Sentences with phrase «on cotton duck»

Screen printed on cotton duck; this versatile, medium weight fabric is perfect for window accents (draperies, valances, curtains and swags),...

Description: Screen printed on cotton duck; this versatile, medium weight fabric is perfect for window accents (draperies, valances, curtains and swags), accent pillows, bed skirts, duvet covers, upholstery and other home decor accents.

Description: Screen printed on cotton duck, this medium fabric is very versatile and has a nice hand, perfect for window treatments (draperies, curtains, valances, and swags), bed skirts, duvet covers, pillow shams, accent pillows, tote bags, aprons, slipcovers and upholstery.

Screen printed on cotton duck, this medium fabric is very versatile and has a nice hand, perfect for window treatments...

Color Field painting was mostly made on cotton duck.

Hughie O'Donoghue, Oxygen, 1996, charcoal, dry pigment on cotton duck, 267 x 236 cm, Collection Irish Museum of Modern Art

The thick impasto oils and collages of the Spanish years were superseded by brilliant acrylics on cotton duck.

Peter Joseph, Black, Yellow, Blue, 2 pinks and Turquoise, 2016 Acrylic on cotton duck © Peter Joseph; Courtesy Lisson Gallery Photo by Jack Hems

Not exact matches

Crafted from cozy cotton with an adorable nautical duck graphic on the front, this solid grey piece suits your child's cool, casual style.

It was during this period that Pollock abandoned his iconic abstract drip paintings and produced the Black Pourings, a series of «drawings» on unprimed cotton duck using mostly black industrial paint.

I used black enamel on raw canvas because I liked the way the paint was absorbed by the cotton duck — and it was cheap!

Helen Frankenthaler, Lorelei, 1957, oil on untreated cotton duck, Frame: 75 x 91 7/8 x 2 1/2 in.

Pollock had used a common house paint intended for sealing gutters and poured it on unprimed cotton duck.

Long - haired high - heeled budding Asian collectors noted down work by new names such as the charming light - as - air butterfly oil painting at the Grosvenor gallery by Senaka Senanayake and took selfie - souvenirs in front of Love Struck, wrought by D * Face with «enamel and pigment based paint on medium grain cotton duck canvas».

What Kenneth Noland did was to drop one of Gottlieb's «orbs» down to centre on one of his «splashes», to create a centralised image, whilst retaining the surrounding areas of unpainted cotton - duck canvas, which has the effect of emphasising the literalness of the painting as object, within which an optical phenomenon is set.

But in the early 1950s, in the years just before his tragic death at age 44 in an alcohol - fueled car crash, Pollock was experimenting with a new way of confronting his surface, spilling black enamel paint — the kind you might use on outdoor ironwork — onto raw cotton duck canvas, a clashing, angry union of synthetic industrial chemical and unprimed organic substrate.

As Greenberg proclaimed, «Louis spills his paint on unsized and unprimed cotton duck canvas, leaving the pigment almost everywhere thin enough, no matter how many different veils of it are superimposed, for the eye to sense the threadedness and wovenness of the fabric underneath.

At the same time his palette grew darker; he even produced a series of black pictures painted in oil and enamel paint on unprimed cotton duck canvases.

For Louis, the Veil paintings represented a complete artistic breakthrough; fluid waves of pigment wash over the canvas surface, as Greenberg describes how, «Louis spills his paint on unsized and unprimed cotton duck canvas, leaving the pigment almost everywhere thin enough, no matter how many different veils of it are superimposed, for the eye to sense the threadedness and wovenness of the fabric underneath.

Mountains and Sea, for example, was followed by many years of soaked, stained work, placed on unsized, unprimed cotton duck.

It was at this time that Pollock abandoned his iconic abstract designs and produced the Black Pourings, a series of figurative «drawings» created on unprimed cotton duck using mostly black industrial paint.

The result is a strange sensation of weightless accretion, as Greenberg recognized: «Louis spills his paint on unsized and unprimed cotton duck canvas, leaving the pigment almost everywhere thin enough, no matter how many different veils of it are superimposed, for the eye to sense the threadedness and wovenness of the fabric underneath.

Rail: Another thing I noticed about this group of paintings in the show was that they were painted on beautiful primed linen, the opposite of the raw cotton duck canvas which allows for the natural absorption of the paint's liquidity as it often is associated with color field paintings by Helen Frankenthaler, Morris Lewis, and Kenneth Noland, among others.

I am in a similar mode when looking at the paintings by David Rhodes and Stuart Elliot, attempting for example to work out in what order the lines in Rhodes» 2.5.2013 (1) were masked and painted on the raw cotton duck.

It is a large work, and the artist chose not to crop it like many of the other black paintings, many of which he executed directly on rolls of cotton duck.

Description: Screen printed on cotton slub duck (slub cloth has a linen appearance), this versatile medium weight fabric is perfect for window accents (draperies, valances, curtains and swags), accent pillows, bed skirts, duvet covers, slipcovers, upholstery and other home decor...

Decorated with a floral print in white on a duck - egg blue background, this Oxford pillowcase is crafted from a soft polyester and cotton fabric and is machine washable.

Screen printed on cotton slub duck (slub cloth has a linen appearance), this versatile medium weight fabric is perfect for...

Screen printed on cotton slub duck (slub cloth has a linen appearance); this versatile medium / heavyweight fabric is perfect for window...