Sentences with phrase «on color photography»

Not exact matches

A stock photography company focused on showcasing people of color and other underserved communities.

This experience inspired her to start a stock photography company focused on showcasing people of color.

Thus, the colors, fonts, style of photography, and so on — the «look and feel» of the brand — are fully in line with the culture of the brand and the team.

Discover just how deliciously simple whole foods cooking can be with this essential cookbook, based on the popular Nutrition Stripped blog, featuring more than 100 exciting and good - for - you recipes and color photography throughout.

Great job on the photography and the colors!

Other photography note — I did ZERO color editing on these photos, yes, the sauce really was BRIGHT red!!

LAKE COUNTY FINE ARTS FESTIVAL» 99: Water color, oil / acrylic, mixed media, sculpture and photography works, as well as fine crafts, will be exhibited by about 100 artists; 10 a.m. - 5 p.m. Aug. 7, 8; North Point Marina, east of Sheridan Road and 7th Street on the lakefront, Winthrop Harbor.

Presence of AMD was based on imaging (color fundus photography).

The historic literature lacked access to the visual documentation that we rely on today, such as color photography and digital libraries,» said Patterson.

This where the most subjective element of photography comes in — how your eye interprets the quality of color, the photo's sharpness, and so on.

Lipstick c / o Nellie of Mary Kay / / Photography by Lil Bird My favorite Fall Lipstick xx Mary Kay is this dreamy color called Rose Blush that I've been wearing on repeat since it arrived and have on in all of these photos and a slightly darker berry shade called Mulberry Muse that's a bordeaux fall -LSB-...]

Michael Radford Photography captured the couple at Joshua Tree, capitalizing on the different textures in landscape and the magnetic colors in the sunset as our backdrop.

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Anna Reynal of Anna Reynal Digital Photography filled us in on how she chooses which images make it onto her site's beautiful homepage: «Keeping a consistent color palette of images with pinks and yellows certainly helped it all fit together.

photos by Jessica Kaylene Photography The color of this skirt completely sold me on it.

Dress: Rent the Runway Necklace: Olive + Piper Earrings: Olive + Piper Shoes: Gianni Bini Lipstick: MAC (color: Hang Up) Perfume: Chanel Ring: David Yurman Photography by: CS Photography When it comes to weddings, many people are hesitant on whether or not you can wear black.

With the beautiful, intimate colors of fall on our minds, today's autumnal wedding inspiration shoot from LemLem Décor and Maria Korneeva Photography adds a touching romance to it all in the form of a bridal session from just outside of Moscow in Russia.

Inspired by the deep rich colors of fall, K+B Photography teamed up with local artists to create a vintage themed styled shoot rich in color, and big on vintage romance.

Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.

Recently distributed on a limited - edition Blu - ray from Twilight Time, the transfer not only does justice to the stereoscopic effects, but the colors pop, most of them emanating from Reed's wardrobe, and the gritty, dusty textures are palpable (conversely, the shadowed nighttime photography may be realistic, but it is often so dark that the action is barely visible).

Payne films this road trip dramedy in rich black - and - white, perhaps echoing back to another great film about someone from the Midwest on a quest, The Wizard of Oz, in which Dorothy's home life on a far in Kansas is in traditional B&W photography, and her experience in the great land of Oz is in vibrant color.

Daylight exteriors and close - ups naturally yield the most detail, but the frequently dark photography and the color - correction filtering put this digital - to - digital transfer on the soft and murky side when it comes to sharpness and especially shadow detail.

The country's vibrant colors and life are affectionately captured by director of photography Seamus McGarvey (whose stunning cinematography alone makes the film worthy of a cinema release), with the work of production designer Johnny Breedt and art director Vivienne Gray further giving the place and community a character and pulse of its own: warm and inviting, often funny and friendly, but also not without real danger lurking on the fringes and beneath the surface.

I have a fair number of volumes on art and photography, and when the point to discussion of an artist is their * use * of color, illustrative work rendered in monochrome just doesn't cut it.

Spectacular underwater photography shows octopuses «standing» tall and stately on their tentacles, while others lie coiled with their skin drawn up into peaks to mimic coral or displaying a range of colors and patterns (purple and gold, stripes and spots) that they can conjure in one - tenth of a second.

Feast your eyes on color, composition and personalities galore in these photography and art books, which include a landmark offering from Annie Leibovitz, a collection of artful fiction, never - before - published photos of Julia Child in France, as well as William Wegman's charming, artsy dogs.

Going beyond simple point - and - shoot photography, the 8 - megapixel rear camera offers a Burst Shot mode that captures still pictures at a rapid - fire pace at three images per second with zero shutter lag, and its Best Shot feature recommends the best picture to keep based on colors, lighting, and clarity.

The photography goes on to explain that, his work isn't intended to have people go forth and solely adopt black dogs now over those of different colors.

Besides the incredible composition and colors, our in - house photography guru, Luke, drops yet another photo knowledge bomb on us.

The Contemporary guest rooms and suites also include a number of black and white photographs, but focus on a collection of large - scale color photography.

