Sentences with phrase «on costume design»

The museum's first exhibition focused on costume design celebrates a new facet of the many intersections of fashion and film, exemplifying the cross-disciplinary nature of creative professions.

Nathalie has lectured on costume design (in which she takes a special interest) and the early history of cinema and conducted feature interviews at literary events like the International Festival of Authors and the Toronto Comics Arts Festival.

All films rely on costume design to varying degrees.

That would be enough to tide over fans anticipating the upcoming definitive release, but there are also shorter featurettes on costume design, theatrical lighting, and film editing; a selection of auditions and screen tests (though, it must be noted, not including Jennifer Hudson's — I guess some things had to be saved for later); an extensive still gallery; and, most intriguingly, pre-visualization sequences for the musical numbers shot with dancer stand - ins.

In Contention on the costume design Oscar race

«Not a Deerstalker Cap in Sight» focuses on the costume design, particularly the avoidance of iconic, Holmes - related attire.

This week's Ender's Game production blog entry focuses on costume design including flash suit design.

Not exact matches

The movie, from Time Warner's (TWX) Warner Bros., won awards in categories such as costume and production design, as well as makeup and two sound categories on its way to scoring more total Oscars than any other film Sunday night.

Calling all art and craft - loving children... how would you like to see a Halloween costume you designed go on sale in supermarkets next year?

I got used to the experience of trying on samples, and there was a dreamy, costume - like quality to the dramatic designs and luxe materials.

As a kid, I would spend hours sketching various possible designs for my Jack - o» - lantern, my mom would help brainstorm and create my costume, and my friends and I would swap tips on the best trick - or - treating routes.

Worked in interior design for private homes and businesses, designed only one festival venue and took on no costume gigs.

For the ultimate in couture costume jewellery, Elsa Corsi herself is in - shop on Saturdays styling and creating custom designs for brides and collectors.

Written and directed by Christopher McQuarrie, based on a story by Drew Pearce; director of photography, Robert Elswit; edited by Eddie Hamilton; music by Joe Kraemer; production design by Jim Bissell; costumes by Joanna Johnston; produced by J. J. Abrams, Bryan Burk, David Ellison, Dana Goldberg, Don Granger and Tom Cruise; released by Paramount Pictures.

Directed by Shawn Levy; written by John Gatins, based on a story by Dan Gilroy and Jeremy Leven and the short story «Steel,» by Richard Matheson; director of photography, Mauro Fiore; edited by Dean Zimmerman; music by Danny Elfman; production design by Tom Meyer; costumes by Marlene Stewart; produced by Mr. Levy, Don Murphy and Susan Montford; released by DreamWorks Pictures.

As you might guess from the featurette titles, these cover the film's look and visual design, conceptualizing and putting together the Batmobile and its use in the film, physical props and elements, ideas and execution of the Batsuit, Nicholson's take on the Joker and his makeup / costume, and the flick's score.

Directed by David Yates; written by Steve Kloves, based on the novel by J. K. Rowling; director of photography, Eduardo Serra; edited by Mark Day; music by Alexandre Desplat; production design by Stuart Craig; costumes by Jany Temime; produced by David Heyman, David Barron and Ms. Rowling; released by Warner Brothers Pictures.

«Climax» follows various scenes in the order presented in the movie and focuses on story / characters, cast and performances, sets and locations, and costumes and production design.

Little more than a travelogue designed to show off the grandeur of the Hermitage, with the silly actors in fancy costumes getting in the way of the paintings and sculptures on display.

Once is not nearly enough to appreciate the costume design work here by Ruth E. Carter (Marshall [2017], Selma [2014]-RRB-, nor the superb cinematography of Rachel Morrison (recently nominated for an Oscar ® for her work on Mudbound [2017]-RRB-.

Drawing on elements from African history and tribal culture, as well as contemporary and forward - looking flourishes, «Black Panther» pulses with color, vibrancy and layered textural beauty, from the beadwork and textiles of Ruth Carter's spectacular costumes and Hannah Beachler's warm, dazzlingly eye - catching production design to hairstyles, tattoos and scarifications that feel both ancient and novel.

How about a movie whose visuals, architectural and costume design, and orchestral score draw heavily on cultural influences seldom seen on Western screens?

No actress could fail to be upstaged by the stunningly fanciful costumes (with matching tresses), the blaring choir music (so distracting it could make a fundamentalist swear - off religion), and production design by a craftsmen who worked on the cartoon - inspired flicks X 2 and Superman Returns.

It's a film so exactly costumed and so exactly designed — verging on working - class cosplay — that verisimilitude functions as diversion.

Gorgeous production design and superb costuming and girlie accoutrements help float this improbably romantic adventure and lend it an airy grace, as does a score from composer Michael Giacchino that classily evokes swirling romance without hitting antecedent influences directly on the nose.

