Sentences with phrase «on curatorial perspectives»

** This lecture is part of Mercer Union's «Elsewhere: Curatorial Initiatives,» an international lecture series focusing on curatorial perspectives from «elsewhere» for 2003 - 2004.

Not exact matches

Curatorial Fellowship: Postcolonial Perspectives on LBTIQ Heritages Within the framework of the International Museum Fellowship program run by the German Federal Culture Foundation, the Schwules Museum is proposing a Curatorial Fellowship.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Looking to reinvigorate the biennial model, in 2011, SITE reimagined SITE's biennial exhibition to focus on the Western Hemisphere, bring new perspectives to the curatorial table, and build a new infrastructure at SITE to support long - term research and new artist commissions.

Their varied and curatorial «takes» on Britain provide new perspectives and illuminate key moments in the nation's journey from the post-war period to the present day.

During this special presentation, curatorial researcher Jane Panetta, who worked closely with Irwin and Whitney Chief Curator and Deputy Director for Programs Donna De Salvo, will share an insider's perspective, shedding light on both the process of installing such an ambitious site - conditioned work, and on the meaning of Irwin's work for the Whitney and its audiences at this current moment.

Senior Curator Heather Pesanti, who curated the exhibition Lionel Maunz: Discovery of Honey / Work of the Family, and Carter Foster, Deputy Director for Curatorial Affairs and Curator of Prints and Drawings at the Blanton Museum of Art, consider two perspectives on the artist's work.

Join us to consider two perspectives on the artist's work in this talk by Senior Curator Heather Pesanti, who curated the exhibition on view Discovery of Honey / Work of the Family, and Carter Foster, Deputy Director for Curatorial Affairs and Curator of Prints and Drawings at the Blanton Museum of Art, who collected Maunz's drawings during his previous tenure with the Whitney Museum of American Art.

For an international perspective, artist and writer Eldon Garnet reports from Italy on an international conference about new university programs in curatorial studies.

* This lecture is part of Mercer Union's «Elsewhere: Curatorial Initiatives,» an international lecture series focusing on contemporary curatorial perCuratorial Initiatives,» an international lecture series focusing on contemporary curatorial percuratorial perspectives.

Through a wide - ranging annual program of exhibitions supported by the production of original publications, editions, and related events, TYPOLOGY is an open platform for diverse curatorial and artistic practices and perspectives, and a forum for the exchange of ideas on exhibition - making as a way to engage and inform audiences from all walks of life.

The gallery's curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

Her current curatorial projects include «Jefferson Pinder: Selections from the Inertia Series, 2003 - 2015» and «Between Form and Content: Perspectives on Jacob Lawrence and Black Mountain College,» Black Mountain College Museum + Arts Center, Asheville, North Carolina.

Recent curatorial projects include #callresponse, a series of locally responsive art commissions centering on Indigenous women and artists accompanied by a touring exhibition; Unsettled Sites (2016), a group exhibition at SFU Gallery that highlighted the complexity of belonging and refusal from both settler and Indigenous perspectives; and Cutting Copper: Indigenous Resurgent Practice (2016), a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery that brought together performance art with a panel of Indigenous theorists and curators for the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick.

Giving insight into the the perspectives of artists from across Brussels, Chicago, Oaxaca and Guatemala, the exhibition reflects on their differing conceptual and physical topologies in a «spontaneous and reactive» curatorial gesture, founded on exchange and resulting in a collision of «the presence of works with a dissolution of discourse».

The Solomon R. Guggenheim Museum in New York present Urgency and Relevance: A Curatorial Perspective on Tuesday, March 11, 2014, 6:30 pm.

The first of its kind on the West Coast, CCA's Graduate Program in Curatorial Practice operates within this trajectory and offers an expanded perspective on curating contemporary art and culture.

Along with the increasing development of publications on exhibition history, the overlooked phenomenon of self - reflexive exhibitions has brought a new perspective distinguished from the nostalgic loss of curatorial memory.

2014 - 2017 G - 60 Certificate of Fitness holder, torch use and flamable gas, Queens, New York 2014 Panelist, «Ephemeral,» 102nd Annual CAA Conference, Chicago, Illinois 2013 Panelist, «Loud, Expensive and Potentially Dangerous,» FATE Conference, Savannah, Georgia Curatorial project: Value Added: Artists» Perspectives on Worth, The College of New Jersey, Ewing, New Jersey 2011 Organized This.

It is distinguished by an international, interdisciplinary perspective, and it reflects San Francisco's unique location and cultural history by placing a particular importance on the study of curatorial and artistic practices in Asia and Latin America.

The program is distinguished by an international, interdisciplinary perspective, and it reflects San Francisco's unique location and cultural history by placing a particular importance on the study of curatorial and artistic practices in Asia and Latin America.