Sentences with phrase «on dialogue taking»

The exhibition's goal is to shed light on the dialogue taking place between the diverse mediums, practices and iconography through a selection of artists who push boundaries beyond contemporary Chinese Political Pop and Cynical Realism and combine inspiration from Eastern and Western traditions.
The plot is unremarkable, with the game's heavy emphasis on dialogue taking away from Etrian Odyssey's main focus: the gameplay.

Not exact matches

As Europe takes its own steps to scrutinize Chinese economic practices more closely, there is now significant potential for greater transatlantic dialogue and cooperation on China.
The Second Conference of Canada - China Human Capital Dialogue took place on November 28th, 2012 in Ottawa, Canada.
This week in Beijing, Mr. Wang Qishan, vice premier and leader of the Chinese delegation at the fifth Sino - US Strategic Economic Dialogue (SED), a mechanism launched in 2006 to discuss long - term strategic issues between the two countries, called on the US to take swift action to protect Chinese investments in the US.
Khatami, who is generally classified among the «moderate» proponents of Shiite Islam, took part in a conference with the pope on the theme: Intercultural dialogue, a challenge for peace.
On the second question, of course, there are always different forms of dialogue possible, but they always take place in a certain power relationship.
In this task the Japanese philosopher Nishida Kitaro serves as a model for some of us (for the reason that I have already given) since, in reflecting on Japanese culture, he turned to Western conceptualities to enable a dialogue between the two to take place.
Given the latest medical data concerning the distinct characteristics of the fetus and its ability to survive outside the womb at a startlingly early age, it is little wonder that in the past few years several of the denominations that once took a more open position on abortion have retreated somewhat: the Presbyterian Church (U.S.A.) is now studying the issue; in a 1980 statement on social principles, the UMC moved to a more qualified position; the Episcopal Church and the recently formed Evangelical Lutheran Church in America seem to be in the process of toning down their earlier positions (or those of a predecessor body) The Lutherans defeated a resolution in their 1989 Assembly which would have been consistent with the liberal position of the LCA predecessor body, and a 1988 Lutheran - Episcopal dialogue report refers to the fetus as «embryonic humanity» with claims on society.
The following dialogue took place on April 22, 1993 at the meeting of The Society for the Philosophy of Creativity (SPC) mentioned in the introduction to this focus section.
Hausman had taken a more standard line on Bergson, although in the dialogue below it will be clear that Hausman is pondering in a preliminary way the very questions he has answered above.1 It must be clear to anyone who has read Hausman's paper above that his view regarding Bergson has now changed, and I think greatly to his credit, and to Gunter's.
In the pluralist dialogue where myths are critiqued, love will emerge as that absolute, and I will find «that I can not love [my neighbor] as myself unless I take my place on the one bit of higher ground that will hold us both — unless I love God.
And I take it as established that Hausman has shown a means whereby we can understand Bergson's approach as both metaphorical and rational2 As I am certain the reader does, I have questions I would like answered in light of their important insights and these interpretations of Bergson, but the issue I will examine presently is how Gunter's thesis and Hausman's elaboration might affect our understanding of Bergson's influence on Whitehead.3 The view of Bergson Gunter seeks to supplant is very widely held, and indeed was held, (if not really defended) until recently even by Professor Hausman (see the «Dialogue» below).
Therefore dialogue between Religion and Secular Humanism as well as between Religions began to take place within the national context on the meaning, values and goals of modern Indian nationhood.
He went up, John says, «not publicly, but almost in secret,» as if he wished to observe without being observed, taking the temperature of feeling in metropolitan circles.2 But «when the festival was already half over» he was moved to address the crowds in the temple.3 What he said so incensed them that he was in danger of being lynched.4 In the Fourth Gospel this episode is made, after John's manner, the setting for a whole series of dialogues and discourses which are evidently his own composition, though they contain undoubted reminiscences of earlier tradition, but there seems no valid reason to reject his statement that in September or October Jesus was in Jerusalem, and that the reception he met with finally convinced him — whatever premonitions he may previously have entertained — that any advance on the city would meet with implacable hostility.
In order to prevent Church communication based on dialogue from becoming becoming abstract or merely turning into a moral appeal, it will be worth our while to take a close look at a specific aspect of the process of communication - reception - in the early Church.
To take just one bilateral, are John Paul II and Cardinal Ratzinger turning their backs on the impressive body of reports on justification, ministry, papal infallibility, papal primacy issued by the national Lutheran - Catholic dialogue?
We relegate ourselves to pithy «anonymous» statements instead of actually taking the time to carry on serious and informed dialogue between those who do and do not ascribe to a religious tradition.
An excellent illustration is to be found in I Corinthians 11 where Paul's text is the tradition («The Lord Jesus, on the night in which he was betrayed, took bread...»).14 His text, translated and proclaimed for the Corinthian situation, stands now as our text for proclamation to the situation of the present hearers, a situation that will, in dialogue with the text, create a new speaking and hearing of the Gospel.
But, the State Department noted, «Federal Minister for Minorities» Affairs Shahbaz Bhatti hosted several events to promote interfaith dialogue and religious tolerance, and took an active role in assisting victims of religiously motivated attacks on Christians and Ahmadis.»
