Past exhibitions recall in - situ artworks of the renaissance with their emphasis
on classical form, dynamism, and turgidity.
There are other less strict form of the diet, such as modified Atkins (MAD) that use common measurements, but again... the recipes on this site are intended for
those on the classical form of the ketogenic diet for epilepsy.
Not exact matches
By «
classical spirituality,» Wells is referring to the devotional habits and moral demeanor of the Protestant Reformers which had been «passed
on in deepened pastoral
form by the Puritans» and now have extended «down through history and into the present through people like Martyn Lloyd - Jones, J. I. Packer, John Stott, Francis Schaeffer, and Carl Henry.»
In other words, we shall attempt to show that if one desires to pick between process theism and a coherent
form of
classical theism, one must do so
on grounds other than the alleged adequacy or inadequacy of their respective views
on divine omnipotence.
The general position of these writers, whose contributions vary considerably in approach and quality, is that Jesus made no claim of divinity for himself and that the doctrine of the incarnation was developed during the early centuries of the Christian era as an attempt to express the uniqueness of Jesus in the mythological language and thought
forms of the Greek culture of the time.While recognizing the validity of the patristic theologians» work, which culminated in the
classical christological definitions of Nicea and Chalcedon, the British theologians question whether these definitions are intelligible in the 20th century, and go
on to suggest that some concept other than incarnation might better express the divine significance of Jesus today.
Nevertheless, the
classical humanistic tradition, with its emphasis
on the common distinctive qualities of man, provides stronger support for the democratic ideal of human equality than does evolutionary naturalism, with its concern for the continuity of man with the lower
forms of life.
In any event, The Mystery of Existence is not about the clash between
classical and modern / personal
forms of theism («theistic personalism»), a distinction that is anyway not directly
on point in explicating Nothing (our limited mission again), since in either case,
classical or modern / personal, God can be in some sense necessary.
In microphysics Planck postulated in 1900 that electromagnetic energy is emitted in quantised
forms and its study must rely
on statistical probabilitiesinstead of
classical laws.
[2] Smith holds that the perverted faculty argument, in at least some
form, is a part of any coherent argument against contraception, [3] but claims that her argument is more than the
classical version of the perverted faculty argument because it dwells
on more than the physical end of the faculty.
As regards the dominant climate of philosophical opinion, however, despite all the disclaimers that have been made concerning
classical empiricism and positivism, the old dichotomy between a domain of sensible fact
on the one hand, and sets of logical
forms on the other, seems to persist and behind it the old dogma that where we have necessity we have merely tautology, and where we have fact or «experience» there is no necessity.
The other
forms of Yoga would be the remaining major genres such as Indie,
Classical, Pop, Electronic and so
on.
Vinyasa Yoga — Named and founded by K. Pattabhis Jois is kind of a modern
form of
classical ashtanaga / hatha yoga practice which lays special emphasis
on Breath while performing the postures or journey between the postures (asanas) and drishti (focused Gaze).
Indeed, the book outlines the full gamut of historical periods associated with different kinds of biopic subjects: the
classical, celebratory
form (melodrama); warts - and - all (melodrama / realism); transition from producer's genre to auteur's genre; critical investigation and atomisation of the subject; parody; culture based
on consumerism and celebrity; minority appropriation (queer, feminist, African American, Third World, etc.); and neoclassical biopic, which integrates all of the above.
Apparently, an eclogue is a poem in a
classical style
on a pastoral subject, usually in the
form of a dialogue between two shepherds - such poems are also also known as bucolics.
There are more than three million words
on classical art in Grove Art Online, here distilled into a more compact
form.
But this article
on the closure of New York City's last
classical sheet music store is a great reminder that books aren't the only paper - based art
form changing with new technologies.
The 5 star adults only luxury hotel Lindos Blu is hunkered down
on a hill, shaped in the
form of a
classical amphitheatre, awarding guests incredible views of the Medi...... Continue reading
Unfortunately, this return to
classical form also comes with many archaic problems, most of which will cause many to skip out
on this nostalgic action trip.
Customarily written for grand orchestras,
classical can be complex and overwrought, and Harle appreciates the simplistic
form of early gaming soundtracks — a symptom of pre-millennium technological capabilities — and the effect those confines have
on the music.
It was also in New York that Thompson quickly arrived at his mature style, taking Dody Müller's advice to heart by reworking the compositions of European Masters such as Piero della Francesca, Nicolas Poussin, and Jacopo Tintoretto into simplified, abstracted
forms painted in threatening and seductive tones that were hot and violent or deep and dark — seizing
on the dynamism of these
classical scenes and often transforming them into contemporary allegorical nightmares.
Incorporating primitive Aztec
forms into the
classical style Francisco Zuniga had been taught helped to create a regionalized style, one that focused
on the bodies and
forms of the natives of Central America.
As Rosen progressed, she began creating works «where you start to get the accumulation of things
on the surface,» Cassel Oliver said, citing
Classical Order: Red, Yellow, Orange Enamel, in which something that could have could have started life as a preposterously thick plate seems to have sprouted a colorful mound of spherical, spiraling
forms.
