Sentences with phrase «on curatorial choices»

When a living artist is the subject, he or she may come up with suggestions and will, of course, be consulted on any curatorial choices.

The Armory Show has been trimming the fat since Frieze's appearance in New York three years ago, cutting back on exhibitors in order to give galleries more space, in addition to tighter control on their curatorial choices.

In that context, the title «Open Ends» and the stress on curatorial choices carry overtones of a plea for cash.

The second third, «Making Choices,» did better, downright thriving on curatorial choices.

Not exact matches

And the curatorial process then also selects a higher tier, a group of books that go on to the national level, providing choices from «modules» of some 200 ebooks at a time to librarians from coast to coast.

Given that little besides the dateline connects Louis Kahn's unrealised cardboard study for an assembly building in Bangladesh with Claes Oldenburg's soft sculptured ice - cream cone and Niki de Saint Phalle's mixed media on wood, grouping by year seems to function primarily as an organising mechanism, marking curatorial choice as more precisely the point.

The choice in title also attempts to suggest a conceptual curatorial style on the part of Gouzer, or an experimental irreverence toward his function at the auction house — an approach gleaned, we can imagine, as a winning stance from some of the artistic careers listed above.

Condorelli has long engaged with the architecture and context of the exhibition space, building modular furniture and reflecting on the history of the institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and artistic work as always related in ways that go beyond any traditional sense of curating as a practice of caring and selecting.

It's a curatorial choice that creates a denser, stronger and more inclusive dialogue overall, in a theme that's further highlighted by an evening of performance with Zoe Williams and Renaud Jerez in a conversation programme centred on the question of «artistic agency».

This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon, curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.