Sentences with phrase «on curatorial practice»

At the same time, curators became increasingly influenced by discussions on art theory, inspiring conversations on curatorial practice.

Tiago de Abreu Pinto discusses the influence of literature and philosophy on his curatorial practice and the project Library without Titles (Biblioteca Sin Títulos) at the Reina Sofia Library & Casa Encendida.

James has taught seminars on curatorial practice and contemporary art at ArtCenter College of Design and the Rhode Island School of Design.

The show itself was eclectic, as could be expected, and it included transcripts of the dialogue that went into making the show and a series of talks on curatorial practice.

Kirszenbaum is a regular contributor to Flash Art, CURA, Kaleidoscope and Mousse, and has led seminars on curatorial practice at the Universite?

She is a regular contributor to Flash Art, CURA, Kaleidoscope and Mousse, among other publications, and has led seminars on curatorial practice at the Université de Paris VIII and Parsons, Paris.

On the occasion of this Intensive, ICI and MACBA will publish a reader with key essays on curatorial practice, many of which have not been translated into Spanish before.

PEI commissions and publishes critical writing on curatorial practice including proceedings from the symposium Curating Now: Imaginative Practice / Public Responsibility and an anthology entitled Questions of Practice: What Makes a Great Exhibition?

This 3 — day Intensive, for 15 applicants selected by ICI and MPC, offers a forum on curatorial practice focused on contemporary art and geared toward the emerging professional curator.

«It is a special honor to receive an award named for the innovative Walter Hopps, whose sustained commitment to California artists and whose impact on curatorial practice was so substantial, exciting and always hip,» Joo's statement reads.

She has been a visiting lecturer and critic at numerous art schools and other institutions throughout the country, and taught seminars on curatorial practice and contemporary art at Art Center College of Design in Pasadena and the Rhode Island School of Design.

The solo exhibition is conspicuously overlooked in the voluminous literature on curatorial practice and the historiography of exhibitions.

Mussai lectures internationally on curatorial practice, photography, and cultural politics, and has been a regular guest curator and non-resident fellow at the Hutchins Center for African and African American Research at Harvard University since 2009, where she also serves on the Exhibitions and Acquisitions Committee of the newly established Cooper Gallery.

She was a curator of the 2nd Tbilisi Triennial (2015) and Founding Senior Editor of The Exhibitionist, a journal on curatorial practice and exhibition making.

The first show here (curated by Vasif Kortun, director of the museum) was, appropriately, a reflection on curatorial practices.

She regularly contributes for «Kaleidoscope», «L'Officiel», and «Voxpop», and has recently led seminars on curatorial practices at Université Paris VIII and Parsons Paris.

Since its inception in 2009, the course has been recognized as a platform for open discussions on curatorial practices and theoretical discourses of contemporary art with special emphasis on the strategic and aesthetic approaches of biennales.

Not exact matches

Join ICI's Annual Benefit & Auction on Wednesday, October 25, 2017 as we reaffirm our commitment to curatorial practice and contemporary art.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Concurrent with the artists» open call, there was also an open call for a Curatorial Fellow, a hands - on mentoring program for emerging curators who serve as advisors for In Practice.

Activate the exhibition space through creative public programs and events on contemporary curatorial practice

Pavilion and the School of Fine Art History of Art and Cultural Studies, University of Leeds, welcome Christine Eyene for a talk on her curatorial and research practice.

This curatorial practice will be developed on the exhibition's tour, starting at the Astrup Fearnley Museum of Modern Art in Oslo, with a section curated by the artist Bose Krishnamachari.

This gave curators from across the UK a chance to come together to discuss the issues and challenges of modern curatorial practice, and take inspiration from each other and the art on show across the city.

But each Art Now exhibition is about taking a curatorial risk on an artist, on a practice or tendency that feels relevant now, without knowing what will happen to it in the near future.

on critical and timely issues in artistic and curatorial practice.

Graduate Public Practice faculty Karen Moss is currently consulting curator for Talking to Action, at the Ben Maltz Gallery, Otis» participation part of the Getty's Pacific Standard Time Los Angeles / Latin America initiative and is also on the curatorial team for CURRENT: LA.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry.

On the whole, artistic and curatorial practices automatically oscillate between the role of the user of an already existing visual culture and the role of an active producer of critically revised conceptions of this culture.

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practicepractice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial PracticePractice (CURP).

Louise's curatorial practice draws on architectural influences, using a cross-disciplinary approach to create propositions for new patterns of exchange.

Locks is currently on the faculty of the MA program in Curatorial Practice at the School of Visual Arts, New York.

Thomas writes regularly for a variety of publications, is on the board of Danspace Project, and is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University's Center for the Arts.

In addition to her individual art practice, Steiner is involved with several collaborative activities, including the band Chicks on Speed, the curatorial partnership Ridykeulous (with painter Nicole Eisenman), and the organization WAGE (Working Artists in the Greater Economy), which she co-founded.

Questions of Practice: Bisi Silva on considering «the Local» and «the Global» in Curatorial Practice

Demetri graduated from San Francisco State University with an M.A. in Museum Studies with a dual emphasis on Education and Curatorial Practice.

Berry is a leader in the field of college and university museums, and is a regular speaker on interdisciplinary and inventive curatorial practice and teaching in museums.

Seen through the lens of curatorial studies, the vectors of such a broad list take on real specificity, allowing for reflection on the growing — if still productively rogue — history of curatorial practice while providing a firm foundation for experimental projects in the field.

BICI is dedicated to advancing curatorial practice with an emphasis on contemporary art and culture.

The spring semester presents a set of concepts and categories that have become important for the examination of cultural production during the last two decades, reflecting on their relevance for thinking about artistic and curatorial practice today.

A truly impressive view on this exciting LA artists practice and a fine curatorial approach and execution.

Judd Foundation and The Center for Curatorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialCuratorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialcuratorial practice.

Matthias Borello is a Danish critic and independent curator focused on art practices, exhibition formats and curatorial strategies within social practices.

The Judd / CCS Bard partnership will begin in Fall 2014, and continue through the Spring of 2015, with a series of public events and discussions focusing on the legacy of Donald Judd's work and particularly the importance of writing in relationship to art and curatorial practice.

The library contains over 25,000 volumes focusing on post-1960s contemporary art and curatorial practices.

A contributing editor with Fuse, Jacques also sits on the board of directors of Vtape and teaches in the Curatorial and Critical Practice program at OCAD University.

The Library contains over 30,000 volumes focusing on post-1960s contemporary art and curatorial practices.

His practice as a critic reflects the diversity of the curatorial interests of the early 1960s in New York, with reviews as wide - ranging as those on the work of Tao Chi, a Chinese landscape painter, calligrapher, and poet from the Ming Dynasty, to a review on the Inca of Peru.