The exhibition focuses
on contemporary artists who elevate every day, often forgotten (or taken for granted) items through the framing device of cabinets, shelving, and containers.
The final section focuses
on contemporary artists who directly challenge stereotypes and map the complexities of identity politics through portraiture and narrative.
The exhibition's second section, «Legacy,» explores Lawrence's own influence
on contemporary artists who share similar formal and conceptual strategies and themes, and includes commissioned works by artists strongly influenced and inspired by Lawrence such as Derrick Adams, Meleko Mokgosi, Barbara Earl Thomas and Hank Willis Thomas.
Not exact matches
Among the other fiction films to look for in theaters or
on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest
who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails
contemporary recording
artist Willis Earl Beal, playing a character close to himself
who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.
he sixth lot in the house's evening sale of
contemporary art
on May 18 is a 2013 painting by Avery Singer, an
artist who turned 30 last year.
Cappellazzo, and the art advisory she founded a few years ago, is now at Sotheby's, where the sixth lot in the house's evening sale of
contemporary art
on May 18 is a 2013 painting by Avery Singer, an
artist who turned 30 last year.
The
contemporary collectors
who cut their teeth
on younger
artists are going back to wonderful figurative painters like Neel.
Cappellazzo's alma mater also has a surprise first - timer at an evening sale among the first few lots: the first lot in Christie's
contemporary sale
on May 17 in Rockefeller Center in Midtown Manhattan is not a closely watched young talent, but instead the highly political New York
artist David Wojnarowicz,
who passed away in 1992, at 37.
Nice to see a historical and
contemporary blend of
artists on the theme of, «Women
Who Run With the Wolves.»
In this two - venue exhibition, paintings by renowned
contemporary American
artist Mark Bradford —
who will represent the United States at the 2017 Venice Biennale — will be
on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be
on view here at CSM.
Assembling in Marfa will be a faction of
contemporary artists who are peeling the page one frame - at - a-time in an inquiry into the visual dimension of language, ranging from David Gatten's reflection
on the role of documents and Michael Tracy's secret, worldly recitations to Julia Meltzer and David Thorne's digital archives where images become a fault - line between world views and hidden narratives.
In 2008, Dior presented «Dior and the Chinese
Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern fro
Artists,» an ambitious exhibition at the Ullens Center for
Contemporary Art, in Beijing, featuring specially commissioned works by 20
artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern fro
artists, among them Liu,
who made a series of abstract sculptures based
on a Dior dress pattern from 1948.
The work is called «Jack Lemmon,» and it was made last year by Rachel Harrison, a brilliant
artist in her mid-40s
who lives and works in Brooklyn, N.Y.. It's
on display in the permanent collection galleries at the Institute of
Contemporary Art,
on long - term loan from the benefactor Barbara Lee.
With the exhibition Conceptual and Applied III: Surfaces and Pattern, Daimler Art
Contemporary in Berlin, Germany, is continuing its series of exhibitions that focus
on artists who have worked
on the borders between free and applied disciplines.
The exhibition, which reflects the gallery's focus
on both Modern and
contemporary art, will encompass a variety of schools and movements (such as the Cubists and British Modernists) and will feature
artists who are
contemporaries of, or influenced by, one another.
Inspired by Franklin D. Roosevelt's 1941 speech, «Four Freedoms» (freedom of speech, freedom of worship, freedom from want, and freedom from fear), this project has presented public works from
contemporary artists to inspire deeper political engagement for citizens
who want to have a greater impact
on the American political landscape.
The opportunity to develop additional programming as the result of the Tooker loan allows PAFA to pursue a symposium
on a group of
artists, including Peter Blume, George Tooker, Ivan Albright, and other Americans
who used a realist method to invent their own worlds by transforming the symbolic language of Old Master painting into a
contemporary idiom.
An added bonus was the final section of the exhibition including
contemporary and modern
artists who had been influenced by them: Andy Warhol, Keith Haring, Martin Kippenberger, Ed Ruscha, Joseph Kosuth, Barbara Kruger, Jasper Johns, Robert Rauschenberg,
On Kawara, Robert Gober, Vija Celmins, Leo Copers and Arman.
