In eighty - eight striking paintings and sculptures, Crosscurrents captures modernism as it moved from early abstractions by O'Keeffe, to Picasso and Pollock in midcentury, to pop riffs
on contemporary culture by Roy Lichtenstein, Wayne Thiebaud, and Tom Wesselmann — all illustrating the complexity and energy of a distinctly American modernism.
Not exact matches
The Heart of Virtue
by Donald DeMarco Ignatius 231 pages, $ 12.95 paper Despite their occasional presence
on best - seller lists, books about virtue remain something of an anomaly in
contemporary culture, the impulse for serious personal reflection choked out
by the saturation of the entertainment media.
The Rise of the Technocratic Society New York June 24 A discussion
on the history of
contemporary Western
culture with Dr. Michael Hanby, professor of Religion and Philosophy of Science, John Paul II Institute at the Catholic University of America and Dr. Carlo Lancellotti, Professor of Mathematics, CUNY, editor and translator of The Crisis of Modernity
by Augusto Del Noce.
T. S. Eliot, in his essay
on «Religion and Literature,» neatly sums up both the approach and the goal: «So long as we are conscious of the gulf fixed between ourselves [as Christians] and the greater part of
contemporary [
culture], we are more or less protected from being harmed
by it, and are in a position to extract from it what good it has to offer us.»
[1]
On The Way To Life:
Contemporary Culture and Theological Development as a Framework for Catholic Education, Catechesis and Formation
by the Heythrop Institute for Religion, Ethics and Public Life, published
by the Catholic Education Service in 2005.
This will draw
on unrivalled knowledge and resources to provide an open, independent and sharpened focus
on contemporary China, informed
by a deep engagement with China's history,
culture, language and society.
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Based
on the smash - hit British series of the same name and adapted for American Television
by Greg Daniels (King of the Hill, The Simpsons), this fast - paced comedy parodies
contemporary American water - cooler
culture.
From Oscar and Emmy winner Alan Ball, and starring Oscar and Golden Globe winner Tim Robbins and Oscar, Emmy and Golden Globe winner Holly Hunter, the show is a provocative and darkly comic meditation
on the disparate forces polarizing present - day American
culture, as experienced
by the members of a progressive multi-ethnic family — a philosophy professor and his wife, their adopted children from Vietnam, Liberia and Colombia, and their sole biological child — and a
contemporary Muslim family, headed
by a psychiatrist who is treating one of their children.
By sharing the history of independent storytelling, the Archives & Collection provides an opportunity for discovery and dialogue around creative work and its impact
on contemporary culture.
Situated
on Mauritius» east coast, Long Beach boasts a bold and
contemporary style along the famous Belle Mare beach inspired
by Mauritian, French and Créole
culture.
By imbibing the local
culture in the dà © cor and keeping a very strong emphasis
on contemporary design, the hotels are extremely modern but with a flavor of the local cultural ethos as well.
The short scenic drive from the airport lingers
on your mind.Chengdu's beautiful rivers, bridges, trees and flowers are a visual feast.History resonates in this city, where the ancient Southern Silk Road began.When you enter the opulent lobby of Shangri - La Hotel, Chengdu, warm greetings accompany you.The hotel has been showcasing the rich artistic
culture of Chengdu since its opening
by featuring nine famous
contemporary artists from Sichuan.You will be ushered into a journey of China
contemporary art.Up in your room, the setting is modern and the space generous.You appreciate why you picked the hotel with the largest rooms in the city centre.
TEXTE ZUR KUNST stands for controversial discussions and contributions
by internationally leading writers
on contemporary art and
culture.
Select Group Exhibitions 2017 Monarchs: Brown and Native
Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Artists in the Path of the Butterfly, Bemis Center for
Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work
on display in
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of
Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2016
Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art
by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and
Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
(www.antecedentprojects.com), an online art platform showcasing
contemporary arts and
culture, which may or may not be secretly run
by llamas
on Mars.
The exhibition will be expanded
by an artist panel discussion
on April 24 at the Marfa Theatre Building, examining the role of optimism in
contemporary culture: how it impacts politics, economics, democracy, and cultural development.
An unrivaled talks program for both public and VIP audiences
on two stages, / Dialogues and Exchange
by Northern Trust continue to feature the most established and respected voices in
contemporary art and
culture.
Through works motivated
by the controversial policies and practices of our current president, the exhibition sheds light
on the challenging issues of
contemporary culture in the face of the presidential political agenda.
