Sentences with phrase «on conceptual practices»

His writing on conceptual practices can be found in Conceptual Art: Theory, Myth, and Practice (Cambridge University Press, 2004) and Collectivism after Modernism (forthcoming from University of Minnesota Press in 2005).

But neither he nor his friend Gerhard Richter could ignore Beuys's emphasis on conceptual practices, and the two budding painters dreamed up a highly ironic style they christened «Capitalist Realism,» in which they conflated the mad consumerism of the West with drab, Communist Bloc socialism.

Naomi Beckwith is the Marilyn and Larry Fields Curator at the Museum of Contemporary Art in Chicago, focusing on conceptual practices in contemporary art.

Not exact matches

Since faith does not arise through rational conviction of a superior conceptual system, but instead through the memory of past events and especially the passion of Jesus, its embodiment in practice does not depend on any overview — only on the effective power of the memory.

Those who practice the growthing arts on such a shaky conceptual foundation run the risk of unwittingly using concepts and methods that work against one another and thus diminish the effectiveness of the process.

For academically at - risk students who have been enrolled in U.S. schools since kindergarten and who have experienced educational opportunities that are basically similar in design and practice, research suggests that a classroom - wide, universal approach focused on building up academic vocabulary and conceptual knowledge would be appropriate.

It also provides educators with a conceptual framework for organizing and reflecting on curriculum assessment and pedagogical practices.

At earlier grades, Common Core has students practicing until fluent various «non-standard» approaches, typically based on place value, with the goal of teaching conceptual knowledge.

The progressivist believes that it is better to study math and science through real - world, hands - on, natural methods than through the deadening modes of conceptual and verbal learning, or the repetitive practicing of math algorithms, even if those «old fashioned» methods are successful.

Drawing on the preservice and in - service teacher education literatures, we present a conceptual analysis of learning activities that have the potential to support mathematics and science teachers to improve practice.

How the content standards and practice standards connect across grade levels to build on prior learning, deepen conceptual understanding, promote real - world application, and prepare students for high school level mathematics.

In this role, Cushing supports the conceptual design and implementation of the Center's technical assistance, works with Regional Comprehensive Centers and State Education Agency stakeholders on topics related to career and technical education, and leads the development and facilitation of training modules that connect state and local policies with research - based and / or emerging practices from the field.

Li (2013) developed a conceptual framework that parses mathematical practices as a whole into the following three features: (a) behavioral engagement and commitment, or the active working on mathematical problems; (b) development and employment of knowledge, skills, and strategies; and (c) internalization and habitualization, or the internal, natural, consistent use of mathematical practices.

This will allow you to formatively assess student performance on the task, and will allow you to probe how students are using practices and conceptual understandings.

The hands - on learning board and 200 full - color activity cards in the LOGiCO system provide hours of independent, self - correcting practice in - Reading Math Science Social Studies Visual Discrimination Benefits of LOGiCO: Offers differentiated practice at three different, color - coded levels of difficulty Promotes learning independence, enthusiasm, and self - confidence Builds skills and conceptual knowledge required for success in school LOGiCO Classroom Package Includes 200 Activity Cards, 6 LOGiCO Learning Boards, Skill Divider Tabs, Scope and Sequence Skills Chart, and Teacher's Notes.

Recognizing that building a strong conceptual foundation was necessary to increase grade 6 math proficiency, the district focused its efforts two years earlier — on grade 4 math — adopting research - based practices and increasing opportunities for deeper learning that align with the districts vision for personalized, adaptive instruction.

«This book reminds us that we need to go back to models of learning and use them to help students see similarities and differences, learn how to summarize and take notes, practice deliberately, use imagery to build a deeper conceptual understanding on which they can «hang» surface level knowledge, learn from one another, solve problems, generate and test hypotheses, and give and receive feedback,» wrote education professor and author John Hattie in his foreword to the publication.

In this role, Ellen supports the conceptual design and implementation of the Center's technical assistance, works with Regional Comprehensive Centers and State Education Agency stakeholders on topics related to career and technical education, and leads the development and facilitation of training modules that connect state and local policies with research - based and / or emerging practices from the field.

The 20 essays and book reviews that comprise Words For Art assess the practices and precepts of a wide range of artists, critics, and historians — from E. H. Gombrich's theory of perception and Walter Benjamin» views on color to the conceptual underpinnings of Mel Bochner's word paintings and the complications of Jack Tworkov's belief in the need for ethics in art.

Likewise, there's nary an art fair nor biennial free of performance offerings — even from artists whose practices aren't focused on the medium, like conceptual practitioner Rashid Johnson's recent restaging of the grandfather of midcentury performance art Allan Kaprow's 1970 Sweet Wall, or even social - practice popularizer Theaster Gates's recent in - situ pottery presentation at the Istanbul Biennial.

