Sentences with phrase «on contemporary artistic production»

Yet her uncompromising approach gave rise to a unique and highly individualistic body of work that continues to exert an influence on contemporary artistic production.

Not exact matches

Explore how observation of animal behavior influenced religious belief, artistic production, and daily life from ancient America to contemporary Africa in this three - day workshop for teachers on June 5 - 7.

Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production.

Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin - a laboratory for conceptual, intellectual, and artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around «Western art» and «non-Western art».

With the exhibition ON STAGE, the Kunstverein Hannover has taken on one of the central themes of contemporary art: theatricality and stage - like aspects in current artistic productioON STAGE, the Kunstverein Hannover has taken on one of the central themes of contemporary art: theatricality and stage - like aspects in current artistic productioon one of the central themes of contemporary art: theatricality and stage - like aspects in current artistic production.

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

Noa Gur's works presented in the exhibition «Dawn till Dusk» intertwine two series of questions: one thread questioning contemporary modes of artistic production, the other thread questioning inequality based on class or ethnicity.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

Harlem Postcards Fall / Winter 2016 — 2017 is the latest installment in an ongoing project that invites contemporary artists to reflect on the many sides of Harlem: as a site of cultural activity, political vitality, visual stimulation, artistic contemplation and creative production.

«White Noise I» approaches contemporary modes of artistic production more directly: Noa Gur uses her face as a stamp, as a printing machine to produce a series of quasi-portraits on paper towels.

Curated by Steven Bridges for the Hyde Park Art Center and Contemporary Arts Council, Cosmosis investigated how the cosmos and the field of Cosmology continue to inspire artistic production and exert influence on human understanding of the universe — and our place therein.

By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.

Her work is focused on examining the relationship between art infrastructure and artistic production, urbanity, cultural politics of food and art, and contemporary art from the Middle East and Southeast Asia.

surcontexto is a contemporary art platform based in Montevideo, Uruguay, dedicated to generating projects that prioritize the production of knowledge and experience of curatorial and artistic practices today with its focus on South and Latin American art and culture.

TSA New York and NURTUREart will host a dialog on abstract painting's critical reception today, and Brooklyn's role in its recent importance in contemporary artistic production.

Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

The largest show is «Art in the Age of the Internet, 1989 to Today» at the Institute of Contemporary Art, which will feature work by some 60 artists and explore the Internet's influence on artistic production.

It quickly became a major forum for debate on contemporary art and architecture, and as such filled a gap between institutional representation and artistic production.

Spanning a decade of artistic production including installation, print, photography and film, the exhibition follows Baudelaire's sustained attempts to find a form that accommodates the catastrophic complexity of contemporary life, interweaving fiction with considerations on fear, the media and the power of words and images.

Art of Yugoslavia and Serbia from the Collection of the Museum of Contemporary Art, a splendid historical exhibition which shed light on the remarkable artistic production of the Balkans.

Through studio projects, readings, discussions, and case studies, students in this class will engage the immediate context of the University as source material for their artworks as a means to explore the effect that research and knowledge production might have on contemporary artistic practice.

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin — a laboratory for conceptual, intellectual, artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around the «West» and the «non-West».

A exhibition explores Iranian modern and contemporary art, shining a spotlight on visual culture in Iran and examining the impact of history on artistic production.

Holding both a MFA from Hunter College and a PhD in Physics from Harvard, Smith's work plays off of contemporary trends in a clever way, highlighting technology's effect on all aspects of artistic production.

Developing his artistic practice across many media, but above all with found objects, photography and computer graphics, the artist focuses on his production on the investigation of the boundaries between nature and the contemporary civilization.

In dialogue, they touched on a number of topics addressed within the book, including abstract painting's critical reception today, and Brooklyn's role in its recent importance in contemporary artistic production.

His final decades of artistic production paralleled a succession of publishing, nonprofit, and visionary enterprises: in addition to his lithography studio, Francis formed a wind harvesting and alternative energy company in 1975; helped organize the Museum of Contemporary Art, Los Angeles, in 1980; formed the Lapis Press, which focused on eclectic scholarship, in 1984; created a naturopathy - based medical research center in 1987; and founded the Sam Francis Art Museum in 1990 to perpetuate his artistic legacy and support charitable donations.