Before going on to speak of the convergence that exists on this point between the present General Secretary of the World Council of Churches and the Encyclical Ut unum sint, I must first take the further step of showing that the suggestion about dialogue and reception as phases of a conciliar process has not come out of the blue.
Funny, just yesterday I was explaining Plato's classic Euthyphro dialogue on Piety — which has been taken up in MetaEthics to debate which comes first, The Good or The God (s)?
This dialogue between John the Baptist and these Jewish emissaries took place on one day.
This struggle for truth takes place in dialogue... For me this means that dialogue is a basic structure of Christian witness, and therefore quite naturally of all missionary witness, while we remain on the earthly pilgrimage.42
If the comparative religionist chooses not to participate in or to moderate the dialogues that are in fact increasingly taking place, at least he can hardly fail to take a (professional) interest in what is going on.
Dulles's renowned work on ecclesiology informed the ECT dialogue and stressed the importance of seeking full visible unity within the body of Christ while emphasizing spiritual ecumenism and intermediate steps that Catholic and evangelicals could — and should — take together in the meantime.
On the contrary, the actual encounter with history takes place only in the dialogue.
As Erasmo Braga, one of the few Brazilian Protestant leaders capable of such a dialogue, recognized, «Brazilian Protestantism is on the one hand too Anglo - Saxon and on the other hand too ignorant to impress the intellectuals... The cultured class should be reached by a literature closer to that of French Protestantism... to take advantage of the prestige of French culture» (in Ferreira 1975:137,59).
Astrid has co-authored Adoption in the Movies, which takes the reader on a guided tour of 27 movies and documentaries that are «dripping with adoption» and asks questions that encourage the viewer to engage in ongoing dialogue and discussion.
The first discussion on a roadmap for dialogue took place in July 2013 and led to the first meeting in October 2013.
Most of the so called undemocratic regimes easily make corruption unattractive because of the space to take fast decisions on corruption cases without going through rigorous and well webbed processes of democratic dialogue and accountability with their cumbersome dilutions.
It is policy making on the hoof - the agenda «political survival of the Labour party» In only takes two or three Unions to realise that Labour will be out of office for the next few years and that they may as well save the millions of pounds they spend supporting Labour and instead engage in positive dialogue with the Conservatives «for free».
This report summarizes the findings of the 2016 - 2017 Halcyon Dialogue on robotics, taking an in - depth look at the critical issues of robotics policy, regulation and the effect this technology will have on the workforce and human / robot interaction in the near future.
On the road to becoming a nation with scientific clout, Iran takes the role of science for peace, progress, and dialogue very seriously.
Not all religious authorities are invoking an absolute prohibition on physical digging at these camps, which has allowed productive dialogue to take place between archaeologists and rabbis.
Everyone on the moon is literally gay, the dialogue is so poorly written I cringed through half of it, the enemies seem much less imaginative than Borderlands 2's, and there are a tremendous amount of bugs and glitches that take away what little enjoyment that I had from playing this game.
It took place in a traffic jam on a freezing Paris night, and features very little dialogue.
For the first half hour or so, writer / director David Veloz (one of the screenwriters credited on Natural Born Killers) strains unsuccessfully to impress us with fashionable non-continuity edits and some clipped dialogue that aspires to be taken as sardonic humor.
Hank takes a gig rewriting dialogue on a zombie sequel but threatens his job when he hooks up with a sexy woman with close ties to the film's female lead; Marcy tells Stu she's pregnant but not that the baby may be Charlie's.
Rodriguez does leave a certain creative stamp on the movie; I suspect he took a whack at the script, which bears evidence of his trademark pithy dialogue.
THE IMITATION GAME Rodrigo Perez, The Playlist (B): After a bumpy opening of unnecessary voice - over and on - the - nose dialogue, «The Imitation Game» takes off with a skillful immediacy.
This isn't the movie for everyone, and after a while, the neat resolutions seem to facilitate cute dialogue instead of providing deeper levels, but it's entertainment, and even flawed, Juno is a fresh take on teen angst.
The dialogue these two share helps flesh out Samus as a character and is a fresh take on her previous solo missions.
Right from the outset, the dialogue is hilariously on - the - nose, with put - upon protagonist Ava (Gugu Mbatha - Raw, who for her part is really trying here) just stopping short of literally staring into the camera and taking a lore dump right before our very eyes.
In fact, if you take a step back, you'll see that everything in this movie — the characters, the locations, even the lines of dialogue — seem to exist on the blurred edges of reality.
This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and scenes that crystallize in just a single line of dialogue, suggesting the power of memory to compress events into moments.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
2) create a Story - line of Memories in a Comic Book Style Creation App inside the AC: HHD game select one of the rooms you designed to create the story - line in, invite the animals you want with Amiibo cards (or a shuffle of random animals if you don't own cards), select your Comic Book page's format & Layout, position and pose yourself and the animals and make them hold one of the unlocked expressions, take picture with the unlocked moving camera and add it in a panel order to your comic book layout, add AC styled dialogue boxes, colorful text and graphic design sound effects, change panel border style, and even draw on top.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
While she had already mentioned her «non-linear» sexuality in the past, partly from answering questions about her androgynous fashion - sense, her third record comes at the time of her most concise «coming out» and she has laid the process out for all to see during a time where a more open dialogue about different variations on sexuality and gender is starting to take place.
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