Curated by Charlotta Kotik, the former chairman of the Department of
Contemporary Art at the Brooklyn Museum, the exhibition will feature approximately forty works, the majority of them large in scale, by ten New York
artists who use eccentric and frequently obsessive techniques to create singular works
on paper.
Curated by Nicole J. Caruth, the exhibition focuses
on «
contemporary artists who Grace Jones has influenced and inspired, and
artists who address black bodies and queer identity in ways that recall aspects of Jones» oeuvre,» she said in an interview with Crave.
Due to prestigious Californian - art programmes at universities and art schools, and the close relationship with these educational institutions enjoyed by the many iconic
artists who've worked there as professors, the art scene in L.A. has been considered the most significant part of American
contemporary art
on an academic level.
Corbett vs. Dempsey is a gallery specializing in Chicago painting, sculpture, and works
on paper from 1940 to 1980, as well as
contemporary artists who connect, in fact or in spirit, with these lineages.
Villar Rojas,
who is described by the Serpentine curators as being «
on the brink of gaining international renown for his dramatic, large - scale sculptural works», 1 operates in the tradition of Merz and her fellow Arte Povera
artists in focusing his work
on clay and brick, but with a
contemporary twist of conceptualism and site - specificity.
After closing a gallery he ran
on 56th Street in Manhattan from 1964 to 1966, where he showed
contemporary art and Oriental rugs, Mr. Siegelaub, still in his 20s, presented the work of
artists who would become some of the core members of what would be termed conceptual art, like Douglas Huebler, Joseph Kosuth and Lawrence Weiner.
The gallery was established 2005 by Martin Asbæk (b. 1975) and focuses
on contemporary Scandinavian as well as international art by well - established and up - coming
artists who work in a wide range of media; painting, drawing, sculpture, photography, video, embroidery.
It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno
who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new
contemporary ballet; to avant - garde performance
artist Laurie Anderson
who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation
on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.
«Through exhibitions, performances, lectures and panel discussions, SCAD's deFINE ART program gives SCAD students and our communities unparalleled access to
contemporary artists who are at the forefront of what is going
on in the art world and
who are, in many ways, pioneering new creative platforms,» said Laurie Ann Farrell, SCAD executive director of exhibitions.
This exhibition is in memoriam of Stuart Hall
who passed away
on 10 February 2014 and
who was so supportive of
contemporary art and
artists.
Though Tuttle's work is now canonical, it was met with fierce criticism early in his career: the
artist's 1975 solo exhibition at the Whitney Museum of American Art was received terribly by many prominent critics, most famously by Hilton Kramer of the New York Times, and curator Marcia Tucker —
who went
on to found the New Museum of
Contemporary Art later that year — was fired from the museum, allegedly because of the controversy surrounding the show.
It includes pieces by internationally recognized and emerging
contemporary artists from the continent and diaspora
who draw
on the land for inspiration, such as Sammy Baloji, Christine Dixie, Hassan Echair, Ingrid Mwangi, William Kentridge, George Osodi, Georgia Pappageorge, Jo Ratcliffe, Berni Searle, and Tchif.
Susan Eley Fine Art focuses
on contemporary art by emerging and mid-career
artists,
who work in a range of media, from paint to photography to sculpture and print.
After all the years of videos, rumpled beds and elephant dung, a truly shocking
contemporary artist emerged last night as the bookie's favourite to win the # 20,000 Turner Prize - Michael Raedecker,
who creates delicately beautiful, eerie landscapes in the traditional materials of paint and embroidery
on canvas.
Focusing their program
on artists who are pushing the limits of
contemporary art while having a strong connection with graffiti culture, the British and Dutch
artists» abstracted compositions were the perfect fit for the gallery's summer 2017 show.
LIBRARY STREET COLLECTIVE Library Street Collective specializes in cutting edge
contemporary fine art with a focus
on emerging and established
artists who have pushed the boundaries of traditional medium and exhibition space.
