David Claerbout Sean Kelly Gallery Olympia (Simulation of late april snow (not yet permanent 1 day)-RRB-, 2016 inkjet print, collage, tape, washed ink, acrylic paint, felt pen and pencil
on cardboard image: 15 15/16 x 23 3/8 inches (40.4 x 59.4 cm) paper: 23 5/8 x 31 1/2 inches (60 x 80 cm) framed: 25 3/4 x 33 5/8 x 1 3/4 inches (65.4 x 85.4 x 4.4 cm) DC - 55
David Claerbout Olympia (Januari 2018 -4 °), 2017 inkjet print, collage, tape, washed ink, acrylic paint, felt pen and pencil
on cardboard image: 16 1/2 x 22 7/16 inches (42 x 57 cm) paper: 23 5/8 x 31 1/2 inches (60 x 80 cm) framed: 25 3/4 x 33 5/8 x 1 3/4 inches (65.4 x 85.4 x 4.4 cm) DC - 66
Not exact matches
Greeting Mr. Zuckerberg
on Tuesday are dozens of
cardboard cutouts of his own
image wearing «fix fakebook.»
Images have surfaced of retailers having received Red Dead Redemption 2 posters and
cardboard boxes with promotional artwork
on them.
Unlike a theme park ride which often directs your attention through sound cues placed in a 360 degree fashion around a room (think of the Hall of Presidents in Walt Disney World), cinema sound must contend with a two - dimensional screen
on which audiences must stayed focused, even with 3 - D presentations where your eyes remain fixed
on a general axis, where any movement outside that axis might reveal the
images to be
cardboard cutouts — a phenomenon all too familiar to me.
View these
images in Google
Cardboard,
on your PC, or in a VR headset.
Images have surfaced of retailers having received Red Dead Redemption 2 posters and
cardboard boxes with promotional artwork
on them.
An En - Tele - Shit of the Specular
Image Separated from the Truth for a Better Dispossession of Yourselves (Installation project), six - second color video loop with sound projected
on a home television set,
cardboard sculptures of a television and skull, paraffin arm:
cardboard, plastic and dyed paraffin.
In your inquiry, please include the unframed dimensions, the medium (oil, watercolor, pastel), the support (canvas, wood,
cardboard, paper), any inscriptions
on the front or back of the painting, and clear digital
images of the front and back of the painting.
Image Two Hundred Fifty Six, 2014 - 2015, oil, ink, paper, canvas,
cardboard, cedar, lacquer, fiberglass
on panel, 44,5 x 28 x 15,5 cm (Collection Centraal Museum, Utrecht)
The title of the exhibition, Re-Reading refers to works
on paper; reproduced found
images on cardboard, reproductions of wallpaper that has been recycled and reenlisted serving as a palimpsest and ground for a stasis where anything can occur; two chairs, and spray painted Plexiglas works that cover found enlarged photos from a book
on Ernest Hemingway's house in Cuba.
Image Credits: Untitled, 2010, Silkscreened acrylic
on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic
on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood,
cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and
cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint
on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic
on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic
on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt
on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014,
Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and
Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
TOP
IMAGE: BILL TRAYLOR, «Untitled (Radio),» circa 1939 — 1942 (opaque watercolor and pencil
on printed advertising
cardboard).
Thomas Demand (b. 1964) makes work consisting of photographs, films, and related artist books based
on sculptures created from paper and
cardboard; the sculptures themselves are representations of source
images culled largely from mainstream media.
«Berlin, 1973» 2013, artist book facsimile, 78 pages, b / w
images, mounted
on cardboard, linen binding, slipcase 20 x 30 x 7,5 cm Edition 100, sign.
Image Above: KADER ATTIA, Modern Architecture Genealogy, 2014, collage
on cardboard.
The title of the exhibition, Re-Reading refers to works
on paper; reproduced found
images on cardboard, reproductions of...
Painted
on wax paper or corrugated
cardboard, they tend to contain a simple
image --(a core of brush strokes and paint drips)--
on a plain, coloured ground.
On the mezzanine level, the three hundred stacked
cardboard cartons in Box Sculpture engage the majority of the space, but if one explores around all sides, one finds a haphazardly placed series of nine framed prints, some leaning against the sides of the large sculpture, which offer selected
images of the artist's earlier work.
A collection of richly textured works, which blend gestural painting, figurative drawing and collage
on everything from small pieces of
cardboard to boards measuring nearly 4 x 6 feet, the exhibition is an audacious debut in a city where the shadows of Abstract Expressionism still loom large whenever an artist splatters, drips, scrapes, pours, or otherwise flings paint at or
on a surface to make an
image.
In constructing life - sized models out of paper and
cardboard often based
on images taken from various media sources, and by photographing the constructed scene, Demand plays with the viewer's notions of the real and the fictional.
When he drew a life - size
image of a car
on a large, white
cardboard box in the center of the main gallery at the New Museum, then proceeded to smash the «windows» with a crowbar, shattering a «door» and climbing into the «vehicle» to cause more damage from the inside, the effect of this fake violence was not fake at all.
The title of the exhibition, Re-Reading refers to works
on paper; reproduced found
images on cardboard, reproductions of wallpaper that have been recycled and reenlisted serving as a palimpsest and ground for a stasis where anything can occur; two chairs, and spray painted Plexiglas works that cover found enlarged photos from a book
on Ernest Hemingway's house in Cuba.
The
images are then fabricated as life - sized
cardboard cut - outs (similar to those found in cinemas promoting the current releases) and exhibited
on custom - made plinths of the same material.
The Advocate newspaper, based in Louisiana, reported in 2015 that a mother in Prairieville threw a Bart - themed birthday party for her 2 - year - old son complete with an
image of Bart emblazoned
on his birthday cake, a Bart
cardboard cutout, a T - shirt and an autographed picture.
Images have surfaced of retailers having received Red Dead Redemption 2 posters and
cardboard boxes with promotional artwork
on them.