Sentences with phrase «on cinematic story»

Wing Commander 3 & 4 were probably the most ground - breaking games of all time with regards to treating the medium of games as something you could use to tell a full - on cinematic story.
It becomes even less of an MMO for it, but 2019 delivers on a cinematic story that rival's KOTOR.

Not exact matches

With a fresh voice and bold look currently missing from the burgeoning online food scene, Cocina, brings a cinematic experience to food through original videos, fresh recipes and intriguing stories that offer an unprecedented perspective on the Latin food culture.
Oh and let me guess: You ordered all the classic Disney films on DVD because you don't want your child to miss out on the wonders of these cinematic stories you experienced as a child, right?
Employing impressive cinematic techniques and anchored by a tour - de-force performance from newcomer Mariam Al Ferjani, Kaouther Ben Hania's BEAUTY AND THE DOGS tells an urgent, unapologetic, and important story head - on.
So again, going back to the literary metaphor, he may have had a following based on his work as a cinematic novelist (his series Crime Story was also extremely dense) and this following, of which you may or may not be part of, isn't interested in his newfound exploration of cinematic poetry.
for all its free - associative riffing on ideas, this is no shaggy dog story, but a carefully constructed cinematic poem on the subject of love and loss.
Except the Marvel Cinematic Universe has been one big interconnected story: sprawling, yet also economical, with the chapters and multimovie threads standing pretty much on their own while also sending tendrils out to take root in others.
For some reason, a cinematic trend exists where there are multiple films based on true stories about people confined to beds or other limiting situations, and their inspiring stories of overcoming their predicaments.
The story is pretty fundamental and obvious (this product is aimed at the kiddies after all), but the execution and environments on - hand create a worthy cinematic experience.
Since «Iron Man» in 2008, the Marvel Cinematic Universe (MCU) has been using cutting - edge visual effects to tell entertaining stories on a grand scale, and has billions in box office gross to show for it.
Spielberg's film bests «Spotlight» in star power and cinematic style, but Tom McCarthy's film is the one more at home in the newsroom, following a team of investigative reporters on the trail of a big and gravely important story.
To get the skinny on the story you can check out the intro cinematic here.
To think that we're on the brink of finishing a cinematic story about superheroes that's been unfolding for the past 10 years is pretty insane.
The first spin - off of the Star Wars cinematic universe, Rogue One: A Star Wars Story, starts on a familiar path: Trouble comes to a remote farm, where the hero of the piece is left orphaned.
On top of a compelling cinematic story, devs catered to players by offering more in the realm of single - player.
The game's opening and ending pack dramatic, cinematic and pleasingly surprising story beats, and touch on some seriously dark and horrific stuff.
Set on the world of Sakaar — known dearly to comic book fans as the world the Hulk gets whisked off to in the now classic story arc «Planet Hulk» — Thor: Ragnarok and its location open up unlimited potential for the Marvel Cinematic Universe; it is also the planet where the Hulk had his son, Skaar, after all.
Even beyond an intriguing story and an appealingly oddball visual style, though, I Kill Giants would stand out on the big screen because it has the taut emotional drama of a great cinematic story.
Clare Stewart, director of the BFI London Film Festival, said: «Featuring extraordinary performances from the British talent in front of the camera and vividly directed by Morten Tyldum, The Imitation Game does cinematic justice to Alan Turing's vision, determination and personal story as well as his enduring impact on British history and contemporary life.»
For much of the story, Keller and Loki are on parallel paths and when their worlds collide with each other, they do with a cinematic sizzle that will live audiences wanting more.
This is a serviceable story, less a factor in the movie's appeal than the incredible craftsmanship that Pixar brings to bear on its animation and design, its cinematic visuals, the imaginative sound work - all contributed by top Hollywood hands.
There's a compelling cinematic story here, perhaps, but [Giulio] Ricciarelli's movie is too diffused and scattered and, especially in its first hour, too reliant on commonplaces.
Chris Evans has taken to the Internet to share stories of his anxiety and how it led to fears about taking on the role as Steve Rogers in the Marvel Cinematic Universe.
Depending on how you look at it, the Marvel Cinematic Universe took upwards of 45 years to piece together (counting the company's comic book origins), but according to the filmmakers entrusted with the next stages of the story, its deconstruction has already begun.
Based on a James Joyce short story featured in The Dubliners, The Dead (1987) is one of his most exquisite works, a perfect cinematic short story attuned to the rituals and touchy relationships of family and friends gathering in early twentieth century Dublin to celebrate the Feast of the Epiphany.
The first press hands - on reveal for the game is opened with a trailer for a cinematic story mode which has since already been released to the public.
Whilst Charlotte Brontë's Jane Eyre has made its way to the recorded medium on numerous occasions — including features with Orson Welles and Joan Fontaine, and William Hurt and Charlotte Gainsbourg, and television offerings with George C. Scott and Susannah York, and Ciarán Hinds and Samantha Morton — Cary Joji Fukunaga's cinematic incarnation stands out as a masterful, modern rendering of the iconic and influential story.
Miss Peregrine's Home for Peculiar Children, Tim Burton's cinematic take on the first of three novels in Ransom Riggs» popular dark YA fantasy series, introduces Jacob (Asa Butterfield in the film), a child who ventures out to find the fabled Miss Peregrine (Eva Green), whom his late grandfather had told him so many enrapturing stories about.
T2 will doubtless always be the cinematic franchise at its peak, simply because it blends everything so well — Cameron directs with verve, intensity & emotion; his cast balance drama, comedy & feeling perfectly; the script avoids cheese or schmaltz to touch on deeper themes & be remarkably human & the narrative expands the story logically and satisfyingly outwards.
