Films like «Silent Hill» and «Resident Evil» attempt to take video game worlds that feel inherently cinematic in their storytelling structure and gameplay and make them as entertaining
on celluloid as they are on - disc.
We are so fortunate to still get great guests and films, and to have the facility at the beautiful movie palace, the Virginia Theater, to show movies
on celluloid as well as in 70 mm.
Not exact matches
Here
celluloid's gift for facsimile achieved its ultimate expression, the complete transmutation of reality into illusion,
as three - dimensional flesh - and - blood beings were transformed into two - dimensional ghosts shimmering
on a screen.
A trim, informative 99 - minute primer
on celluloid film, which to many viewers has a warmth and feel
as soothing
as buttered popcorn, and the brave new world of digital cinema.
Haneke and his actors, playing the bittersweet music of Haneke's crafted - down - to - the - essential script, show us fully and roundly what's at stake even
as they depict its cruel, slow, biologically - mandated slipping away, and there's simply never been anything, no depiction of romantic / eternal love, more affecting put
on celluloid: The fruits of Haneke's unwavering banishment of any easy sentiment or banal platitudes or reassurances about the human spirit is a pure, clear, penetrating, and overwhelming emotion.
His long takes, tracking shots, use of natural lighting, admiration for shooting
on celluloid film and blend of comedy and drama have distinguished his films
as pictorially attractive and thematically inimitable.
B. Dennett, The American Presidency
on Film: Real and
Celluloid as Seen from Down Under, or... We've Seen All the Great Presidents in Boolaroo # 17.
From the news story
on Variety: «Videa hired German lab TLEFilms to do digital restoration
on the damaged 35 mm
celluloid original... The original Suspiria screen titles have been also been restored,
as they appeared in Argento's original cut.»
THE DVD by Bill Chambers It's not clear from the press release whether Lovely and Amazing, which was shot in 24 fps HiDef, bypassed a
celluloid intermediary in its transfer to DVD, but whatever the case, the film looks technically
as lush
on the format
as the all - digital Star Wars: Episode II - Attack of the Clones.
As well, you can take a peek at composer Harold Arlen's home movies, outtakes and deleted scenes, special effects sequences, the 1938 MGM short From the Vault: Another Romance of
Celluloid: Electrical Power, the 1939 newsreel Cavalcade of Academy Awards, the 1939 trailer Texas Contest Winners, audio vault, the radio promo Leo Is
on the Air, the 1939 radio show Good News, the December 25 1950 Lux Radio Theater broadcast, and stills galleries.
So young Miss Johnson can be seen
as the happy end - result of a three - generation genetic experiment, conducted
on celluloid.
Now, 30 years later, the film holds up not only
as an insightful look into teenage life in the»80s, but also
as one of the most honest and perceptive depictions of the teenage experience to be captured
on celluloid.
I could have feasted
on every luscious strip of
celluloid twice
as long.
As with most biographies and true stories put
on celluloid, only so much can be folded into a feature - length film.
As ever, it's odd that Nolan should be such a fervent champion for shooting
on celluloid when so many of his images are monotonous and filmed in a color and lighting range that's more typical of digital.
Shot with the Viper, the HiDef camera of choice among maverick filmmakers, Zodiac looks
on the format like grainless
celluloid, but not like
celluloid that has fallen victim to DVNR; there were moments where I felt
as if I was seeing things
as they'd appear through a window onto the set.
As always, the cameraman is the star, and ace cinematographer Emmanuel Lubezki scored an Oscar nod for his masterful visions
on celluloid.
Unfortunately, things derail fast in the third segment, which Kevin and Nick blame
on the
celluloid abortion known
as Project X. There's a brief moment of sensibility
as they also talk about The Lorax, though the show is dominated by talk about extreme fetish pornography, gay racist Klingons and Shweddy Balls.
But there's so much more wrong with Bobby Jones: Stroke of Genius than just the music, the winking title, and the truism that for
as boring
as golf is to watch
on television, it's that much more boring to watch in reverent
celluloid slow motion — no, the picture is also fatally tagged by a terrible screenplay and terrible direction (that includes a half dozen ball's - eye view shots: not
as interesting
as you might misunderstand),
as well
as the dreadfully persistent belief that the measure of a man's life are the crescendos and valleys rather than the caesuras and grace notes.
He is the worst kind of enfant terrible, armed with a bestial cunning and taste and intent
on demonstrating his disdain with an insistently predictable parade of cheap rip - offs that use schlock and
celluloid catcalls
as camouflage for his ape mentality.
Glass ceilings and
celluloid: the gender gap is
as wide
as ever
on the Croisette (and at other festivals)
On the other hand, the instantly infamous «chicken scene» from Darker: Fifty Shades Darker
As Told By Christian has yet to be committed to
celluloid, so we're sure they'll figure something out.
Ever since he first saw «The Room» described
as «the worst thing ever committed to
celluloid»
on an art house poster, Harper has been fascinated with the film.
On hand are such
celluloid phantoms
as Josef von Sternberg's unfinished Roman epic I, Claudius, in which Charles Laughton reputedly gave the performance of his career; and Sergei Eisenstein's adaptation of An American Tragedy.
As we descended below the surface, an 8 - Ball our only physical memento, we realised that the cinemas we had visited during the day might no longer exist, that our submarine had not descended but that the water level had risen, flooding the island and its cinemas so that
celluloid and other projection paraphernalia is carried around the streets by the flow, wrapping itself entangled
on lamp posts, car wheels, blocking drains and choking birds and small children.
Not scheduled to be screened again (after this Ft. Myers presentation) until late August at the Institute of Contemporary Arts (ICA) in London, PAPER magazine declared, «What Diane Arbus was to photography, Crispin Hellion Glover is swiftly achieving
as a filmmaker... Training his sardonic eyes
on the strange and afflicted, he achieves a mad dark poetry
on celluloid.»
His work was also included in notable group exhibition such
as: Unscene, WIELS Contemporary Art Museum, Brussels; ATOPOLIS (curated by Dirk Snauwaert) at Manège de Sury, Mons
on the occasion of Mons 2015 - European Capital of Culture;
Celluloid Brushes at Isabel Bortolozzi, Berlin and Ludlow 88, New York; Vibrant Matter, KIOSK, Ghent, Belgium; Richard Parker (curated by Marc LeBlanc), Michael Thibault Gallery, Los Angeles; Marfa Book Company, Marfa, USA; Mu.ZEE Ostende, Belgium; Middlemarch, Brussels; Karma, New York and White Flags, Saint - Louis, USA.
An actor playing an actor while a film - maker films him for a
celluloid portrait and an audience looks
on — that's the intriguing, if slightly perplexing, basis of an experimental work by the British visual artist Tacita Dean, featuring the British actor Stephen Dillane, to be staged next week
as part of the Sydney Biennale.
The resulting film, Empire, 1964, is a study
as much in cinematographic looking
as it is
on the properties of film itself; though the image of the building at night is otherwise fixed, small dramas play out through exposure, the shifting of light over time, and the slight jumpiness of the image
as the
celluloid passes through the projector.
In this unique event, titled Skate the Sky Melon Grab Film, West will build
on her previous experiments with everyday materials such
as pepper spray or Axe body cologne used to physically manipulate
celluloid.