Sentences with phrase «on color perception»

This is just one of the 10 «beautiful experiments» that science journalist George Johnson explores; others include A. A. Michelson's clever measurement of the speed of light, Ivan Pavlov's observations of dogs drooling in anticipation of food, and (my favorite) Isaac Newton's insertion of a probe behind his eyeball to observe the effect on color perception.

Additional research in studies on color perception and color preferences show that when it comes to shades, tints and hues men seem to prefer bold colors while women prefer softer colors.

Not exact matches

First, let's address branding, which is one of the most important issues relating to color perception and the area where many articles on this subject run into problems.

Consider, for example, how often Alice Walker's The Color Purple is used in seminary teaching, or how C. S. Song, Kosuke Koyama and Lamin Sanneh draw on personal cross-cultural encounters to bring new perceptions to scriptural and theological themes.

I have no vested interest in convincing him of my perception of color, nor do I think that it is sinful for not believing it or that his eternal life hinges on it.

To demonstrate that Sarah's achievements were not based on perception of look - alikes but on her grasp of abstract relations, Premack tested Sarah's ability to reason analogically, involving relations of change in size, color, shape and marking, as well as actions such as cutting, opening and marking.

A case involving se - xual acts will always color the public's perception, who may feel inclined to believe that you are guilty, not on the actual evidence, but just because of the «abnormal» or sensational nature of those acts.

We all have small variations in our color perception that can cause colors, particularly those on a border between typical names like green and yellow to look different.

That being the case, maybe had I watched the Utah game first instead of last during my first viewing, I'd have a more positive opinion of him when watching the other four games, which might have then colored my perception a little more on the positive side.

The overwhelming focus on negative aspects of life and conflict in the news colors our perception as well and can either numb or desensitize us or increase our general anxiety load, or leave us feeling helpless over events outside our control.

When I corresponded with the public (and we got a fair number of emails every week), I tried to be conscious of the fact that I was representing not only the organization, but in some sense the environmental movement itself — if someone had a bad experience with us, it could easily color their perception of our issues and of other groups working on them.

Measuring - Temperature and Thermometers Classifying Components of Mixtures Predicting - Surveying Opinion SAPA Part C, Directions for the Multiplication Game SAPA Part C and E, Multiplication Game SAPA Part D 1st Draft, c. 1972 The Whirling Dervish The Bouncing Ball The Effect of Liquid on Living Tissue Rate of Change Observing Growth from Seeds An Intro to Scales Forces on Static and Moving Objects Observations and Inferences Using Punch Cards to Record a Classification Using Maps to Describe Location A Tree Diary SAPA Part D 2nd Draft Observations and Inferences The Bouncing Ball Rate of Change A Tree Diary An Intro to Scales and Scaling Observing Growth from Seeds (The Bean - It Came Up) Forces on Static and Moving Objects Using Punch Cards to Record a Classification Relative Position and Motion Inferring - The Water Cycle Predicting 4 - The Suffocating Candle The Big Cleanup Campaign 2 - D Representation of Spatial Figures Using Maps to Describe Location SAPA Part D Tryout Draft, 1972 Observations and Inferences The Bouncing Ball Measuring Drop by Drop Rate of Change Predicting 4 - The Suffocating Candle Forces on Static and Movign Objects Observing Growth from Seeds Using Space / Time Relationships -2-D Representation of Spatial Figures Using Punch Cards to Record a Classification An Introduction to Scales and Scaling The Effect of Liquid on Living Tissue Inferring - The Water Cycle Relative Position and Motion Using Maps to Describe Location The Big Cleanup Campaign A Tree Diary SAPA II Module (s), c. 1973 1, Tentative Format Sample, Perception of Color 9, Sets and Their Members 6, Direction and Movement, Draft 34, About How Far?

While individual differences still play a role in this observed effect of color, Sundar's research suggests that color used in a logo has far - reaching consequences on consumers» perceptions of retailers.

The researchers note that previous work has specifically linked color perception on the blue - yellow axis with the neurotransmitter dopamine.

The results can not be explained by differences in participants» level of effort, attention, or engagement with the task, as color perception was only impaired on the blue - yellow axis.

They created a simple chart of four colors, based on the local well driller's sediment color perception and Munsell color system, which drillers can use to identify safe layers — and also avoid unsafe layers — when they install drinking water wells.

Located on the occipital lobe, the circuit has been found to process the perception of color.

Misinterpreting the color of a sweater based on the wrong perception of the ambient light?

The «Net was still deep in the background and colored few people's perceptions of the burgeoning invasion of Iraq, for example, which primarily and surreally existed on television.

If teachers of color hold higher expectations for minority students — stemming from their perceptions about student ability, effort, and behavior — they might be more likely to push students to work hard and to insist on their best effort in all assignments.

District programs, activities, and practices shall be free from discrimination, intimidation, harassment and bullying based on race, color, ancestry, national origin, ethnic group identification, age, religion, marital or parental status, physical or mental disability, sex, sexual orientation, gender, gender identity or expression, or genetic information; the perception of one or more of such characteristics; or association with a person or group with one or more of these actual or perceived characteristics.

As such, some faculty may harbor unconscious perceptions of men of color that influence their interactions with them in class and on campus.

