Sentences with phrase «on canvas painting titled»

An oil on canvas painting titled «The Soothsayer» by Swiss - American Artist John Konstantin Hansegger.

Not exact matches

Rosie O'Donnell deals with her anger over Trump's presidency by painting acrylics of him on canvas and, using an iPad Pro and a stylus, creates disturbing digital images of her archenemy with titles like «Coward,» «Liar,» «Rapist,» «Thief,» and, most recently, «Stormy.»

Chiara's «Material Puns» use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop - Art, Dadaism and Ready Made.

Add in the Surface Pen (for an additional cost of course), and you've got a powerful note - taking machine for those who may not type during a meeting or class as fast as they can write (not forgetting you can also use it to sketch a quick diagram, add notes to the margins of your PDF files, and paint with it on - screen as if were a brush on canvas... heck, you can even handwrite musical scores or do your crossword puzzles easily using the pen as long as you are willing to pay for the requisite titles like the New York Times Crossword app in the Windows store).

The 80 - year - old Sam Gilliam, known for his ravishing color - field canvases that he sometimes drapes sculpturally on the wall, painted a monumental canvas stained and splattered all over with hot pinks and reds, titled Red April (1970), in direct response to the assassination of Martin Luther King Jr. on April 4, 1968.

Using oil and acrylic on canvas, none of his fine art is titled - but you can see he simply prefers to paint haunting portraits of unknown subjects... people we might never know or understand.

Whitten made the painting, titled Sorcerer's Apprentice, by laying the canvas on the floor, dragging a squeegee across it to mix colors, and letting the... Read More

Soutine's thickly painted canvases, which often harness the physical properties of his medium to depict carnage and meat, are currently on view at the Jewish Museum in New York, in a survey aptly titled «Flesh.»

A leading Abstract Expressionist and the author of over one hundred paintings that he titled Elegy to the Spanish Republic (completed between 1948 and 1967), Motherwell created his mostly monochrome canvases as a «lamentation or funeral song» on the subject of the Spanish Civil War.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

Here, with titles including «Afronirvana» (2002) and «Triple Beam Dreamer» (2001 - 02), Ofili's multifaceted approach is at its finest, layering acrylic paint, glitter, resin, foil and leaves on horizontal and vertical canvases.

For this new series, titled «Mimbres,» she picks up on her studies of tiles while also injecting this new cultural reference, painting the geometric Mimbre designs on the edges of the canvases.

Titled «The 80's: Grey Paintings» — it unites more than twenty grey paintings, concentrating on horizontal divisions of six - foot square canvases, that haven't been exhibited together for more than twoPaintings» — it unites more than twenty grey paintings, concentrating on horizontal divisions of six - foot square canvases, that haven't been exhibited together for more than twopaintings, concentrating on horizontal divisions of six - foot square canvases, that haven't been exhibited together for more than two decades.

In 2008 Hirst created a series of 150 works made up of butterfly wings on painted canvases, each titled after an Old Testament psalm.

Aptly titled, Robert Rauschenberg's Collection (1954) presents an array of photographs, fabric scraps, newspapers clippings, wood blocks, paint drips, shapes, colors, and textures jostling with one another and jockeying for position on one vibrant canvas.

CLEVE GRAY Silver Spectre, 1967 Acrylic on canvas with aluminum paint 82 x 50 inches Signed, titled and dated

This group show, by nine artists, of paintings, prints, relief objects and works on canvas takes its title, Where Were You?

Rob Pruitt, Not yet titled, 2013, Acrylic, enamel paint, and flocking on canvas, from 75 x 60 cm to 80 x 65 cm.

Top Image (2): NINA CHANEL ABNNEY, «To Be Titled,» 2016 (acrylic and spray paint on canvas).

The painting is one of the more striking on view in the Norman Lewis retrospective, a 1953 abstract on untreated canvas, the title is unknown (shown above).

Courtesy the artist and Jack Shainman Gallery, New York; NINA CHANEL ABNEY, «To Be Titled,» 2016 (acrylic and spray paint on canvas).

The wide - eyed, tender grace of Larry Jens Anderson's gaze shines through in the 35 drawings, paintings and mixed - media canvases currently on exhibit in his solo show titled The Past is Never the Past, through April 12 at Kai Lin Art.

Web of Desire # 1 (Large Study for Pure Painting), 2013 Acrylic on canvas 76 x 84 inches Signed, dated and titled on verso.

Web of Desire # 3 (Study for Pure Painting), 2013 Acrylic on canvas 38 x 54 inches Signed, dated and titled on verso.

The exhibition also includes a large painting on canvas titled Bronco that employs sections of a 1930s illustration by Norman Rockwell.

Kettle's Yard is showing 10 canvases from her last years (she died in 2004 aged 92) alongside one well - known painting of 1965, the Tate's «Morning», and a suite of 30 screenprints titled «On A Clear Day» — all of which represent grids whose original ruled pencil lines are reproduced with illusive accuracy.

Collection: Open World Title: open your heart VI Size: 100.0 H x 100.0 W x 4.0 cm Painting: Mixed media (Acrylic, spray paint, gold colour and spray, neon spray, soft pastel, pencil) on high quality canvas, edges painted, framing not necessary.