Via Brasil is the Wexner Center's multidisciplinary initiative focusing
on contemporary art and
culture in Brazil made possible
by a generous grant from the Andrew W. Mellon Foundation.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated
by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale -
on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror
on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated
by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for
Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated
by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale -
on - Hudson, NY Panorama, curated
by Carmen Zita, Room Interior Products, NY Superlounge, curated
by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized
by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated
by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale -
on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated
by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale -
on - Hudson, NY Circus Maximus, BeganeGrond, Center for the
Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of
Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of
Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of
Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated
by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized
by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and
Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
2015 Dec. 17 — Tom Loughman Appointed 11th Director and C.E.O. of the Wadsworth Atheneum Museum of Art Nov. 23 — Wadsworth Atheneum Museum of Art Welcomes Seven New Appointees to Board of Trustees Nov. 18 — Wadsworth Atheneum Museum of Art Appoints Henry R. Martin 30th President of the Board of Trustees Nov. 17 — Susan L. Talbott Appointed to Rank of Chevalier in the Order of Arts and Letters
by French Minister of
Culture UPDATED Oct. 16 — «Warhol & Mapplethorpe: Guise & Dolls» Opens Oct. 17 at Wadsworth Atheneum Sept. 21 — Wadsworth Atheneum Museum of Art's MATRIX 173 Features Artist Mark Dion Aug. 31 — Unveiling of Galleries Marks Completion of Major Renovation, Secures Future for Wadsworth Atheneum Aug. 26 — Commissioned Artwork
by Jack Pierson Illuminates Hartford's Main Street at Wadsworth Atheneum Aug. 24 — Wadsworth Atheneum to Present First Exhibition to Pair the Work of Andy Warhol and Robert Mapplethorpe July 1 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork
by Artist James Welling June 30 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork
by Artist James Welling June 23 — Director's Choice Exhibition Examines
Contemporary Portraiture in Photography at Wadsworth Atheneum June 23 — Exhibition Exploring Connecticut Artist's Influence
on 20th Century Art Opens July 3 June 1 — Advance Exhibition Schedule 2015 — 2016 May 18 — «Mark Bradford / MATRIX 172» Opens June 4 at Wadsworth Atheneum Museum of Art April 16 — Student Artworks Take Center Stage at the 42nd Hartford Youth Art Renaissance UPDATED March 23 — 34th Annual Fine Art & Flowers Takes Place May 1 — 3 at Wadsworth Atheneum Jan. 21 — «Michael C. McMillen / MATRIX 171: SIDESHOW» Opens Jan. 31 at Wadsworth Atheneum Jan. 21 — New Galleries of Post-War and
Contemporary Art to be Unveiled at Wadsworth Atheneum Jan. 13 — Wadsworth Atheneum's Board of Trustees Steps Up to Support Museum with $ 1.5 Million
1988 Cultural Geometry, Deste Foundation for
Contemporary Art, Athens (curated
by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover
Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated
by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The
Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated
by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated
by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of
Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate
on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of
Contemporary Art, Chicago (catalogue)
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints
by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of
Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA...
On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized
by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and
Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts +
Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY
Image: School of Beauty, School of
Culture, 2012, Kerry James Marshall, acrylic and glitter
on unstretched canvas, 108 x 158 in., Birmingham Museum of Art, Museum purchase with funds provided
by Elizabeth (Bibby) Smith, the Collectors Circle for
Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds, 2012.57, © Kerry James Marshall.
Everything is going to be alright, Elizabeth Cherry Gallery, curated
by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works
on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of
Contemporary Art, Ridgefield, CT Palm Beach Institute of
Contemporary Art, Organized
by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated
by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated
by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized
by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Irena Popiashvili, catalogue with essay
by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Christine Kim) Bit
By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
By Bit: Painting & Digital
Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated
by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in
Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated
by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Stato
by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated
by Sarah Stato
by Sarah Staton)
Through works inspired
by the controversial policies and practices of our current president, the exhibition sheds light
on the challenging issues of
contemporary culture in the face of the current presidential political agenda,» says a press statement about the show.
2010 100 Years of Performance, curated
by Klaus Biesenbach, The Garage Center for
Contemporary Culture, Moscow, Russia Off the Wall: Part 1 — Thirty Performative Actions, curated
by Chrissie Iles, Whitney Museum of American Art, New York, NY
Contemporary Art from the Collection, Curated
by Kathy Halbreich, Museum of Modern Art, New York, NY Soaps Flukes and Follies, Cheekwood Botanical Garden and Museum of Art, Nashville, TN Greater New York 2010, PS1 MoMA, Long Island City, NY At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, curated
by Matthew Higgs, CCS Bard Hessel Museum of Art, Annandale -
on - Hudson, NY
Featuring works
by Bruce Davidson, Benedict Fernandez, Gordon Parks, James Van Der Zee, Kara Walker, Glenn Ligon, and Henry Louis Stephens, the exhibition spans two centuries of American history, providing a
contemporary discussion
on issues of art, justice, and African - American
culture.
