Sentences with phrase «on charcoal frame»

Not exact matches

On the outside, this custom California beauty has a sandblasted and powder - coated frame with custom metal - flake charcoal - gray paint and striking orange pearl paint all enhanced with tinted windows.

Satellite Radio - Mahogany Metallic Body Fully galvanized with integrated frame Four door side impact protection beams Electric tilt / slide moonroof Water - repellent front - side windows Chassis Steel - Spring Suspension with Porsche Active Suspension Management (PASM) Front and rear stabilizer bars Vehicle stability system Porsche Stability Management (PSM) with ABS, ASR, ABD, MSR and Trailer Stability Management Double - wishbone front axle, multi-link rear axle 19 Cayenne Design wheels (8.5 x 19) with 265/50 tires Climate Control Systems Air conditioning system with integrated charcoal canister and pollen filter Tinted privacy glass and grey windshield strip Colors Solid Exterior Colors: White, Black Standard Interior Colors: Black, Agate Grey, Luxor Beige, Black / Luxor Beige E-Mobility Porsche universal charger (AC) with carrying bag for power cable Charging connection at the rear left to charge the high - voltage battery On - board charger with 3.6 kW Porsche Car Connect: e-mobility services Vehicle cable to connect the control unit with the vehicle, length: 2.5 m Electrical Systems Universal audio interface (Aux - In / USB) Bluetooth hands - free mobile phone connection Power windows Two - speed wiper system with rain sensor, wiper delay control, heated washer nozzles Electrically operated and heated side mirrors Remote central locking with Anti-theft system including passenger compartment monitoring Cruise control Five 12 - volt outlets Power tailgate with fully automatic opening and closing including programmable, customized opening height Porsche Communication Management (PCM) with hard drive navigation module HD Radio unless replaced by option Infotainment Package w / o HD Radio Engine features Aluminum engine block and cylinder heads Wet - sump lubrication Direct Fuel Injection (DFI) Continuous intake and outlet camshaft control Cylinder - specific knock control Returnless fuel system Hydraulic valve adjustment MED 17 engine management system On - board diagnostics for monitoring emission control system Stereo Lambda control circuits Electronic throttle Vehicle electrical system recuperation Brake energy recovery Variable deceleration fuel cutoff Supercharger Auto Start Stop function Instruments Instrument cluster featuring 4 round black dials and silver tachometer with hybrid logo and ready indicator Instrument cluster with high - resolution 4.8 inch TFT color screen, gear indicator for Tiptronic S, service interval indicator, outside temp and various warning indicators plus energy mgmt.

Explore safe and effective use of activated charcoal based on the toxicant, patient factors and time frame.

Oil and charcoal on sized, primed canvas with painted wood frame, 69 5/8 × 68 1/2 inches

Untitled, 1979 charcoal on paper 28 3/4 x 22 3/4 inches (framed) Image © William N. Copley Estate / Artists Rights Society (ARS), New York Claire Copley and Alan Eisenberg Photography: Christopher Burke Studio

oil and charcoal on linen h 21» w 21» framed Mark Pomilio's work focuses on the research of fractals, cloning, and single cell manipulation.

Charcoal on wood, found objects (chair, frames, metal implement).

Graphite and charcoal on paper mounted on board 120 x 128 cm / 47 1/4 x 50 3/8 inches (unframed) 125 x 133 cm / 49 1/4 x 52 1/4 inches (framed) Unique From the Freud Drawings Series Execute...

Andreas Breunig — Corrupted data: more intense I, 2016, Oil, graphite, charcoal on canvas, wood frame, Courtesy Warhus Rittershaus

Left - Andreas Breunig — Corrupted data: more intense I, 2016, Oil, graphite, charcoal on canvas, wood frame, 214 x 153 cm Courtesy Warhus Rittershaus.

Jim Hodges, Here It Comes, 2009, Charcoal, pastel, saliva and 24K gold leaf on paper, 7 parts, Each 76 x 56 cm; Framed: 86 x 66.7 x 4.8 cm, (33 7/8 x 26 1/4 x 1 7/8 in)

Melora Griffis» «imaginary cave» is a framed 16 x 20 inch acrylic, gouache, charcoal, graphite and pastel painting on paper (framed size 19 x 22.75 x 1.25 inches).

