Sentences with phrase «on composition board»

Oil on composition board, 48 x 24 inches.

Oil on canvas mounted on composition board, 34 × 30 in.

Similar to Lawrence's «Migration Series,» the narrative tempera on composition board works convey an important story in spare scenes — the painter's first - hand experiences serving in the U.S. Coast Guard during World War II.

Oil, fabricated chalk, and graphite pencil on composition board, 35 15/16 × 30in.

Acrylic on composition board, overall: 34 1/2 × 30 1/4 in.

Grant Wood American, 1891 — 1942 Oil on composition board Dubuque Museum of Art, on long - term loan from the Carnegie - Stout Public Library, Acquired from the Lull Art Fund

Oil and lacquer on composition board, 58 1/2 × 58 1/2 in.

Louis Lozowick (1892 — 1973), City Shapes, 1922 — 1923, oil on composition board with canvas textured surface.

Marsden Hartley, Granite by the Sea, 1937, oil and ink on composition board, 51 × 72 cm.

Oil and tempera on linen mounted on composition board, with wood frame; 33 11/16 × 48 1/2 in.

Although he learned his bulky forms at the conservative Art Students League, where Kenneth Hayes Miller and Guy Pene de Bois tempered their Modernism with reverence for the past, Marsh alone stuck to egg tempera on composition board and Masonite.

«Death on the Ridge Road,» 1935, oil on composition board.

Oil and graphite pencil on composition board, 24 1/8 × 20 1/8 in.

MALCOLM BAILEY, «Untitled, 1969,» 1969 (acrylic on composition board).

American Gothic, by Grant Wood, 1930, oil on composition board, 30 3/4 x 25 3/4 inches, Art Institute of Chicago, Illinois

Van Antwerp Place, by Grant Wood, 1922 - 23, oil on composition board, 12 1/4 x 14 ⅛ inches, Cedar Rapids Museum of Art, Iowa

Oil on composition board, 14 1/4 x 10 in (36.2 x 25.4 cm).

Grant Wood, The Midnight Ride of Paul Revere, 1931, oil on composition board, 76 × 102 cm.

Oil and tempera on composition board, 97 3/4 x 48 1/4.

Arshile Gorky - Summation, 1947, Pencil, pastel, and charcoal on buff paper mounted on composition board, 202.1 x 258.2 cm, Museum of Modern Art, New York

Tempera and oil on linen mounted on composition board: sheet, 36 × 48 in.

Image: Peter Blume, The Eternal City, 1934 ‑ 37, Oil on composition board, 34 x 47 7/8 in.

Tempera on composition board, 24 7/16 x 24 1/2 in.

Oil and tempera on paper mounted on composition board, 48 x 94 inches.

Oil on composition board, 36 × 42in.

Tempera on composition board, 20 1/4 × 16 3/16 in.

Egg tempera on composition board, 20 × 16 in.

Oil on composition board, 30 3⁄4 x 25 3⁄4 in.

Oil on composition board.