Her large - scale oil
on canvas paintings question how art can become a place by its interaction with the environment and how the space can become the artwork.
Not exact matches
The exhibition «In Different Ways» at Almine Rech Gallery focuses
on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray
paint, silkscreen and even pouring
paint, collaging a range of materials,
questioning canvas and wood support structures, or a combination of these processes.
By employing variations
on color, size,
paint application, format, and the stretch of the
canvas, Mosset has continued
questioning the preconceived notions of what constitutes a
painting.
The
painting in
question, a close - up of Branson with the Antwerp skyline in the background, was done
on a large
canvas in Engels» distinct visual style of sepia tones and pallet knife - applied
paint.
Rudolf Stingel, a conceptualist to the core, has made a number of
paintings on canvas over the past two decades, but he has also presented industrial, sometimes stained, carpets as monumental modernist monochromes that he insists can only be read as
paintings —
paintings that inherently
question what a
painting should be.
Executed
on unprimed
canvas and attached to rollers, it differs from conventional
painting by exploring the
question of time: the near - invisible tiny dots made by the gun hover
on the verge of existence, suggesting «a coming into being» when they accumulate with others; and by rolling the
canvas up and down, Latham was able to make
painting a temporal exercise in a process analogous to memory, aimed at exemplifying the experience of past, present and future.