Not exact matches
This selection of tough and tender, large - scale
works of oil
on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an
added layer of mediation.
Also of interest are a series of photographs by Anne Sager, James Brooks's The Springs (lithograph, 1971), Marcia Gygli - King's Main Beach, East Hampton (oil
on canvas, mixed media frame, 1988 - 91), and Terry Elkins's Montauk (collage and pencil, 1994 - 97), a
work which is memorable both for his signature collage technique but also for the use of shadowing, which
adds a significantly suggestive intimation to the image of the Montauk lighthouse.
Both of these artists create intricate art - Brookes
works with clay and mixed media creating wall
works in high relief and King is a mixed media artist who has
worked primarily with paint and collage
on canvas and paper, but now has
added three dimensional digital art to her oeuvre.
Wood has developed six portfolios of
work and
adds to them frequently... Found Object Sculpture, Hand - Carved Sculpture, Tapestry With Found Objects, Drawing, Oil Painting
on Canvas or Glass, and the newest... Collage.
A hands -
on painter, she
works intuitively, freely applying vigorous flurries of
added or taken away, a self - imposed game explored through shapes, marks and colors, which organize the space of the
canvas.
However, several larger
works are created
on unstretched
canvas that
adds a layer of dimensionality to the form.
Reginato has recently produced a series of paintings in enamel
on canvas that are brilliantly colorful and dynamic,
adding a new dimension to his
work.
In January 1979, Soulages
worked on a
canvas adding and removing black for hours.
Influenced by collage artists such as Robert Rauschenberg, Holland
works on paper and
canvas,
adding found objects to his compositions.
He
works on a stretched, draped and wrapped
canvas adding sculptural 3 - D elements.
Inspired by Georges Braque, Paul Klee, Julius Bissier, František Kupka and the Bauhaus artists, Tom John creates gouache
on paper or
canvas works, sometimes
adding newspaper and gold or silver foil to his paintings.
Soft lines are produced through frottage, a technique for which the artist rubs pastel
on to an unstretched
canvas that has been placed over a tangle of cord or string, then often completes a
work by
adding pigment to the surface.
Vance
works in both oil
on linen and watercolours and has said of her
work: «I am constantly disguising and
adding information, masking figuration, and opening and closing spaces in the
canvas until the composition behaves in a way that challenges the paintings hanging
on the wall next to it.»
For this exhibition, Conrad will reconfigure his prison project,
adding a new series of diagrammatic
works on canvas, effectively projecting the disciplinary penal institution through the kunsthalle's architectural and institutional context.
Like some of the
works on view, it is painted in a combination of house paint (alkyd) and oil
on canvas, lending its colored segments an
added dimensionality that presages Taylor's later sculptures.