Directed by Robert Schwentke; written by Brian Duffield, Akiva Goldsman and Mark Bomback, based on the novel by Veronica Roth; director of photography, Florian Ballhaus; edited by Nancy Richardson and Stuart Levy; music by Josep Trapanese; production design by Alec Hammond; costumes by Louise Mingenbach; produced by Douglas Wick, Lucy Fisher and Pouya Shahbazian; released by Summit Entertainment.

From there, the featurette briefly touches on production design, stunts and effects, costume design, and (most intriguingly) cinematography.

Really the site is just an exploration and understanding of movie and TV costume design with an eye on trend and fashion influences, particularly those represented in contemporary cinema.

I know that 13 nominations can result in no wins but on top of art direction, costume design, visual effects, Button can win in supporting actress too.

Starz's Outlander has quietly become a home for some of the best costume design on television.

Clothes on Film: What is the current process for costume design in animated film?

Metamorphosis: A behind - the - scenes documentary with Darren Aronofsky Behind the Curtain: An inside look at the ballet's influence on the film's costume and production design Ten Years in the Making: Natalie Portman and Darren Aronofsky discuss their creative journey Cast Profiles

Jeffrey Kurland has once again spoken exclusively to Clothes on Film about his inspiring costume design for Inception.

Video Quality: A festive treat to the eyes is the 4k Ultra HD Blu - ray of Murder on the Orient Express and rightfully so with the lavish costume designs, scenic views from the train, and the few pit stops and mishaps along the way.

Here's some behind - the - scenes videos on the show's costume design, as well as that all - important topic: the making of Rubber Man.

Blu - ray extras include a trivia track; a piece on the film's origins; a featurette on Jean - Paul Gaultier's costume designs; and interviews with Willis, Jovovich and co-stars Chris Tucker (who plays the fast - talking Ruby Rhod) and Maiwenn Le Besco (cast as the blue - skinned opera diva).

Directed by Peter Farrelly and Bobby Farrelly; written by Pete Jones, Peter Farrelly, Kevin Barnett and Bobby Farrelly, based on a story by Mr. Jones; director of photography, Matthew F. Leonetti; edited by Sam Seig; production design by Arlan Jay Vetter; costumes by Denise Wingate; produced by Bradley Thomas, Charles B. Wessler, Peter Farrelly and Bobby Farrelly; released by Warner Brothers Pictures.

The featurettes cover set and production design, story / character areas, cast and performances, costumes and props, locations, Branagh's work on the set, makeup and creature creation, music, and general thoughts.

Directed by Michael Bay; written by Ehren Kruger, based on Hasbro's Transformers action figures; director of photography, Amir Mokri; edited by Roger Barton, William Goldenberg and Joel Negron; music by Steve Jablonsky; production design by Nigel Phelps; costumes by Deborah L. Scott; visual effects supervisor, Scott Farrar; produced by Lorenzo di Bonaventura, Tom DeSanto, Don Murphy and Ian Bryce; released by Paramount Pictures in association with Hasbro.

Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and Design section which includes featurettes on sets, costumes, and weapons as well as extensive photo galleries.

«The Huntsman: Winter's War» also gets by on empty spectacle, so by the criterion of Colleen Atwood's elaborate costume design and everything else visible to the human eye, it would be a recommendation.

In terms of production design, did you find yourself having to scale back on things like vintage cars and elaborately costumed crowd scenes to maintain the focus the story needed?

There's a big focus «on making sure you have women in departments that are not usually cut out for women — not just in costumes and not just in production design,» she said.

He would work on and off (mainly on) with Allen for the next three decades plus, starting with costumes, and moving into production design.

We're talking hundreds of extras, large detailed set designs, delightfully spot - on choreographed dance numbers, distinctive costuming, original songs, a creative humorous yet touching script, and lead actors that shine.

Yesterday Ryan Reynolds took to Twitter to mark the fact that the Deadpool movie would arrive in cinemas in a year's time by teasing the costume design for the Merc with the Mouth, and now tonight we have some casting news on the X-Men spin - off.

At least it can deliver on that (and in spades), as the time period of the film essentially serves as its own character, and one that does not disappoint in the slightest — Michael Wilkinson's costume designs, Judy Becker's overall production design, and the entire coterie of hair stylists and make - up artists are all near - revelatory and exceedingly well - executed.

Throw in a jealous wife (Antje Thiele) and an ambitious father - in - law (David Thewlis) with designs on the throne, and you've got all the fixins for a convoluted, costume drama of, dare I say it, Shakespearean proportions.

In a night free of upsets, some of my own favorite outcomes were entirely expected, whether it was «Call Me by Your Name» earning its screenwriter, 89 - year - old industry veteran James Ivory, his long - overdue first Oscar, or Mark Bridges winning costume design for his astute work on «Phantom Thread» (plus a jet ski for giving the night's shortest speech).

The DVD gets what appears to be an exclusive bonus feature in «War Horse: The Look» (6:29), which serves up behind - the - scenes footage on the various components that comprise the film, from locations to costumes to production design.