Officially launching in 2016, the Biennial will present groundbreaking international
contemporary art, in addition to highlighting Hawaii's notable, but under - recognized contributions
by its communities and individuals to global arts and
culture on the international stage.
Moderated
by Andrew Shiue (founder of the
contemporary culture site Beyond Chinatown), the discussion inaugurated Klein Sun Gallery's panel talk series, which aims to provide a platform for engaging, critical and inclusive dialogue
on contemporary Chinese art and
culture.
By actively integrating
contemporary art — both
on the local and national level — into their company
culture,
By actively integrating
contemporary art — both
on the local and national level — into their company
culture, MailChimp also established a new philanthropic benchmark amongst their peers in the corporate community.»
For an artist who borrows so much from
contemporary black
culture epitomized
by the milieu
on 125th street, Simmons's current work in this context makes a strong case for the transformative (and potentially stultifying) effects of conceptual artistic practices.
Doin» It in Public: Feminism and Art at the Woman's Building and From Site to Vision: The Woman's Building in
Contemporary Culture (2011) 2 Volume Book Set / $ 55 / Available for purchase
on Amazon.com and in Gallery Doin» It in Public / Softcover / 192 pages / 7x10 inches / ISBN 978 -0-930209-22-3 From Site to Vision / Softcover / 420 pages / 7x10 inches / ISBN 978 -0-930209-23-0 Produced
by: OTIS Ben Maltz Gallery Book design
by artist Susan Silton Exhibition curated
by: Meg Linton and Sue Maberry Exhibition dates: October 1, 2011 - February 26, 2012 Doin» It in Public Essays
by: Vivien Fryd, Cheri Gaulke, Alexandra Juhasz, Jennie Klein, Michelle Moravec, Jennifer Sorkin.
Published in the newspaper Libération,
on March 8, International Women's Day, the letter raises concerns regarding comments made
by Bordeaux's deputy mayor for
culture, Fabien Robert, about the state of
contemporary art, and his involvement in determining the direction of the museum.
By focusing
on the intermingling of traditional and
contemporary issues, the Art and
Culture in Mali, West Africa program offered a context within which students are immersed in Malian culture and way o
Culture in Mali, West Africa program offered a context within which students are immersed in Malian
culture and way o
culture and way of life.
The event focuses
on «the body as an object and a brand», exploring its representation within the public realm and within
contemporary visual
culture, and how they, in turn, affect one's relationship with his / her own body as it continues to be «disciplined
by technological mediation
on screen».
In 2016, she launched The Gallery at Calabar in Harlem focused
on contemporary African Artists and African Diaspora artists globally whose work is inspired and influenced
by black and global African
culture globally investigating dynamic ideas about art,
culture and society.
[39] Ellen Johnston Liang, «The People's Republic of China and the 1930s Advertisement Calender Poster Artists,» paper presented at the symposium, «
On Contemporary Chinese Visual
Culture,» University of Westminster, 6 February 2004, convened
by Dr Katie Hill.
Books: Ghosts of My Life: Writings
on Depression, Hauntology and Lost Futures,
by Mark Fisher; Being
Cultured: In Defence of Discrimination,
by Angus Kennedy; Selected Writings, 2000 — 2014,
by Paul Chan; Colliding Worlds: How Cutting - Edge Science is Redefining
Contemporary Art,
by Arthur I. Miller.
Curated
by New York's Alex Ross and crossing generations born before and beyond the 80s, the exhibition rides
on the inescapable cycle of
contemporary art co-option in popular
culture via its «impulse to vampirise levity as a cipher for criticality and de-subjectivisation».
, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American
Culture, Museum of
Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's,
Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited
by the feminist discourses in
contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations
on Life and Death in
Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment:
Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and
Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect
Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary: 1990 - 1999, The Institute of
Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed,
Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of
Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,
Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington.
We also continue to broaden activities in Moscow — in 2019, we plan to open V — A — C's major new site for
contemporary art and
culture, designed
by Renzo Piano Building Workshop in a former power station
on the Moskva River bank.
Conceived and curated
by Maria Brito, the show opened
on July 29 and runs through August 28
on the island of Mykonos at Dio Horia; a new
contemporary art platform dedicated to exploring the dialogue between
contemporary art and
culture in Greece and around world.