(Juxtapoz Magazine) Her newest paintings, titled «The End Of Love», and on view until May 13th, 2018, burst off the canvas with sensual depictions of rich, bold color, and sexuality, revealing — at last — the truth of the female gaze, from a purely honest, female perspective.

Paris's Matthieu Haberard brings five new pieces — with a dark wood, epoxy, acrylic painting titled «Screen, where the touch, is a real sensation» (2015), a can - and - water sculpture called «Combine painting» (2015), a wood - and - electric cable piece called «Your time is running out» (2015), as well as two sculptural installations made of steel, plexiglas, acrylic on canvas, titled «Marcel; Where the bulbs are?»

Other records set at the sale included $ 1.1 million for Brazilian artist Candido Portinari's oil on canvas titled Navio negreiro, 1950, against an estimate of $ 700,000 / 900,000 and $ 794,500 for Argentinian artist Emilio Pettoruti, for the oil painting Concierto, 1941, which was estimated at $ 300,000 / 500,000 and had been in the same private collection since it was acquired directly from the artist.

Other top lots included Vasily Polenov's painting The Lookout, 1876, which sold for # 481,250 ($ 755,707) on an estimate of # 400,000 / 600,000, and Nikolai Roerich's tempera on canvas titled Lhamo, 1927, which sold to a private CIS buyer for # 601,250 ($ 944,140), compared with an estimate of # 500,000 / 800,000.

The following gallery accomplishes this same end, with Cannon's acoustic guitar on display flanked by two of his early paintings — one a portrait of Bob Dylan, the other a towering canvas titled

Using William Gibson's writings on atemporality as a point of departure, Hoptman culled canvases registering traces of earlier styles and times — from Kazimir Malevich's utopian abstraction to Barnett Newman's heroic zips to the title of a Lucio Fontana painting — in sometimes overt, sometimes clandestine ways.

For the fifteen mud - brown monochromes in this show, each titled «Debris Field,» the young New York artist created low - relief molds based on photographs of detritus found in his studio (wood, dirt, etc.), filled them with acrylic paint, and attached the hardened results to canvas.

Robert Ryman (b. 1930) Bridge signed, titled and dated «Ryman 1980 «BRIDGE»» (on the overlap) oil and rust preventative paint on canvas with four painted metal fasteners and square bolts 75 1/2 x 72 in.

Works in the exhibition range from the canvas from which the exhibition takes its title, Painted on 21st Street (1950 — 51) to the celebrated Mountains and Sea, of 1952; to key paintings of the later 1950s, among them The Museum of Modern Art's Jacob's Ladder (1957), and the UC Berkeley Art Museum's expansive Before the Caves (1958).

A neon sign with the title of the exhibition, referring to the title of the art - history guidebook 1,001 Paintings You Must See Before You Die (2007), rested on the floor against the gallery walls, which were covered with dozens of small A4 paper - sized monochromatic canvases arranged in a grid.

oil on canvas titled «Jubilee, C. 1955 a total mastery of composition and lyrical — gestural painting and also the work «Untitled II, C 1957 Collage and Gouache on paper, 22.5 x 28.5 in I wish I could call this work one of my own — It just resonates, What a treat for me to see this work and be introduced to such a great painter!

Ed Moses Vinca, 1989 Acrylic, shellac and asphaltum on canvas Unsigned; Titled and dated in ink on verso 96 x 60 inches Provenance: Illustrated in MOCA Ed Moses: A Retrospective of the Paintings and Drawings 1951 - 1996 catalogue, 1996, plate 43, page 95, exhibition tag on verso; Louver Gallery, New York, NY, tag on verso; L.A. LOUVER Inc., Venice, CA, tag on verso Estimate: $ 40,000 / $ 50,000

Two other intriguing pieces both titled I Saw the 18th Century illustrate a painting represented by a wooden canvas in both cases that feature carved, circular designs and other colorful geometric shapes resting on an easel.

The Amy Feldman painting your show in the 2nd illustion is titled: Civic Psychic, 2016, Acrylic on canvas, 79 x 79 inches.

Musing upon the exhibition's title, Realisms, Mitch Griffiths explains, «When I'm standing at an easel, painting, I tend to inhabit my own little pocket of reality, trying to create my own reality on the canvas.

Accompanying these works is «Pool» (2011), a silver painting on canvas, made with spray paint and enamel, which functions, just as its title suggests, as a banal puddle.

For this exhibition, the Cuban - born artist presents a series of nine related oil on canvas paintings that together go under the title Hendrickje.

Brent Wadden To be titled, 2016 - Detail Painting - Handwoven fibers, wool, cotton and acrylic on canvas 117 x 132 cm (46.06 x 51.97 in)

She was a spiritualist who worked on a large group of canvases collectively titled The Paintings for the Temple between 1906 and 1915.

While he would not begin titling his oil on canvas paintings Wall of Light until 1998, Scully credits a trip to Mexico in the early 1980s as the crucial moment of the series» origin.

Two oil on canvas paintings, titled African Sculpture in Lower Manhattan, circa 1965 and Anemonies in Rusted Can, 1975 by Gandy Brodie.

Two bronze sculptures, titled Madame as Recamier and Untitled; and acrylic painting on canvas, titled Flood of Values, by Gary Stephan.

The original title of the painting is The Brothel of Avignon 243 x 233 cm or 96 x 92 inches Oil on canvas painting Located at the Museum of Modern Art in New York City, New York, United States of America.Continue Reading