Starring Alexander Skarsgård and Michael Peña as two cops on the trail of some villainous scum, the movie puts a raucous and hilarious spin
on cop movies by making the leads crooked cops, much...
I guess the previous movies I did before were easier to pinpoint: Shaun of the Dead is a riff on zombie movies, and Hot Fuzz is a riff
on cop movies.
Not exact matches
The buddy -
cop film, with elements of «Lord of the Rings» - style fantasy, only got positive reviews from 12 % of top
movie critics
on Rotten Tomatoes.
The way many of us view the death of Jesus
on the cross is like some poorly scripted «Good
Cop, Bad
Cop» scene from a crime thriller
movie, except now it is «Good God, Bad God.»
Now, in an unexpected twist, the LA Times reports that a folding knife was found by a construction worker at Simpson's mansion and was handed over to an off - duty
cop from the traffic division who was working security
on a nearby
movie shoot.
Fortunately, these philosophical arguments play out in a pretty solid
cop drama, executing well
on the high octane car chases, shootouts and action sequences that keep the public coming back to
cop movies for decades.
Ayer has developed a knack for exploring deep themes while keeping your pulse pounding, which is likely why Netflix appointed him to take the reins
on their most expensive and ambitious
movie to date, reportedly sinking between $ 90 - 100M into this
cop / fantasy hybrid.
Linebackers Steve Ache and Jeff Paine were in the NFL in the same year but not
on the same defense, and thus never inspired the Stallone & Van Damme buddy -
cop movie Ache & Paine that we're still pining to see.
Naked Gun 2 1/2, which is a perversely, though funny,
movie really about environmental regulation; and it's a Leslie Nielsen
movie, and he is a
cop who is basically been called upon to protect, in a fictional Bush administration, the president has decided we're going to have a whole new fuel system which isn't going to be nuclear or kind of fossil fuels, coal and oil — it is going to be based
on alternatives.
Clashes between actresses
on the set of Jenny's
movie somehow lead to a night of lesbian Turkish oil wrestling that ends with a visit from the
cops; the hard - case colonel in charge of prosecuting Tasha's case arrives
on base.
On a purely visceral level, Training Day is easily the most exciting movie out there right now, but as a morality tale with anything large on its mind, it's a cop - ou
On a purely visceral level, Training Day is easily the most exciting
movie out there right now, but as a morality tale with anything large
on its mind, it's a cop - ou
on its mind, it's a
cop - out.
On the first day of production on Hank Moody's latest movie «Santa Monica Cop,» Stu has brought back his «F — king and Punching» director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the film's leading lady puts his relationship with Sam in jeopard
On the first day of production
on Hank Moody's latest movie «Santa Monica Cop,» Stu has brought back his «F — king and Punching» director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the film's leading lady puts his relationship with Sam in jeopard
on Hank Moody's latest
movie «Santa Monica
Cop,» Stu has brought back his «F — king and Punching» director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the film's leading lady puts his relationship with Sam in jeopardy.
Based
on James Ellroy's novel about the
movie industry, corrupt
cops, tabloid journalism, gangsters and sexual obsessions of every stripe, L.A. Confidential is set in 1950's Los Angeles.
While not a bad
movie, you could tell it was trying to
cop from
On the Waterfront a bit.
It'd be a far more interesting
movie without the detective... it's a conventional, commercial
cop / killer
movie when he's
on screen and an edgy, passionate one without him.
Fans of the TV series regularly appearing
on «Comedy Central» already know what to expect from this feature - length film, showcasing more of the same parody of «
COPS» as if starring the gang from the Police Academy
movies.
Director: Edgar Wright Cast: Simon Pegg, Nick Frost, Martin Freeman Edgar Wright's follow - up to «Shaun of the Dead» is a bigger, busier, slightly less focused ramble through small - town
cop -
movie clichés, but it might just be the better film, benefiting from a script packed with smart one - liners and neat riffs
on everything from Hammer horror to cosy ITV dramas.