The Marvel Cinematic Universe was once accused of dishing up the same rinse - and - repeat origin story over and over again — and while Feige will protest (and has) that each Marvel movie has had its own individual flavor (Thor was a stab at Shakespeare; The Winter Soldier riffs on 70s paranoia thrillers), the franchise has been finding more solid footing in its endeavor to remix all of popular film history through the lens of superheroes.
Though we won't be playing through it on stream today, Capcom has also included a cinematic story experience for players to sink their teeth into.
The trailer puts a major focus on the conflict between Captain America and Iron Man - after all, that's the heart of the story - but it also gives us our first glimpse of several major new players in the Marvel Cinematic Universe, and drops some big hints about why Cap and Tony are fighting in the first place.
Through our open call for submissions, we hope to engage with filmmakers on the forefront of cinematic innovation and experimentation in both content and form, presenting access - driven stories with journalistic integrity that demand an engagement with our political and cultural environments.
These films are all stories centered on the lives of women; each written by women (with one directed by a woman); and all starring cinematic female powerhouses like Blanchett, Streep, Mulligan, Lawrence, Mara, and Bonham Carter.
On paper, a story about a controversial environmental issue (fracking for natural gas) presented by a respected director (Gus Van Sant) and featuring a strong cast (Matt Damon, John Krasinski, Frances McDormand, Rosemarie DeWitt, Hal Holbrook) would be a welcome cinematic contribution, despite an expected slant to the story - telling.
Locke (Steven Knight, 2013) A brave rethinking of how to tell a story on screen, reimagining the very nature of what is cinematic.
It's an enduringly fascinating and still - relevant story, so what a shame that writer - director Peter Landesman has made such a clunky film, made to look like a cinematic footnote by the definitive picture on the subject, Alan J. Pakula's 1976 masterpiece All The President's Men.
Performed by Orson Welles and the Mercury Theater on the Air players in 1938, The War of the Worlds, adapted from the H.G. Wells novel of the same title, proves in retrospect that all the digital cinematic wizardry in the world can't trump the powerful simplicity of a solid story and terrific performances.
The film does work a bit hard by the end to play up the tale's inspirational qualities (best exemplified by its use of one of my chief cinematic pet peeves: closing on - screen text that goes beyond mere reportage of fact to make a labored statement), but it really did not have to, as the film's virtues and messages, much like man whose story it tells, speak plainly for themselves.
Heavy doses of stylish cinematics and a good deal of unpredictable antics make the film fun, and while the film does tend to make missteps, the compelling and often uneasily funny moments are enough to make one overlook the shortcomings in story, in particularly Nora Dunn (Bulworth, I Love Trouble) and her news crew serving to annoy on their every appearance.
It was the best of times, it was the worst of times, it was the age of transcendent filmmaking in the The Lost City of Z and A Ghost Story, it was the age of foolish Spider - Man remakes / reboots / regurgitations, it was the epoch of a magnificent enquiry into belief by the evergreen Martin Scorsese, it was the epoch of the incredulous return of Mel Gibson in a box office hit, it was the season of Michael Haneke shining a light on our uncaring societal malaise, it was the season of manifold more people watching Baywatch, it was the spring of Aki Kaurismäki's warm - hearted but politically pressing The Other Side of Hope, it was the winter of despair at the box office results of masterpieces like Certain Women, Aquarius and The Death of Louis XIV, we had Yorgos Lanthimos» Kubrickian masterpiece before us, we had a new Kingsman film before us, we were all going direct to cinematic Heaven, we were all going direct the other way.
The film will be an adaptation of Brian Selznick's children's graphic novel The Invention of Hugo Cabret, which is set in 1930s Paris and partially focuses on the story of cinematic magician Georges Méliès.
It's coming from the same team that brought us Until Dawn, only it'll be less of a cinematic, story - driven tale inspired by the slasher film genre and more of an on - rails shooter built for virtual reality — specifically PlayStation VR.
I also hope they keep the more cinematic style of Other M but step up the writing this time (I still like Other M a lot though and think the flaws it has are greatly exaggerated) It would also be nice to see Samus actually working as a bounty hunter rather than stumbling on distress signals all the time — They could keep the exploration and worlds of Prime but have Samus hunting targets / completing objectives as some sort of mission throughout the story rather than playing through the story in one go.
At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.
Ace new movie The Disaster Artist — in limited cinemas on December 1 and nationwide from December 6 — is the true story of how one man's dream to make his cinematic masterpiece led to one of the worst films in history, and one of the biggest cult hits.
Even though the only thing we have to go on is a single cinematic trailer, people are already assuming that the game will have a throwaway story mode with the focus put into Red Dead Online simply because GTA 5 didn't get any story DLC and the game's microtransactions brought in half a billion dollars of revenue.
The whole tiresome affair is accompanied for the duration by quite possibly the most inane narration in cinematic history, with Freddy interrupting the tedium every few minutes or so with gems like «every note has a voice, every tune has a story», or some guff about setting rats» tails on fire.
1) «Anna Karenina» From Terrence Malick «s «To The Wonder» to the aforementioned «Tabu,» the spirit of Leo Tolstoy «s «Anna Karenina» ran through a lot of film this year, so it's appropriate that 2012 saw a cinematic version of the original story that, while bold and cinematically inventive, manages to come close to being a definitive take on the classic, as well as being my favorite film of the year.
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