This circa 1960s acrylic and chalk
on canvas painting entitled «White Sails» is by Barbara Lewis (1925 - 2008), a Chicago - based painter, photographer, and printmaker.
Not exact matches
«No Love Lost» was the first UK exhibition of Hirst's series of oil
on canvas works collectively
entitled the «Blue
Paintings».
Peggy Bates October 20 — November 26, 2011 Presenting new acrylic
paintings on canvas by abstract artist Peggy Bates in an exhibition
entitled Channels inspired by the artist's recent observations of light and color in California's Channel Islands.
Entitled «Reporting Back», the latter spans more than fifteen years of
painting, whilst the exhibition in London presents new works,
on canvas and paper.
Rudolf de Crignis,
Painting No. 97 — 23 (Ultramarine Blue, Zinc White, Ruby Lake), 1997 Oil
on canvas, 30 x 30 inches May 21 — July 3, 2009 Lawrence Markey presents an exhibition of
paintings by Rudolf de Crignis (1948 — 2006),
entitled grays and blues.
Presenting new acrylic
paintings on canvas by abstract artist Peggy Bates in an exhibition
entitled Channels inspired by the artist's recent observations of light and color in California's Channel Islands.
In 1970, Willis was included in the exhibition
entitled «Lyrical Abstraction» [1] curated by Larry Aldrich, and the
painting from this show, «Wall», 1969, acrylic
on canvas, 96 inches by 114 inches, was originally exhibited at the Aldrich Museum of Contemporary Art, in Ridgefield, Connecticut.
Using a «found» Korean action thriller by director Kim Jee Woon,
entitled A Bittersweet Life (2005), Webster works with
paint and encaustic wax
on large and small - scale film stills (computer - generated screenshots), which have been printed onto synthetic and slippery digital
canvas.
The exhibition will also include two
paintings spanning 30 years: a grid
painting entitled Untitled 801 (1978, acrylic
on canvas, 48 x 48 inches) and a brushstroke
painting entitled Untitled 9 -25-8 x 13 -25-7 x 23 -25-6 x 27 -25-6 (2010, acrylic
on canvas, 36 x 36 inches).
New York - based artist, Kevin Cyr, recently opened an exhibition
entitled In Praise of Rust at Jonathan Levine's gallery, featuring many recognizable names
on the artist's oil
painted truck
canvas
New York - based artist, Kevin Cyr, recently opened an exhibition
entitled In Praise of Rust at Jonathan Levine's gallery, featuring many recognizable names
on the artist's oil
painted truck
canvases.
The most delightful work being offered is Lot 238, a
painting of a
paint - smeared putti flying in the clouds
on his palette,
entitled «Protector Noster Aspice,» 38 1/2 by 28 inches, oil
on paper mounted
on canvas, executed in 1984 by Sandro Chia.
Entitled «Laacher Wiese (Laacher Meadow), the oil
on canvas measures 34 1/4 by 48 inches and was
painted in 1987.
And
on May 15, 2002, a single candle
painting by Richter Gerhard Richter,
entitled «Kerze,» a 35 3/8 - by - 37 3/8 - inch oil
on canvas, executed in 1982, sold at Sotheby's above its high estimate for $ 3,969,500 including the buyer's premium (see The City Review article).
Photographs of
paintings include Gursky's untitled photograph of an 1889 Van Gogh
entitled Wheat Field behind Saint - Paul Hospital with a Reaper and a photograph by Michael van Oven of one of his own
painted portraits
on canvas.
: the work
entitled Antropometrie (1960) consisted of the artist «
painting» a
canvas with the support of naked women
painted in blue, who had to stamp their body - silhouettes
on it.
A series of intimate, 12 - inch square
canvases entitled «Fragrances for Stephen» feature various small, deftly
painted, designer bottles of eau de cologne (Caron Royal Bain de Champagne, Guerlain Jicky, Knize Sec, and the like)
on washes of modulated color.
FFDG is pleased to present San Francisco - based artist Ryan De La Hoz (who has been featured by Juxtapoz in both our print and online editions) in his first solo show with the gallery
entitled «Impassible Terrain» including cut paper works, textiles, puzzles, drawings, works
on canvas, and a watercolor
painting on wood.
General Idea's
painting in HOMOGENIUS is
entitled «Crème de la Crème de la Crème», oil
on canvas, 42 ″ x 42 ″, and is described by this collective as «General Idea's stylized geometric poodle machines go through the motions simulating sex tableau vivant in a post-empire manner».
The signed and dated oil
on canvas entitled Baile en Tehuantepec,
painted by Diego Rivera in 1928, is the artwork of this Mexican painter that was sold for the highest price among all of his artworks.
Expanding
on an expansive subject launched in July with an exhibition by Margie Livingston,
entitled Paint as
canvas, and now continues with Analia Saban in a solo project
entitled Is this a
painting?.