Here's the list of the 128 new
movies Inside Llewyn Davis Grudge Match Drew: The Man Behind the Poster Her Safety Not Guaranteed Anchorman 2: The Legend Continues Thanks for Sharing Cutie and the Boxer
On the Waterfront That Awkward Moment Warm Bodies Lone Survivor Ride Along Eraserhead Dirty Wars Badlands Labor Day The Lego
Movie 3 Women About Last Night Remember Me RoboCop (2014) The Square 20 Feet From Stardom Non-Stop Bottle Rocket The Monuments Men The Grand Budapest Hotel Mulligans Everything or Nothing Veronica Mars Bad Words Elaine Stritch Shoot Me Divergent Muppets Most Wanted Noah Sabotage Captain America: The Winter Soldier Draft Day The Railway Man Transcendence Heaven is for Real Suspicion The Other Woman Short Term 12 Eating Raoul The Amazing Spider - Man 2 Le Week - End Neighbors Million Dollar Arm Godzilla X-Men: Days of Future Past How to Survive a Plague The Normal Heart The Killing Chef A Million Ways to Die in the West Maleficent The Fault in Our Stars Edge of Tomorrow 22 Jump Street How to Train Your Dragon 2 Jersey Boys Transformers: Age of Extinction Tammy Life Itself A Hard Day's Night Begin Again Dawn of the Planet of the Apes Carrie (2013) Sex Tape Snowpiercer Boyhood I Origins You're Next A Most Wanted Man Guardians of the Galaxy The Hundred - Foot Journey Teenage Mutant Ninja Turtles Only Lovers Left Alive 42 The Giver If I Stay Sin City: A Dame to Kill For Let's Be
Cops Sinister Get
On Up The Trip to Italy The Drop This Is Where I Leave You The Maze Runner Hector and the Search for Happiness Breathless The Equalizer Gone Girl Annabelle The Sacrament The Judge Alexander and the Terrible, Horrible, No Good, Very Bad Day Fury In a World... Men, Women & Children The Last Time You Had Fun V / H / S: Viral Just Before I Go St. Vincent Birdman Kumiko The Treasure Hunter The Imitation Game Wild Whiplash Nightcrawler Foxcatcher The Orphange Interestellar Big Hero 6 Rosewater Dumb and Dumber To The Theory of Everything The Hunger Games: Mockingjay Part 1 Into the Woods Exodus: Gods and Kings Big Eyes The Hobbit: The Battle of the Five Armies Stranger By the Lake Top Five The Babadook Annie (2014) Unbroken The Interview
After making his
movie debut in director Hal Ashby's final film 8 Million Ways to Die (1985), Lister spent the rest of the 1980s working primarily in A and B
movies heavy
on action, including Runaway Train (1985), Beverly Hills
Cop II (1987), and Walter Hill's Extreme Prejudice (1987).
On another level, the film is an overly glossy, ostensibly intellectual but deliberately trite mass - market romance (from the screenplay written by Pierce) about a reporter and a movie star falling in love while she shadows him on the set of yet another movie (in which he plays a cop along side Brad Pitt) for a magazine fluff piece profile she's writin
On another level, the film is an overly glossy, ostensibly intellectual but deliberately trite mass - market romance (from the screenplay written by Pierce) about a reporter and a
movie star falling in love while she shadows him
on the set of yet another movie (in which he plays a cop along side Brad Pitt) for a magazine fluff piece profile she's writin
on the set of yet another
movie (in which he plays a
cop along side Brad Pitt) for a magazine fluff piece profile she's writing.
Neither the novel nor the
movie puts much emphasis
on the
cops - and - robbers aspect.
In bringing some aspects of «found footage» into an action
movie following two street
cops on their daily grind, Ayer has managed to find another layer of realism that makes his films so enjoyable.
Here's two more
movie posters for the upcoming horror film «Red State» written and directed by Kevin Smith (Clerks) and starring John Goodman (Thicker, Pope Joan), Kyle Gallner (A Nightmare
on Elm Street, Jennifer's Body), Michael Angarano (Noah's Ark: The New Beginning, The Forbidden Kingdom), Stephen Root (Kung Fu Panda: Legends of Awesomeness, True Blood), Kevin Pollak (
Cop Out, Middle Men), Melissa Leo (Welcome to the Rileys), Ralph Garman (Family Guy) and Anna Gunn (Breaking Bad).
For fans of superhero cinema, that's amazing news, given that
on the strength of «
Cop Car's» early buzz and his previous film «Clown,» Watts landed the coveted job directing the next Spider - Man
movie, co-produced by Marvel Studios and Sony Pictures.
Framed in flashback, as captive Los Angeles private investigator Ned Cruz (Banderas) gets grilled by a trio of possibly dirty
cops (Thomas Kretschmann, William Fichtner, Delroy Lindo), the
movie centers
on the labyrinthine business inquiries Ned conducts
on behalf of a just - paroled Russian boxer, Anton Protopov (Robert Maillet, of Sherlock Holmes).
All this ought to make for a refreshingly new twist
on the buddy
cop movie, but instead it is just a confusing mess.
Since 2012's
cop movie «End of Watch,» Gyllenhaal has been
on a creative roll between «Prisoners,» «Nightcrawler,» «Southpaw» and the upcoming «Everest.»
That sets the scene for the directorial debut for both actor Edmond O'Brien, who also stars as Detective Lt. Barney Nolan, the violent, angry
cop, and producer Howard W. Koch, who apprenticed as an assistant
on (among others) the early B -
movie film noirs of Anthony Mann.