The three ceramic
forms are taken from Wedgwood's vast body of vases and urns, which were inspired by the
classical roman pots being excavated from all over Europe in the mid-1700's, most notably the Portland vase that Josiah Wedgwood saw
on display in London in 1786, later producing his own version in his trademark Jasperware.
The two short dances that
formed the first part of the evening — «Ghost (for Martin),» a sweet and affecting duet between Gleich and Jason Andrew (of the Bushwick spaces Norte Maar and Storefront, who was also the producer of the event), and «Summer in RP,» a full -
on classical ballet performed by the six female dancers of Gleich's company — were scant preparation for what was to follow.
Several of Zefeldt's paintings incorporate «portraits» of
classical sculpture heads repeated one by one
on the canvas, aligning them in a circle as well as placing more of them within the circle where eyes, a nose and a mouth would be — ultimately
forming a face.
The grand special exhibition
on occasion of the inauguration of the enlarged Kunstmuseum Basel will map the medium's extraordinarily dynamic evolution: the
classical idea and
form of sculpture grows more flexible and abstract as some artists integrate the trivial stuff of everyday life into their art or blur its spatial and conceptual boundaries, even as others return to the figurative tradition in an effort to set the genre
on a new solid foundation.
Virginia Jaramillo's meticulously
formed abstract pulp paintings draw
on a rich variety of sources spanning history and crossing cultures, from pre-Hispanic civilisation to
classical geometry.
On the occasion of her first solo show at T293 the Swiss - Tunisian artist Sonia Kacem presents a site - specific installation in several volumes, evoking the fundamental issues related to sculpture and more specifically those of the dematerialization and the decomposition of
classical forms.
The artist has subsequently built
on this research and techniques developed to recreate
classical and contemporary sculptural
forms from layers of hand - cut, multi-coloured polycarbonate as part of a series entitled CAPTCHA.
While the artist's earlier works focused
on classical depictions of the female
form, primarily using powerful black women as the subjects, Tête de Femme more boldly conceptualizes female faces from collaged geometric cutouts.
Inspired by a broad range of influences from Arte Povera to
classical geometry, his work focuses
on reducing structures to their purest and most elemental
forms.
Her abstract paintings
on canvas and paper employ gestural mark - making and colors that are influenced by the palette and
forms of the Chilean landscape, the country's pre-historic rock art, and its
classical music.
The sculptures — curiously lightweight, layered human
forms — might seem recognisable from last year's Summer Exhibition, where the artist's colourful, translucent take
on classical statuary greeted visitors in the Academy's Central Hall.
In an amusing twist, another art / sex mixing was
on view,
on the
form of Jeff Koons's kitschy marble Bourgeois Bust - Jeff and Ilona (1991), the faux -
classical portrait of the artist embracing his ex-porn star wife.
By the 1770s, in Britain, such architects as Robert Adam and Sir William Chambers were in huge popular demand, but they were now drawing
on a great variety of
classical sources, including ancient Greece, so much so that their
forms of architecture were eventually defined as neoclassical rather than Palladian.
On the other hand he never felt entirely at home with the ideals of the Barbizon School, the members of which saw Romantic idealization of the countrysite as a
form of escapism from urban banality, and he remained more faithful to the French
Classical tradition than to the English or Dutch schools.
They have been cast, like Burton and Taylor, in a variety of showy roles: as painters interested in reviving aspects of the art
form in its most staid and
classical modes; as Marxist or Marcuseian critics of commodity culture and its discontents; as leering champions of youth movements and counter-culture stylings; as strict, detached, ironic appropriationists; and, finally, as sincere and romantic poets attendant
on the tragedy of age's advancing degenerations of the body and of the melancholy states of nostalgia associated primarily with the waning of youthful beauty.
Thus, information
on dynamics can not be retrieved from this equation which for that reason is never used in circulation models in its
classical form.
If therefore the student in our laws hath
formed both his sentiments and style, by perusal and imitation of the purest
classical writers, among whom the historians and orators will best deserve his regard; if he can reason with precision, and separate argument from fallacy, by the clear simple rules of pure unsophisticated logic; if he can fix his attention, and steadily pursue truth through any the most intricate deduction, by the use of mathematical demonstrations; if he has enlarged his conceptions of nature and art, by a view of the several branches of genuine, experimental, philosophy; if he has impressed
on his mind the sound maxims of the law of nature, the best and most authentic foundation of human laws; if, lastly, he has contemplated those maxims reduced to a practical system in the laws of imperial Rome; if he has done this, or any part of it, (though all may be easily done under as able instructors as ever graced any feats of learning) a student thus qualified may enter upon the study of the law with incredible advantage and reputation.
LG has committed just as much time
on the design, which has been inspired by the
forms and styles of luxury cars,
classical watches, and other jewelry.
PERFORMANCE SUMMARY Results - oriented Dance Teacher with 9 + years of hands -
on experience in teaching theory and practice of many dance
forms including Hip Hop, Jazz, Tango,
Classical, and Ballet.
Garden - making has long been regarded as an art
form, and the final result something that should be applauded and enjoyed; any
classical garden worth its salt, therefore, included very deliberately planned viewing points, places from where the owner and his guests could stop and enjoy the most spectacular of all the effects created in the garden, as well as keep an eye
on the fruits of his (or his gardeners?)