Larry Aldrich Award Named after a US philanthropist, this annual $ 25,000 Prize is administered by the Aldrich Contemporary Art Museum and rewards American artists whose works have had a significant impact
on contemporary visual culture during recent years.
Through Cannon's personal anecdotes and their joint analyses of selected works by artists who have relationships to both places, Cannon and Nichols will examine the ways in which the black body creates meaning as it moves through these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact
on contemporary visual culture.
A preeminent authority
on contemporary visual culture, she has organized exhibitions and written extensively on conceptual photography, Matthew Barney's Cremaster cycle, and on artists such as Joseph Beuys, Tino Sehgal, and Richard Prince.
She has contributed to numerous books
on contemporary visual culture with essays on artists such as Maurizio Cattelan, Luc Tuymans, Douglas Gordon, and Marina Abramovic.
AAP offers thoughtful reportage, analysis, comment and criticism, with a focus
on contemporary visual culture from our geographical footprint.
In her recent paintings, she employs a wide vocabulary of marks which slyly reference the influence of Photoshop
on contemporary visual culture.
Some of his works exhibited at the Centre Pompidou, are: The aquariums in the «Equilibrium» series (1985), «Rabbit» (1986), «Michael Jackson and Bubbles» (1988) and «Balloon Dog» (1994 — 2000) that have gained immense popularity and made their mark
on contemporary visual culture, and are coming from large and important collections of contemporary art internationally.
Not exact matches
Texas About Blog Arts and
Culture Texas Magazine is a free periodical for the community with a focus
on the
contemporary visual and performing arts and how it affects life and lives in Texas.
The short scenic drive from the airport lingers
on your mind.Chengdu's beautiful rivers, bridges, trees and flowers are a
visual feast.History resonates in this city, where the ancient Southern Silk Road began.When you enter the opulent lobby of Shangri - La Hotel, Chengdu, warm greetings accompany you.The hotel has been showcasing the rich artistic
culture of Chengdu since its opening by featuring nine famous
contemporary artists from Sichuan.You will be ushered into a journey of China
contemporary art.Up in your room, the setting is modern and the space generous.You appreciate why you picked the hotel with the largest rooms in the city centre.
Glenwood has entered an era of suburban revival mostly due to the hive of activity evident
on Davenport, Bulwer and Ferguson Roads, where antique shops, the KZNSA Gallery - which includes a gallery that exhibits
contemporary visual culture, a shop, a café and a training art programme - and various little shops, restaurants and cafés have attracted a loyal following.
Texas About Blog Arts and
Culture Texas Magazine is a free periodical for the community with a focus
on the
contemporary visual and performing arts and how it affects life and lives in Texas.
Select Group Exhibitions 2017 Monarchs: Brown and Native
Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Artists in the Path of the Butterfly, Bemis Center for
Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work
on display in
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of
Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2016
Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight
Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and
Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
The exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations
on art and
culture, both
contemporary and historical, and
visual ruminations
on the interrelated families of forms and images in art, architecture, and archaeology.
Their collaborative, ephemeral, and
visual works reflect
on contemporary culture through the language of popular music, consumer
culture and other genres.
Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently
on display at the Museum of
Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the
visual culture of his Chinese background alongside the documentation of United States history.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale -
on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror
on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for
Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale -
on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale -
on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale -
on - Hudson, NY Circus Maximus, BeganeGrond, Center for the
Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of
Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of
Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of
Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for
Visual Art and
Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
-- 10.05.2015 5th floor, Gallery of
Contemporary Art The exhibition focuses
on macabre topics and their relations to the world of beauty and glamour in the art and
visual culture in the 1990s.
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of
Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA...
On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the
Visual Arts and
Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts +
Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY
Her research centers
on language - based work and intersections of experimental writing, performance, and
visual culture in modern and
contemporary art.
He works
on issues of performance and performativity in the
contemporary visual arts, as well as
on queer theory, queer
cultures and their histories.
St. John's found imagery elevates the overused people and symbols in
contemporary visual culture and reflects
on the hierarchy of images.
Adams» aim in curating «The Beat Goes
On» was to «celebrate the cross section of
contemporary culture where
visual arts meet and merge with music.»
Focusing
on post-medieval European and American art, the collection is outstanding in the fields of Italian and Northern Renaissance, Baroque, and nineteenth - century French art, the history of photography, and international
contemporary art, as well as theory and
visual culture.
Arts +
Culture Texas magazine is a free periodical for the community with a focus
on the
contemporary visual and performing arts and how it affects life and lives in Texas.
Jon Bird is Professor of Art and Critical Theory at Middlesex University, London, and an independent curator and writer
on contemporary art and
visual culture.
Comprising programmes from the ICA Artists» Moving Image Network alongside several additional live events, the festival brings together a cross-section of work that engages with the language of
contemporary visual culture to draw out critical and discursive reflections
on its wider social influences.