Tags: August
movies, Coming Soon, Get
On Up, Guardians of the Galaxy, If I Stay, Into the Storm, Let's Be
Cops, monthly
movie previews, Sin City: A Dame to Kill For, Teenage Mutant Ninja Turtles, The Expendables 3, The Giver
He's graced the small screen
on several occasions, popping up
on everything from Frasier to SeaQuest 2032, including a gang of
cop / crime - related shows and TV
movies from the mid-80s and 90s (Miami Vice, Hunter, Law & Order, Homicide: Life
on the Street, Walker, Texas Ranger, NYPD Blue, New York Undercover, and Oz).
Yet Kick - Ass isn't a satire so much as a shrine — a celebration of not simply what we love when we go to the
movies, but also what the
movies inspire us to be
on drowsy Saturday afternoons, drunk
on Mexican stand - offs,
cops and killers acting like brothers, and physics that bend just enough to allow our heroes to run
on walls, dodging bullets in their dark sunglasses.
Following the critical success of Good Time, The Safdie Brothers have been busily capitalising
on their moment, directing a music video for Jay Z and announcing that they will be remaking classic «buddy
cop»
movie 48 Hours.
This being the take
on the «Buddy
Cop» genre of action
movies, is well scripted and the physical comedy is simply amazing.
Headline:
Cops Struggle to Juggle Careers and Fatherhood in Faith - Based Family Flick When Pastor Alex Kendrick read a report back in 2003 alleging that
movies had become more of an influence
on impressionable young minds than the church, he decided to do something about it.
Lord and Miller were reportedly so busy making «The LEGO
Movie» that they didn't have time to do script revisions
on the buddy
cop comedy, and that was a major oversight
on their part, because «22 Jump Street» is a fitfully funny sequel that lacks the surprise factor of its predecessor.
Vikram Murthi writes about John Michael McDonagh's nihilistic new buddy
cop movie «War
on Everyone» in this week's critic - at - large column.
cop Steve Burns (Al Pacino) is asked before going undercover in William Friedkin's dirty - scary thriller about a serial murderer preying
on gay men in late - Seventies New York — in which everyone looks like Al Pacino, all the victims as well as the killer, which is why he's recruited: he's bait (and the
movie keeps hinting — fuck — he might also be the killer).
But this ostensible satire
on American
cops, crime
movies, American values or lack thereof, intellectualism and anti-intellectualism, racism, and so
on, is so hackneyed, tired, labored and overstuffed with contempt not only for all of its targets but also its own self that one gets the feeling that the talented Mr. McDonagh has gone mad with rage.
According to Paramount the new Beverly Hills
Cop movie centers
on Axel Foley (Eddie Mur...
According to the Michigan Film Office, producers are now hiring crew to work
on the upcoming «Beverly Hills
Cop 4»
movie while it films in Detroit, Michigan.
According to Paramount the new Beverly Hills
Cop movie centers
on Axel Foley (Eddie Murphy) as he returns back to the mean streets of Detroit during the coldest winter in years.
Bradley Cooper is the
cop intent
on bringing him down and... That's all you can say about the
movie's plot without threatening to ruin some of the many wonderful twists and turns.
Paddington Pan Paper Towns Paranormal Activity: The Ghost Dimension Partisan Paul Blart: Mall
Cop 2 Pawn Sacrifice Pay the Ghost The Peanuts
Movie (2015 OFCS Award Nominee) The Pearl Button Phoenix (2015 OFCS Award Nominee) A Pigeon Sat
on a Branch Reflecting
on Existence Pitch Perfect 2 Pixels Poltergeist Predestination Project Almanac
We find the usual
cop movie archetypes and story development; nothing
on display here allows the film to break free from its genre constraints.
Cop Out is close to watchable
on the merits of its stars, but the script is so lazy — and it's so utterly impossible to invest in the characters or the nominal reality of the plot — that the
movie becomes something of an endurance test.
The
movie begins
on the morning of April 15, 2013 and introduces several of the key players involved in the tragic event, including Boston
cop Sgt. Tommy Saunders (Wahlberg), Chinese exchange student Dun Meng (Jimmy O. Yang), Watertown police officer Sgt. Jeffrey Pugliese (J.K. Simmons) and the bombers themselves, Kyrgyzstani - American brothers Dzhokhar and Tamerlan Tsarnaev (Alex Wolff and Themo Melikidze, respectively), who detonate the homemade bombs about four hours into the race and then return home to watch the ensuing chaos
on TV.
Instead, the
movie prefers to concentrate
on basic
cop melodrama; the unique negotiator aspects fail to make a substantial impact much of the time.
One of the most thuddingly unfunny sequences is the «
movie - quoting bad
cop» opening scene, which the Blu - ray's behind - the - scenes material identifies as a laugh - filled day for cast and crew that didn't translate to any fun for the audience (the lower energy unused opening scene found
on the Blu - ray is much funnier in Smith's patented «shooting the shit» style).
Also newly featured this week, classic
cop - and - car - chase
movie Bullitt,
on TCM
on Saturday.
Which begs to ask the question, if you can watch one of the best dirty
cop dramas for free
on television, why bother paying for a second - rate version at the
movies?