Middle - Andreas Breunig - Corrupted data: more intense II, 2016, Oil, graphite, charcoal on canvas, wood frame, 213 x 173 x 83 cm, Courtesy Warhus Rittershaus.

Alan Johnston, Untitled (Bury 14), 2007 Acrylic paint, pencil, charcoal and beeswax on plywood Artist's frame, sandblasted perspex and glass, 24.2 x 18.2 cm

Belz notes that «Bell's drawings — they're all charcoal on mylar — are noticeably and resolutely small, on average between three and five inches on a side, small enough to hold in the palm of your hand, like a postcard, or a cell phone, or an iPod, or, even when framed, something still easily handled, like an iPad.

Kyle Thurman, Suggested Occupation, 2015, charcoal and pastel on seamless paper in artist's frame, 42 x 28-1/2 inches.

These artworks manifest as a double layered painting where colorful mixtures of Japanese sumi ink, charcoal, and watercolor on the underside of the framed glass interacts through light and perspective with the complimentary painting beneath the glass.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Two works on paper echo this technique with layers of Conté crayon, charcoal, pastel, and acrylic paint nearly covering translucent sheets of Mylar completely, the drawings seemingly suspended in their frames.

RIGHT: Toyin Ojih Odutola, Last Dance at the Annual County Gala, 2016 Charcoal, pastel and pencil on paper 77 x 42 inches (paper) 82 3⁄4 x 47 5⁄8 x 2 1⁄4 inches (framed) Courtesy the artist and Jack Shainman Gallery, New York

LEFT: Toyin Ojih Odutola, Hunting Season (Mother and Daughter), 2016, Charcoal, pastel and pencil on paper, 59 x 70 1⁄2 inches (paper) 66 x 76 1⁄2 x 2 1⁄2 inches (framed) Courtesy the artist and Jack Shainman Gallery, New York.

Toyin Ojih Odutola, A Grand Inheritance, 2016, Charcoal, pastel and pencil on paper, 89 x 60 inches (paper) 94 3⁄4 x 66 x 2 1⁄2 inches (framed) © Toyin Ojih Odutola.

LEFT: Toyin Ojih Odutola, Casual Full Dress, 2016, Charcoal, pastel and pencil on paper 62 x 42 inches (paper) 66 3⁄4 x 47 5⁄8 x 2 1⁄4 inches (framed) Courtesy the artist and Jack Shainman Gallery, New York.

RIGHT: Toyin Ojih Odutola, A Misunderstanding with the Mistress, 2016, Charcoal, pastel and pencil on paper 79 1⁄2 x 60 inches (paper) 83 1⁄2 x 66 x 2 1⁄2 inches (framed) Courtesy the artist and Jack Shainman Gallery, New York

ANSELM KIEFER Jeder der fällt hat Flügel 2006 oil, emulsion, acrylic, fabric, metal, sand and charcoal on board in glass and steel frame 75 1/4 X 55 1/2 X 3 7/8 in.

Mixed media including gouache and charcoal on paper, sight size 27 1/2 x 20 in., framed.

Vertical charcoal drawing on Arches paper 17.5 x 13.5 inches 25 x 20 inches in black metal frame with AR non-glare glass and 8 - ply mat This contemporary, abstract charcoal drawing...

Teresita Fernández has unleashed a nocturnal inferno in form of a wall panel constructed from hundreds of tiny mosaic tiles framed by scorched paper works and charcoal drawings on the side walls.

POPE.L Sunny Day White Power 2016 Acrylic, cellophane tape, charcoal, collage, gel medium, ink, latex mask, oil paint, oil stick, painter's tape, push pins, and rope on newspaper on shower curtain in artist's frame 90 3/4 by 74 by 24 in.

POPE.L Sad Cop Small Dog 2016 Ink, acrylic, charcoal, pencil and painted pushpins on advertising circular in artist frame 14.25 by 11.25 by 2.375 in.

Charcoal, pastel, and acrylic on handmade paper on soundboard in artist's frame, 52 × 75 1/2 in.

Toyin Odutola, LTS XI, 2014, charcoal, pastel, and marker on paper, 41 1/2 x 62 inches (44 3/4 x 66 1/2 x 1 1/2 inches framed), signed, titled, and dated on verso.

Toyin Odutola, LTS IX, 2014, charcoal, pastel, and marker on paper, 49 x 96 inches (53 3/8 x 100 1/8 x 1 1/2 inches framed).