History and building The Fundación Juan March promotes humanistic and scientific
culture by organizing temporary exhibitions, mostly focused
on modern and
contemporary art, as well as concerts, lectures, conferences, seminars, workshops, and research activities.
The Fondation Cartier is an art center in Paris, designed
by Jean Nouvel, focused
on the promotion of the most diverse forms of
contemporary art and
culture
Recent Exhibitions 2017 Falkengalerie, Stein am Rhein, Germany Banca intermobiliare di investimenti Lugano, Switzerland Arte Genova 13, Art Fair Genova, Italy 2016 Fugo Diethelm, Mühlau, Switzerland Galerie f 5, Lucerne, Switzerland Kunstsupermarkt Solothurn, Switzerland Kunstwarenhaus Zürich, Switzerland Featured
on ABC «Blood and Oil» Featured
on «The King of 7B» Featured
on «Grace and Frankie» Affordable Art Fair New York, NY Galerie - Beck, Saarbrücken, Germany 2015 Migros Kulturprozent Zugerland, Switzerland Love Art Fair Toronto Affordable Art Fair New York, NY LA Art Show International Art Fair, Los Angeles 2014 Artspace Warehouse Los Angeles Houston Fine Art Fair, Texas Kunstwarenhaus Zürich, Switzerland Love Art Fair Toronto Who's Who Deutschland (Germany) 2013 Galleria Alter Ego, Ponte Tresa, Switzerland 13 Schweizer Kunstraum, Lausanne, Switzerland Femmes Artspace Warehouse Los Angeles Kunstwarenhaus Zürich, Switzerland Flussreif in Berikon, Switzerland Ateliernacht im Freiamt, Switzerland Kunst - Supermarkt Solothurn, Switzerland 2012 Affordable Art Fair Los Angeles Artspace Warehouse, Los Angeles Galerie Katapult, Basel, Switzerland 2011 Kunst - Supermarkt Solothurn, Switzerland Kunstwarenhaus Zurich, Switzerland Zugermesse, Switzerland 2010 Kunstwarenhaus, Zürich, Switzerland Ennenda, Switzerland Zentrum Aettenbühl Sins CH Louvre, Salon de la
Culture, Paris, France 2009 International Art Fair, Europ Art Geneva, Switzerland Palm Art Award, Leipzig, Germany Kunst - Supermarkt Solothurn, Switzerland Porto Ceresio Italy Galerie Tedden Düsseldorf, Germany Galerie Katapult, Basel, Switzerland Who «s Who Deutschland (Germany) 2008 Chunschtspycher Bettmeralp, Switzerland Bad Ditzenbach Germany Porto Ceresio Italy Forum Zugerland Migros Kulturprozent, Switzerland Kunst - Supermarkt Solothurn, Switzerland 2007 International Art Fair ROTTERDAM, Holland Kulturachse Horw: art five, Switzerland Acquisition
by STATE MUSEUM HALIFAX, Nova Scotia Art Fair Zug Design, Switzerland Vita Solothurn Gallery, Switzerland 2006 International Art Fair EUROP «Art Genève International Art Fair ART SALZBURG, Austria International Art Fair ART MARBELLA, Spain Müllerhaus Lenzburg group exhibition CH 2005 International Art Fair ART GALLERY Montreux, Switzerland 2005 Porto Ceresio Italy Kulturschür Windisch, Switzerland 2004 Bahnhofgalerie, Sins, Switzerland 2003 Keller Galerie, Zürich, Switzerland 2002 Bahnhofgalerie, Sins, Switzerland 2001 Jugendseelsorge, Zürich, Switzerland 2000 Zentrum Aettenbühl, Sins, Switzerland About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy
contemporary art collectors.
Influenced
by the conceptual movement and
by Marcel Duchamp, Dona explores the impingement of technology and machinery
on the body in
contemporary culture.
His work was also included in notable group exhibition such as: Unscene, WIELS
Contemporary Art Museum, Brussels; ATOPOLIS (curated
by Dirk Snauwaert) at Manège de Sury, Mons
on the occasion of Mons 2015 - European Capital of
Culture; Celluloid Brushes at Isabel Bortolozzi, Berlin and Ludlow 88, New York; Vibrant Matter, KIOSK, Ghent, Belgium; Richard Parker (curated
by Marc LeBlanc), Michael Thibault Gallery, Los Angeles; Marfa Book Company, Marfa, USA; Mu.ZEE Ostende, Belgium; Middlemarch, Brussels; Karma, New York and White Flags, Saint - Louis, USA.