He developed his acumen not in art school but on the job, during which he also learned about typesetting, photography and color separation.

Some of these paintings, abstract or monochromatic, dwell comfortably in the language of their medium, but others flirt with photography and textile pattern printing, perhaps an «oblique» reference to painting's material connection to textile: paint and color on canvas or linen.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

His use of color film in the early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

Part of Arcangel's Photoshop Gradient Demonstration series, it encapsulates the long - cherished desire to put photography on par with painting and the accelerating democratization of new media; at 72 - by - 110 inches, its scale and vivid hues evoke Color Field painting.

A pioneer in color photography, Sternfeld's thirteen bodies of work, all of which were also published as books, have explored cultural identity through ordinary people and places, with topics ranging from experimental communities to the effect of human intervention on the natural landscape.

The works that brought her to international attention, the series Ground and Field, presented photographic blurs caused by focusing the camera on an unoccupied foreground; these lushly colored images tested connections between the descriptive clarity of photography and the haze of memory.

One of the greatest Italian photographers of the last century, Luigi Ghirri is today known to connoisseurs for his perfectly uncanny images drawn from everyday life — capturing, for instance, the moment a paddle ball hit on the beach hovers in mid-flight on the horizon light, becoming indistinguishable from a distant setting sun — but his influence in his medium is far greater, owing to his single - minded devotion to supporting color photography in his home country.

For those who wish to only observe, Beckwith and Gartrell will be working on a variety of color theory projectsthroughout their residency ranging from still life photography to found object sculpture and collage that explore seemingly opposing color relationships.

JULIE MEHRETU Untitled, 2005 Graphite and colored pencil on paper 26 x 40 inches Courtesy of the artist and Marian Goodman Gallery, New York, NY Photography © Fredrik Nilsen

SCOTT HUG Installation view All works Collaged Color - aid on found National Geographic magazine pages 12.75 x 9.5 inches each Courtesy of the artist Photography © Fredrik Nilsen

(Gallup.com, Feb 25 - 27, 2009), — China Girl, 2009 Collaged Color - aid on found National Geographic magazine page 12.75 x 9.5 inches Courtesy of the artist Photography © Fredrik Nilsen

BASIM MAGDY: THE STARS WERE ALIGNED FOR A CENTURY OF NEW BEGINNINGS The work of the Egyptian - born artist Basim Magdy ranges from paintings on paper and canvas to photography and film, all with a common devotion to color and an exploration of the gap between utopian aspirations and human failures.

Six artists of color use performance, photography, textiles, and more to take on stories such as modern - day gentrification in Bed - Stuy, traced through an amateur kung fu film found at the former home of a theater frequented by Reverend Al Sharpton; the Syrian refugee crisis and conflict, mixing media coverage and first - person accounts; and the actual Revolutionary War's 1776 Battle of Brooklyn, conducted by a woman of color.

JULIE MEHRETU Untitled, 2005 Ink, graphite, and colored pencil on paper 26 x 40 inches Courtesy of the artist and Marian Goodman Gallery, New York, NY Photography © Fredrik Nilsen

Additional expected highlights at The Photography Show include photographs by Swiss born Henry Leutwyler of the New York City Ballet in 2012 (Foley Gallery); historically important photographs from André Kertész and a collection of photography by Jerry Uelsmann including never before seen color work (Catherine Couturier Gallery); recent work by Alison Rossiter who creates photo based work by dipping expired photo paper into liquid photo developer or by pouring or pooling it directly on the paper to create abstract minamimal work (Yossi Milo Gallery) Photography Show include photographs by Swiss born Henry Leutwyler of the New York City Ballet in 2012 (Foley Gallery); historically important photographs from André Kertész and a collection of photography by Jerry Uelsmann including never before seen color work (Catherine Couturier Gallery); recent work by Alison Rossiter who creates photo based work by dipping expired photo paper into liquid photo developer or by pouring or pooling it directly on the paper to create abstract minamimal work (Yossi Milo Gallery) photography by Jerry Uelsmann including never before seen color work (Catherine Couturier Gallery); recent work by Alison Rossiter who creates photo based work by dipping expired photo paper into liquid photo developer or by pouring or pooling it directly on the paper to create abstract minamimal work (Yossi Milo Gallery) and others.

Wilson echoes a common theme in politics and photography, much as when Misrach encountered lunch tables on salt flats: disturbance of the land colors American, environmental, or human history — and a contested history at that.

Despite using purist notions of abstract form and color that date back to 1950s art critic Clement Greenberg's domineering brand of New York School formalism, Lawson fashions nothing short of a vicious attack on photography's «objective eye» via these modestly sized canvases.

A pioneer of conceptual photography, Laurie Simmons is at work on a new series of staged compositions using images of online porn that refer to photographs she made 25 years ago of women in color - coordinated domestic interiors.

Gilbert has been working with digital photography for the past ten years, sometimes exploring color, sometimes focusing on black & white imagery as he did in his last solo show at Viridian.