Sentences with phrase «on contemporary audiences»
He is first and foremost a capitalist, of course (a point not lost on contemporary audiences, hopefully) but one who shows such open disdain towards his slaves that they are acknowledged only as property to be exchanged for cash in transactions.
http://www.indiewire.com/ Not exact matches
Building on the success of emerging brands and retailers in the category (Eloquii, Universal Standard, Dia & Co, 11Honore), as well as on the scale of legacy retailers (Lane Bryan, Torrid, FullBeauty) catering to this underserved audience, CoEdition is intent on providing an elevated shopping experience that provides the best selection of contemporary merchandise, while helping consumers find the right size and fit.
His uncompromising sermons on «The Sins of Society» attracted large audiences; they also drew criticism, and he was described by a contemporary as a modern Savonarola.
It also focuses on the concepts of imprisonment, freedom and justice, issues that continue to resonate with contemporary audiences
Check it out below after the official synopsis... On March 20th, Netflix audiences around the world will meet the Rayburns, a contemporary American family who are hard - working pillars of their -LSB-...]
Criterion presents a contemporary treasure on Blu - ray that's likely to endure with future audiences as a staple of European cult cinema.
The high octane Road War takes audiences on a ferocious chase across a stark desert wasteland as Miller pushes the limits of contemporary cinema to re-imagine the beauty and chaos of the post-apocalyptic world he created in the Mad Max trilogy 30 years ago.
«We're generally very selective about our historical dramas; our audience gravitates more towards contemporary portrayals so we have to make sure we have a very special film on our hands for this genre,» noted Lundberg.
A profound meditation on recent European history and a wry depiction of Paris's elite circles, this brilliant debut feature introduced audiences to Arnaud Desplechin, one of France's most significant contemporary writer - directors.
After all, Salamon's book is really just proof of what's evidenced on screen and observed by contemporary audiences: Decisions were made to pander to the lowest common denominator, and say what you will about the lowest common denominator, but it often knows when it's being condescended to.
Recollections that a contemporary audience believed the last fifteen minutes of Burnt Offerings to be the scariest fifteen minutes ever captured on film make me wonder how these guys managed to interview only people who, in 1976, had never seen The Exorcist, Don't Look Now, Rosemary's Baby, Night of the Living Dead, Black Christmas, and on and on.
A Powerpoint Presentation for those studying Shakespeare's Romeo and Juliet giving background information on The Globe and contemporary audiences.
If you're your own target audience, what content would you LOVE to get your hands on from your fav contemporary fantasy authors?
For more than 25 years, Cheryl Haines has developed site - specific exhibitions and public programs that have exposed new audiences to contemporary art and advanced discourse on art about place.
The guides explain the content to their fellow students and by asking questions they help the audience to reflect on the historical events and they challenge them to make relevant connections with developments in contemporary society.
On the occasion of her new publication Since» 45: America and the Making of Contemporary Art (Reaktion Books), art historian and critic Katy Siegel sat down with Rail publisher Phong Bui before an audience of artists - in - residence at the Marie Walsh Sharpe Foundation to discuss the book and more.
Now post-Centennial celebrations, she is leading the staff and Board in refining the mission and relevance of the Museum, increasing an emphasis on art education, developing a contemporary art program, increasing audience access, and defining community service.
An unrivaled talks program for both public and VIP audiences on two stages, / Dialogues and Exchange by Northern Trust continue to feature the most established and respected voices in contemporary art and culture.
The series is part of APF's Works on Whatever (WOW) series: a unique collection of everyday items designed by artists with sales supporting APF's non-profit mission to engage the public and expand the audience for contemporary art.
2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan
Defined by the vibrancy of its host city, Sydney Contemporary provides commercial galleries with a dynamic platform to showcase the work of emerging and established artists, enabling local and visiting audiences to build on their existing knowledge, and develop their international art collections.
Whatever the reason, over the summer on London's South Bank, Höller — the authentic Willy Wonka of contemporary art — will do his utmost to return an adult audience to that forgotten infant world of signs and wonders.
Dialogue is a keyword, and with the main focus on the audience, Kunsthal NORD functions as a platform for debate, communication and conversation about the current contemporary art.
Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.
The hotel invited Art Production Fund, a non-profit art organization dedicated to producing public works and expanding the audience for contemporary art, to bring together a range of talent to collaborate on a single piece.
With its collection of 45,000 works spanning the period from the nineteenth century to the present day and comprising paintings, sculptures, works on paper, installations, videos and photographs, GAM provides its audience with a wealth of events ranging from major exhibitions of Italian and international artists to contemporary research dedicated to young visitors.
