently begged Zanuck to shoot the film in Technicolor, but the
black &
white photography definitely darkens the tone of the film
and steers it away from the more frothy costume romp Alfred Newman's score clearly conveys.
Payne films this road trip dramedy in rich
black -
and -
white, perhaps echoing back to another great film about someone from the Midwest
on a quest, The Wizard of Oz, in which Dorothy's home life
on a far in Kansas is in traditional B&W
photography,
and her experience in the great land of Oz is in vibrant color.
In this excerpt from a new interview
on our special edition release of the film, director of
photography Frederick Elmes discusses David Lynch's approach to lighting his high - contrast
black -
and -
white breakthr...
The Contemporary guest rooms
and suites also include a number of
black and white photographs, but focus
on a collection of large - scale color
photography.
Henry Louis Gates Jr.'s essay
on Frederick Douglass is very empowering,
and at the end he says, «Even a lecture about something as seemingly apolitical as
photography or art in the end must by definition be engaged within
and through Douglass's state of being as a
black man in a
white society in which one's blackness signifies negation.»
With her forceful
black -
and -
white self - portraits at Yancey Richardson, Muholi riffed
on the conventions of colonialist
photography, with sly alterations: in post-production, she rendered her skin darker.
Lesley Dill Healing Poem Diagram, 1996 Ink, wire,
black and white photography on silver print paper 67 1/2 x 41 inches LDd 60
His use of color film in the early 1980s, at a time when British
photography was dominated by traditional
black -
and -
white social documentary, had a revolutionizing effect
on the genre.
Dennis Hopper's The Lost Album, a collection of the late actor's poignant
black -
and -
white photography on view now at L.A.'s Kohn Gallery through September 1, was made possible by two key actors: his Rebel Without a Causecostar James Dean, who encouraged him to try his hand behind the camera (albeit as a director),
and his first wife, Brooke Hayward, who bought him a Nikon mirror flex in 1961.
Carter's own show currently
on view at Sauvage includes
photography, painting,
and drawing in unexpected combinations: Carter displays a sheet of geometric tattoo flash she's designed,
and also includes her
black -
and -
white self - portrait in which she turns away from the camera to display one of the tattoos
on her shoulder.
For two weeks we will briefly depart from our regular exhibition schedule to showcase a selection of
black &
white works
on paper including drawing, painting, mixed media,
photography, printmaking,
and more.
Maybe
photography in
black and white depends
on shades of gray,
and maybe every shade of gray flirts with the clarity of
black and white.
While his teacher is noted for his
black -
and -
white images, Epstein is a master of color
photography, capturing
on film the American experience as well as images from countries throughout the world — he has traveled extensively
and realized series
on locales including Vietnam, India, Berlin,
and his hometown of Holyoke, Massachusetts, among others.
Monochromatic painting might emulate light
on stone or the fall of drapery,
black and white photography, or an old movie still.
The
black and white photography series of Renos Evryviades - Wideson (b. 1920) Buffavento Castle (1950), Harvest Time (1953),
and St. Hilarion Castle - Aerial (1955) as well as Zenon Sierepeklis» (b. 1947) Latchi (1998/99), Terra (1999),
and Latchi (2002) unfold the transition from documentary
and landscape
photography to a more conceptual rendering of space imbued through the aesthetics of industrialization
and monumentality as a result of human intervention
on natural habitats.
In the fall of 1976, Kruger abandoned art making
and moved to Berkeley, where she taught at the University of California for four years
and steeped herself in the writings of Walter Benjamin
and Roland Barthes.She took up
photography in 1977, producing a series of
black -
and -
white details of architectural exteriors paired with her own textual ruminations
on the lives of those living inside.
The exhibition represents the first solo show of the artist's early
black and white photography from the 1940s
and 50s,
and will focus
on more than 40 images including many unique prints that have never before been exhibited.
The work selected for this show present the various viewpoints from mugshots of the artists» family members in Tyanna Buie's large works
on paper, to the artist - as - collaborator
and documentarian of addressing the struggles of family members neighbors
and victims in the
black and white photography by Carlos Javier Ortiz
and the video installation
and archive by Tirtza Even.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands
on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artform
on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies,
White Box, New York, USA 07.2007 Swallowing
Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde
and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of
Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons
and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art
and Design 03.2002 Photoscoptocus, Camden Lock / Henley -
on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artform
on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles
and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001
Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum
and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly
and Alice Maher) 05.2000
On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artform
On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy
and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
As a student, Yoshino was influenced by the photographer Kiyoshi Suzuki; from the late 1990s
on, she produced many
black and white works in this mode of street
photography.