Avant - gardes in
Contemporary Art, Museum of Modern and
Contemporary Art and Aubette 1928, Strasbourg, France Looks Good
on Paper, Singapore Tyler Print Institute, Singapore The Grand Balcony, La Biennale de Montreal, Montreal, Canada Ad Intérieurs, à l'Univers des collectionneurs, La Monnaie de Paris, Paris, France Das Loch, Künstlerhaus Bremen, Bremen, Germany Exquisite Corpse, Galerie Chantal Crousel at The Mistake Room, Los Angeles, USA Public to Private: Photography in Korean Art since 1989, National Museum of Modern and
Contemporary Art, Seoul, South Korea Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, The Cáceres
Visual Arts Centre, Helga de Alvear Foundation, Cáceres, Spain Presently, neugerriemschneider, Berlin, Germany Daily Formalism, Mabsociety, Shanghai, China Yoko Ono: LUMIÈRE DE L'AUBE, The Museum of
Contemporary Art Lyon, Lyon, France gerlach en koop, Bonnefantenmuseum Maastricht, Maastricht, Netherlands MashUp: The Birth of Modern
Culture, Vancouver Art Gallery, Vancouver, BC Canada kurimanzutto travels to Jessica Silverman Gallery: from here to there, Jessica Silverman Gallery, San Francisco, USA
About Shizaru: Shizaru is a
contemporary art gallery focusing
on a unique
visual culture.
In the Spring of 2014, she curated an exhibition
on pluralism in
contemporary Asian
visual culture, titled Plural Vision, at the Gene Siskel Film Center.
As the Native Arts and
Cultures pilot Mentor Artist Fellowship approaches its six - month mark, we'd like to update our followers
on the progress of our 2017 cohort, twelve traditional or
contemporary visual artists who are sharing their knowledge as mentors,...
The event focuses
on «the body as an object and a brand», exploring its representation within the public realm and within
contemporary visual culture, and how they, in turn, affect one's relationship with his / her own body as it continues to be «disciplined by technological mediation
on screen».
[39] Ellen Johnston Liang, «The People's Republic of China and the 1930s Advertisement Calender Poster Artists,» paper presented at the symposium, «
On Contemporary Chinese
Visual Culture,» University of Westminster, 6 February 2004, convened by Dr Katie Hill.
Antonia Pérez, born in New York City, is a
visual artist who mines the detritus of everyday life for evidence of the nature of
contemporary quotidian
culture and transforms her finds into sculpture, assemblage and works
on paper.
Whitaker's use of analog processes to reflect
on a highly digitized
contemporary visual culture presents a core tension in the work.
He is the director of Modern
Culture, a
visual arts enterprise, specializing in the exhibition and sale of works by a selection of
contemporary artists
on the primary market and the sale of works, produced from 1956 to the present,
on the secondary market.
More
on Susan Caraballo: Art Center South Florida supporting artists and advancing the knowledge and practice of
contemporary visual arts and
culture in South Florida Feast Miami Vegan pop - up dinners at art venues to financially support new & emerging creative projects Susan Caraballo Website www.susancaraballo.blogspot.com Connect
on Twitter @susancaraballo About 12...
In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they
visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «
contemporary photo - based
culture, specifically focusing
on connectivity, the circulation of images, information networks, and communication models.»
The show explores the influence of African
visual culture on contemporary art, craft, and design, through the work of more than 100
contemporary artists, among them Nick Cave, Yinka Shonibare, Kehinde Wiley, and the Wu - Tang Clan.
Elephant is a quarterly magazine focused
on contemporary art and
visual culture.
Diverse events focus
on contemporary approaches to
visual culture, poetry, science fiction and narrative structures and explore their relationships to new technologies and the expanded information society.
Masha Chlenova, PhD, curator of Russian Revolution: A Contested Legacy currently
on view at IPCNY, investigates the primacy of prints in the years immediately following the Russian Revolution and in Russian
visual culture of the late 1920s, and introduces
contemporary works by Russian - born artists Yevgeniy Fiks and Anton Ginzburg.
Valerie Behiery is a Canadian arts writer whose research focuses
on historical and
contemporary visual culture from or relating to the Middle East, with a special emphasis
on gender, cross-culturality and the politics of representation.
She frequently writes
on the role of food in
contemporary art and
visual culture.
is a Canadian arts writer whose research focuses
on historical and
contemporary visual culture from or relating to the Middle East, with a special emphasis
on gender, cross-culturality and the politics of representation.
The Mohile Parikh Center (MPC), Mumbai, is one of the leading centers in India devoted to Art,
Culture and Education, with a focus on the visual arts, contemporary culture, media, underserved communities, and continuing edu
Culture and Education, with a focus
on the
visual arts,
contemporary culture, media, underserved communities, and continuing edu
culture, media, underserved communities, and continuing education.
Bynoe is the co-founder and Editor - in - Chief of ARC Magazine, the premiere
visual art and
culture publication focusing
on contemporary visual art created throughout the Caribbean and its diaspora.
The opposing shows are an exegesis of sorts
on how the size of an artwork affects its relationship to viewers, its show space and ultimately, the entirety of
contemporary visual culture!
Halsband's 1985 iconic portrait of Jean - Michel Basquiat and Andy Warhol no. 143 in boxing gloves became such a staple of popular
culture that its appropriation by
contemporary visual artists and street artists continues thirty years
on.
The Centre national d'art et de
culture Georges Pompidou was the brainchild of President Georges Pompidou who wanted to create an original cultural institution in the heart of Paris completely focused
on modern and
contemporary creation, where the
visual arts would rub shoulders with theatre, music, cinema, literature and the spoken word.
Ginwala writes
on contemporary art and
visual culture in various periodicals and has contributed to numerous publications.