Thompson and Dyangani Ose are expected to collaborate on Creative Time's future programming, presenting important contemporary art that breaks down geographic, racial, and socioeconomic barriers and prioritizes cultivating a broader global audience.
Shot and edited entirely on a smartphone, the work examines the performance of self, the individual's access to audience, and the anxiety of our contemporary moment.
Schleuning has a strong and successful history working collaboratively with contemporary artists and designers on installations that expand knowledge, inspire the public, and diversify museum audiences while growing awareness of art and design.
Art Project International, based in New York, was founded in 1993 by Jung Lee Sanders and was one of the first galleries in the United States to focus on contemporary artists from Asia... and continue to bring new artists to wider audiences.
This elegant, hardcover publication offers the widening audience of art lovers a compilation of portfolios, interviews and essays on contemporary art, and lists all exhibitors participating in the three exhibitions.
As the audience has diversified, so has the Salon's offering — it now embraces a mix of Old Master drawings through to contemporary works on paper; although French Old Master, and 19th - and 20th - century pieces remain its core.
The display of many series focussing on one subject from different periods in a major contemporary artist's career gives the audience a chance to see how his painting has evolved over time, including his technique, materials, and even his conception of the theme of portraiture.
Is it too much of a risk for the Tate, with its eye on attendance figures, to promote exhibitions of abstract painting to a mass audience whose attention span has been shortened by the expectation that contemporary art should be either shocking or fun?
With Eyes On: Xiaoze Xie, the Denver Art Museum initiates a series of exhibitions featuring contemporary artists who they believe should have fuller exposure to their audiences.
LAXART supports challenging work, reflecting the diversity of the city and stimulates conversations on contemporary art in Los Angeles, fostering dynamic relationships between art, artists and their audiences.
Dead Lands engages with identity conflicts and their manifestation in contemporary work; the exhibition and its public programming will open this conversation to an international audience, focusing on artistic practices that uncover identity shaped through land, both concrete and imagined.
Reaching tens of thousands across the globe, web projects engage a diverse audience with videos, interactive social media projects and interviews on various subjects relating to contemporary art and the current state women in the arts.
The Museum of Contemporary Art Chicago currently hosts a retrospective of modern dance pioneer Merce Cunningham; Latin American post-war artist Hélio Oiticica is on view at the Art Institute of Chicago; and the the EXPO Chicago art fair provides the city with a global audience every September.
What excited audiences was not just the contemporary work but the revelation that for over a century so many painters had relied surreptitiously on photographs as aids to composition, tonality and realism.
While Location One seeks to nurture a critical awareness of the implications of technology for contemporary society in both our artists - in - residence and our audiences, and on a practical level, to introduce artists to the possibilities of new media in their art practice, the work we exhibit covers a full spectrum: painting, sculpture, video, digital, audio, installation and performance.
«With free general admission, the new ICA Miami enables us to deepen our relationship with audiences of all ages and backgrounds from throughout South Florida — and, with a rigorous, thought - provoking program and expanded exhibition spaces, it ensures that Miami will continue to be at the forefront of the discussion on contemporary art at the national and international levels.»
As one of the world's leading art fairs, Frieze London brings an international audience to the capital every October and for the third year the fair will coincide with Frieze Masters, giving a perspective on historical art alongside the contemporary work.
A+C visual arts editor Devon Britt - Darby talks with The Contemporary Austin director Louis Grachos about the former AMOA - Arthouse's new incarnation and, in his Loose Ends column, checks in with Dallas Museum of Art director Max Anderson on how free general admission is broadening the DMA's audience.
The # 60,000 prize has a major impact on both the winning museum and their chosen artist: for the winning museum, the award allows the acquisition of an ambitious work of contemporary art of national importance, and for the winning artist (who may be showing widely nationally and internationally but whose work is not represented in collections in this country), the award is a stepping stone to greater visibility and provides access to national and international audiences.
Blue Star Contemporary currently welcomes nearly 18,000 visitors on - site each year, and more than 200,000 through off - site exhibitions in multiple regions across our geographically large city — an audience representative of San Antonio's diverse population.
«This is a truly transformative opportunity for Margate to be part of something which invites conversations on an international scale, connecting our audiences to outstanding contemporary art and inspiring future generations of creative talent,» said Pomery.
«The exhibition continues the Columbus Museum of Art's curatorial focus on highlighting the meaning and relevance of contemporary art and photography for broad audiences,» says director Nannette Maciejunes.
Peter adds: «I hope to create a new context to evaluate his iconic paintings, and start a discussion on the continuing power and relevance of urban painting to a contemporary audience.»
In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»