NEW YORK — Mickalene Thomas, Richard Prince, Helmut Lang, Marilyn Minter and Juergen Teller are among the 12
contemporary artists and designers
who collaborated with luxury rug maker Henzel
on a collection of new art rugs.
Pello Irazu is a key
artist on the
contemporary artistic scene, an outstanding figure in renovation of the Basque sculpture and, fundamentally, a creator
who since the 80s has developed a coherent work extending over three decades.
«This survey marks an important moment to appreciate and understand the work of Ree Morton,
who has been widely recognized as «an
artist's
artist» and whose impact
on contemporary practitioners has directly influenced the work of many, despite her lack of greater public renown» said Kate Kraczon, the Laporte Associate Curator at ICA.
The program will begin
on Thursday, December 7 with the Premiere
Artist Talk with Charles Gaines (b. 1944)
who will have a site - specific commission at the Institute of
Contemporary Art (ICA) Miami and discuss his work with Bryan Stevenson.
But unlike many of its competitors,
who regularly team up with
contemporary artists on everything from accessories to ad campaigns, Max Mara has thus far refrained from splashy collaborations.
Yossi Milo Gallery is dedicated to exhibiting the work of international, emerging and established
artists who are breaking new ground in the fields of
contemporary photography, video and works
on paper.
Swiss and Baltic
Artists 21.11.2014 — 1.02.2015 5th floor, Gallery of Contemporary Art The exhibition brings together Estonian, Latvian, Lithuanian and Swiss artists with different backgrounds, who tell their stories based on their collective history and their personal narr
Artists 21.11.2014 — 1.02.2015 5th floor, Gallery of
Contemporary Art The exhibition brings together Estonian, Latvian, Lithuanian and Swiss
artists with different backgrounds, who tell their stories based on their collective history and their personal narr
artists with different backgrounds,
who tell their stories based
on their collective history and their personal narratives.
Even
contemporary artists who work with technology, like Cory Arcangel and Wade Guyton, tend to focus
on its glitches and limitations.
All the while, Copley — working under the name CPLY — made his own highly idiosyncratic, expressive, often erotically charged art, which has in recent years come to be an important influence
on contemporary artists like Bjarne Melgaard (
who staged a show with his work in 2013).
The panel will explore the timeliness of this recent iteration of digital abstraction, with three
artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a
contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus
on tromp l'oeil and «topographical» painting.
Installation view of works by Simon Ingram June 2 — July 29, 2007 Curated by Tina Barton, Four Times Painting at the Adam Art Gallery, Wellington, New Zealand, focuses
on the work of four
contemporary New Zealand
artists,
who each critically engage with the history and practice of painting.
The second, entitled Iranian Highlights, offers a select mix of four Iranian
contemporary artists who have forged very varied careers
on the international stage over the past 50 years.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus
on 20th Century and
contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus
on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media
artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established
artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing
on an international
contemporary art and representing
artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging
artists and favouring a larger access to
contemporary art
on an international level; Mai 36 from Zurich focusing
on trading and presenting international
contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and
artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and
contemporary art with an interest in conceptual, feminist and performance
artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works
on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of
contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
Solo Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots
on the Isle of Portikus: A Story of Sound + Visuals (a small index of
contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Nam
contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The
Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room -
Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Nam
Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium
Who Named the Days?
On view September 30, 2016, through March 5, 2017, Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker presents seminal works by 18
artists, including Thomas Demand, Thomas Struth, Hiroshi Sugimoto, and Jeff Wall,
who in the last two decades have created pictures that expand our understanding of the nature of photography and greatly enhance the Gallery's holdings of
contemporary photography.
After the 1995 public debut of its International
Artist - In - Residence (IAIR) program, Artpace quickly earned an international reputation for commissioning new artwork from
artists who went
on to become major figures in
contemporary art, including Nancy Rubins, Felix Gonzalez - Torres, Cornelia Parker, Isaac Julien, Teresita Fernandez, Christian Marclay, Arturo Herrera, Trevor Paglen, Rachel MacLean, Mark Bradford, and others.