This essay will therefore focus on the codices — a form that Hickson identifies as «the culmination of Chagoya's artistic practice,» and Robert Storr describes as «a conceptual breakthrough.»

Peter Doig, whose practice over the past twenty years has drawn heavily on the language of cinema, layers the personal and public, figurative and abstract, visual and conceptual in works that resonate with narrative potential.

As a whole, the installation closely comments on the transformative relationship between the decorative arts toward conceptual practices.

Lisa Cooley is a contemporary art gallery with an emphasis on conceptual and critical practices in all media.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Focusing on the period 1964 — 79, the exhibition includes abstract painting, Conceptual art, performative actions, poetry, sculpture, installations and land art, thus demonstrating the diversity of her artistic practice.

This fantasy of a direct projection of thought not only had a decisive impact on the birth of abstraction but also influenced surrealism and its obsession with the collective sharing of creation and, in the post war period, it gave rise to numerous visual and sound installations inspired by the revolution in information technology, leading to the declaration of «the dematerialisation of art» in conceptual practices...

Much of Stark's practice relies on language placed into a Conceptual and Minimalist context.

AN INVENTIVE ABSTRACT PAINTER, Whitten constantly evolved his conceptual practice, relying on materiality and spirituality to represent content.

For an artist who borrows so much from contemporary black culture epitomized by the milieu on 125th street, Simmons's current work in this context makes a strong case for the transformative (and potentially stultifying) effects of conceptual artistic practices.

The show expands on the rich and significant history of Latin American conceptual abstraction and provides a contemporary view as it is practiced by a current generation — and contextualized -LSB-...]

The ontological practice seemed to assert: «Here I am, at this time and place» - much like the work of conceptual artist On Kawara, who made this textual declaration in postcards decades before.

- Wolfgang Tillmans, interview with Michelle Kuo, Artforum, 2012 A Tillmans exhibition is always a manifestation of the extreme rigor with which he approaches his practice, both on a conceptual and a technical level.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.

Furthermore, this exhibition sheds light on the aesthetic universe of Carron, providing foundations for his visual and conceptual vocabulary and allowing insight into a practice that combines strategies of appropriation with sculptural bravado.

Martha Wilson's practice, for example, includes photo - text works and conceptual performance art in which gender - based roles and identities are explored, as she dresses in and assumes the identities of stereotypical feminine archetypes and also takes on male personas.

Her artistic practice is based on conceptual ideas and relates in its critical analyses of media and society to her distinctly European perspective.

On November 4, the gallery will host a panel discussion on Huebler's early work in relation to his conceptual practicOn November 4, the gallery will host a panel discussion on Huebler's early work in relation to his conceptual practicon Huebler's early work in relation to his conceptual practice.

Lorna Simpson has pursued a number of innovations in her conceptual photography practice, including printing on felt, which she did with the above work.

Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.

Elliott Linwood was trained in Life Art and went on to develop core graduate curricula teaching this conceptual practice at San Francisco State University.

Performative, Poetic, Powerful Examining the various aesthetic and conceptual turns that typify César's practice, the show at Luxembourg & Dayan will present historically significant examples from his Compression, Human Imprint, and Expansion series, as well as such early figurative works as the Venus - like welded iron sculpture Torso (1954), on loan from the permanent collection of The Museum of Modern Art.

Resonating with early conceptual art practices and John Cage's aleatoric music, Keith Tyson's Fractal Dice sculptures begin as cubes but transform as the artist rolls a die, altering the sculpture's appearance based on prescribed parameters corresponding to each number on the die.

The ideas of «Conceptual Art» introduced by Sol LeWitt in the1960s sought to set art free from the shackles of formalism, and his radical practice had a profound and widespread influence on the artists of his generation and beyond.

Laure Genillard first opened in Foley Street in 1988, bringing a keen eye on developments in abstract and conceptual art, elaborating on 70's minimal art practices and discourses.

Part of Sol LeWitt's «Sentences on Conceptual Art,» this single line encapsulates not only a large portion of contemporary artistic practice, but the inherently contradictory nature of human creativity itself.

Shields was actively engaged with architecture, theater and dance, and while he consistently used the word «painting» in interviews to describe his approach, his art clearly takes on not only expanded painting practice, but also the conceptual and minimalist objects of the New York scene of the 60s and 70s in which Shields was immersed.

Julia Fischbach is a director and co-founder of PATRON, contemporary art gallery with a focus on emerging artists and conceptual practice, and working in Chicago, IL.

A departure from his signature drip paintings, Fox's Autonomic (Tracy Volkswagen) is a contemporary conceptual twist on the automatic drawing and painting practices associated with Dada and Surrealism.

Wu is a Taiwanese conceptual artist and associate professor at the National Kaohsiung Normal University, whose practice focuses on environmental issues and the effects of urbanization in Taiwan.