Gronon's Manure series — piles of manure captured in different bucolic locations - reference historical landscape paintings, but
on an intimate scale
and in subtle tones of
black and white photography.
Chinese master of
black and white photography Fan Ho's work was
on show at Shanghai's M97 Gallery until 12 November 2016.
Changing Colors: a workshop
on toning
black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier:
on his
photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, P
photography, Portland Community Colleges, Rock Creek, Sylvania,
and Cascade campuses, Portland, OR Peculiar to
Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, P
Photography, slide lecture for the exhibition, «Seeing Through
Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, P
Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky
Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, P
Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century
Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, P
Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998
Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, P
Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries
on a Plate Glass - Early
Photography of Egypt, slide presentation, the Portland Art Museum, P
Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR
Artist: Marguerite Humeau Exhibition title: Echoes Venue: DUVE Berlin, Berlin, Germany Date: May 1 — June 6, 2015
Photography: images courtesy of the artist
and DUVE Berlin When Marguerite Humeau's exhibition * Echoes * closes
on June 6, the hypnotic yellow pigment that dresses the walls of the gallery for her work
Black Mamba will presumably be repainted in a casual
White Cube w
White Cube
whitewhite.
Gilpin, hailed during her lifetime as the «grand dame of American
photography,» was one of the first women to capture the landscape
and peoples of the American West
on black -
and -
white film.
Chuck Close Photographs,
on view from March 20 through October 2, 2016 features 86 images from 1964 to the present
and illustrates the full range of the artist's exploration of
photography — from early
black and white maquettes, to monumental composite Polaroids, to intimately scaled daguerreotypes
and recent Polaroid nudes.
Lesley Dill A Thought Went Up My Mind Today, 1996 ink, thread,
black and white photography on silver print paper 69 x 40 inches (framed)
His use of color film in the late 1970s
and early 1980s, at a time when British
photography was dominated by traditional
black -
and -
white social documentary, had a revolutionizing effect
on the genre.
His
photography is characterized by powerful, high contrast
black -
and -
white pictures, largely concentrating
on little - seen parts of the city
and highlighting the effects of industrialization
on modern life in Japan.
Focusing
on photos taken in buzzing cities, with their cosmopolitan cast of hipsters, businessmen, beauties
and criminals, Street & Studio builds an engrossing urban history of
photography, ranging from early
black -
and -
white pictures from the late 1800s, to elegant fashion
photography from the mid twentieth century, to cutting - edge portraiture by contemporary artists.
Baltimore collectors Tom
and Nancy O'Neil have given the institution two dozen color
and black -
and -
white works by 19 important artists of our time, including Dawoud Bey, celebrated for his portrait
photography,
and Edward Burtynsky, whose photos document humanity's impact
on the environment.
Metaphors in
photography's formal elements are almost always trite; paneling divides a
black man
and a
white man in «Meeting of the worker - management Liaison Committee of the Colgate - Palmolive Company» (1980),
and in «An officer of the Voortrekkers» (1980) a
white woman
on the frame's center line is isolated from a sense of humanity.
Her bold works combining
black -
and -
white photography and white -
on - red type have become icons of late 20th Century art.
William Eggleston was raised
on a cotton plantation in Mississippi
and he began to experiment with color
photography in the late 1960s, despite the mainstream bias toward
black and white photography.
This exhibition seeks to show art that has cast away the color system
and focuses
on the visual power of
black and white; reflecting the innovative
and contemporary in painting,
photography, drawing, printmaking, mixed media
and sculpture.
Vuwyelwa Vuvu Makubetse, Daveyton, Johannesburg, from the series «Faces
and Phases» 2013, by Zanele Muholi
on the cover of the May 2015 issue of
Black +
White Photography magazine.
Relying
on the found object, Richter started to create large - scale photorealist copies of
black and white photography which he rendered in a range of grays with a characteristic blurred effect.
Moreover, they both draw
on the medium of
photography: Marlene Dumas paints from photographs, while Ross Bleckner's
black -
and -
white photographs were taken especially for this issue of Parkett.
Black and White This exhibition seeks to show art that has cast away the color system and focuses on the visual power of black and white; reflecting the innovative and contemporary in painting, drawing, printmaking, mixed media and photogr
Black and White This exhibition seeks to show art that has cast away the color system and focuses on the visual power of black and white; reflecting the innovative and contemporary in painting, drawing, printmaking, mixed media and photogr
White This exhibition seeks to show art that has cast away the color system
and focuses
on the visual power of
black and white; reflecting the innovative and contemporary in painting, drawing, printmaking, mixed media and photogr
black and white; reflecting the innovative and contemporary in painting, drawing, printmaking, mixed media and photogr
white; reflecting the innovative
and contemporary in painting, drawing, printmaking, mixed media
and photography.