According to some news outlets, GM's logo could go green — literally — as the automaker emerges from bankruptcy and seeks ways to change the public's perception of the company.The Associated Press cited people briefed on the company's plans as reporting that GM could change the background color of its

We'll have to wait a few more months for the 8 Series» final form to emerge to speak in any more detail about BMW's latest and greatest sport coupe — and a hard day at the track may color my on - road perceptions — but even at 90 percent, it's already looking like BMW has hit its target dead - center.

You wouldn't think something as simple as the color would have such a huge effect on perceptions, but look at all of the complaints that have come up about contrast for the new Kindles despite having essentially identical screens when measured carefully.

The role of coat color and ear shape on the perception of personality in dogs.

You'll also have some issues with depth perception, as all environments have a very metallic color palette, making it hard for players to distinguish a wall on the center of the stage from just mere artwork.

His use of color is so subtle that it is on the very threshold of perception.»

Illusionism in 20th - century art is explored in works based on color theory and in Op art that confounds perception.

The 20 essays and book reviews that comprise Words For Art assess the practices and precepts of a wide range of artists, critics, and historians — from E. H. Gombrich's theory of perception and Walter Benjamin» views on color to the conceptual underpinnings of Mel Bochner's word paintings and the complications of Jack Tworkov's belief in the need for ethics in art.

Greet Billet, 1/256 — 256/256, 256 different kinds of black in a movie, 2009 Grey color on wall, video projection WITH YOUR EYES ONLY is an experimental project, which analyses the elements of perception in a collage of artistic interventions and objects.

«Over the past century, numerous exhibitions on color have been organized, starting from perception theories that became popular in the 1960s.

Each work reveals how our perception of a single color is variable — it might project or recede, look brighter or dimmer — depending on its proximity to and interaction with adjacent colors.

Considerations such as visual perception, color, and the mechanisms of painting pervade the subsequent works on view.

For a public symposium held on January 19, 2018, artist Rachel Harrison discusses the perception of color and shape and the experience of time in Truitt's sculpture.

Her almost tactile use of color heightens the visual experience of her work, and depending on the light source and viewing angle, different perceptions emerge.

By printing the photographs on lithographic press in two color print, Shahbazi effectively alters our perception of time and reality such that the works become an intriguing exercise not only about the use of materials and process, but also about larger questions of truth and apprehension.

The symbols in word, location, date, color, and character reflect my thoughts on the cyclical black experience post slavery in the colonized world, our roles, lack of responsibility, twisted self perception, self hatred, and our relationship to the dominant white supremacist media machine.»

Meaning «Hail the Dark Lioness» in Zulu, she confronts racism by photographing herself while on the road, highlighting various aspects of her identity which speak to her skin color, ethnicity and the cultural perceptions and stereotypes of femininity and African culture.

Through variegated floor and sculptural installations, works on paper, and wood panel, Rifas uses a concise language of richly contrasted color to alter our perception of space.

Yunhee Min explores the impact of color and geometry on spatial perception in her vibrantly hued paintings and sculptures.

Jean Baudrillard — Passwords, Boris Groys — Art Power, Hal Foster — Design and Crime, Peter Sloterdijk — Spheres, Paul Virilio — The Information Bomb, Jonathan Crary — Suspensions of Perception, Sherry Turkle — The Second Self, Life on the Screen: Identity in the age of the Internet, and Simulation and It's Discontents, Robert Motherwell - The Writings of Robert Motherwell, Jan Verwoert — The Beauty and Politics of Latency: On the Work of Tomma Abts, Wouter Davidts and Kim Paice — The Fall of The Studio: Artists at Work, All Tiqqun, Hito Steyerel — Wretched of the Screen, Paul Graham — Hackers and Painters, Carolyn L. Kane — Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetic after Codon the Screen: Identity in the age of the Internet, and Simulation and It's Discontents, Robert Motherwell - The Writings of Robert Motherwell, Jan Verwoert — The Beauty and Politics of Latency: On the Work of Tomma Abts, Wouter Davidts and Kim Paice — The Fall of The Studio: Artists at Work, All Tiqqun, Hito Steyerel — Wretched of the Screen, Paul Graham — Hackers and Painters, Carolyn L. Kane — Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetic after CodOn the Work of Tomma Abts, Wouter Davidts and Kim Paice — The Fall of The Studio: Artists at Work, All Tiqqun, Hito Steyerel — Wretched of the Screen, Paul Graham — Hackers and Painters, Carolyn L. Kane — Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetic after Code.

Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

Irene Grau's methodology focuses on color as a transforming agent of space, and its perception.

«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palColor» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

The German - born artist Josef Albers is remembered for his work as an educator at the Bauhaus, Black Mountain College, and Yale University and for his book Interaction of Color, a foundational text on color and percepColor, a foundational text on color and percepcolor and perception.

Like this word, «Chroma» considers Cruz - Diez's fundamental concerns regarding the transformative possibility that color is diachronic and unstable, dependent on individual perception, space and context.

Working serially on several paintings simultaneously, Pastine attends to the interaction between color, structure, and perception defined within series of finite systems, that paradoxically offer the essential parameters but limitless possibilities.

Eliasson's «Colour motoric entrance» is a sculpture constructed with mirrors and colored filters that changes depending on the viewer's perception.

Grau's methodology focuses on color as a transforming agent of space, and its perception.