Sentences with phrase «on earlier exhibitions»

Building on her earlier exhibitions this collection continues a line of inquiry into the ways that the dual influences of harmony and chaos profoundly shape our psyche and sense of individuality.

Off the Walls» annual summer show is a chance to catch up on earlier exhibitions but highlighting our most popular artists as well as showcasing some new artists.

Not exact matches

A report by the Center for Exhibition Industry Research (CEIR) stated that 81 percent of trade show attendees surveyed said they had buying authority; to capitalize on this opportunity yourself, you'll want to invest heavily in early outreach.

Techpreneur will make its highly anticipated debut at Olympia London on the 3rd and 4th of December, 2015, and will deliver to early stage and start up tech businesses the UK's premier exhibition a...

I was at the Minnesota Science Museum early August when they had the Mayan exhibition and of course there was a small section on how the Mayan enjoyed their cocoa with chili pepper.

«The early focus on one of the most important and most innovative technology and business segments, flanked by an innovative exhibition concept, have ensured LogiMAT's growth into the leading platform for the industry,» is how Ulrich Kromer von Baerle, Managing Director of Landesmesse Stuttgart describes the event.

But the Peggy Notebaert Nature Museum (the public exhibition arm of the Chicago Academy of Sciences, founded in 1857), celebrates a few days early with its fourth annual Summer Solstice Celebration on Thursday.

The BHA commented on the exhibition earlier this month, arguing that «putting creationist views on display in a National Trust site gives them an unfair appearance of legitimacy.

Since ALMA has just started its early science operations and has been featured on TV and newspapers recently, the exhibition on ALMA attracted many people.

I mentioned earlier that Wichita is a cultural and artistic mecca, and hundreds of festivals, fairs, concerts, exhibitions, and block parties are put on every year.

As film production and exhibition rapidly embraces digital technologies, more and more contemporary films are paying homage to earlier modes of production when films were shot and screened on film.

Ben Mardell, an associate professor in early childhood education at Lesley University, has brought two of his classes on teaching to view the exhibitions

My dissertation, based on archival research in museums and libraries across the United States, offers a historical assessment of exhibitions staged from the early twentieth century to the present that featured dinosaurs and other long extinct animals as the main attractions.

The move will give the QTA time to focus on restructuring exhibition plans, explained a statement earlier.

ATM 2017 will build on the success of this year's edition with the announcement of an additional hall as Reed Travel Exhibitions looks to add to its record - breaking achievements earlier this year.

The Tate Liverpool exhibition focused on the inspiration for the artist's style and featured drawings, collages and examples of the early commercial work of Magritte and rarely seen photographs and films.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

Piri Halasz reviews the exhibition Robert Motherwell: Early Collages at the Solomon R. Guggenheim Museum, New York, on view through January 5, 2014.

It's a nagging feeling that begins with the early works and persists right on through to the exhibition's end.

The earliest mature work of Robert Motherwell will make up a major exhibition set to open at Guild Hall Museum on Aug. 9, providing a rare look at the abstract expressionist's little known artworks.

The image - rich volume «Thornton Dial in the 21st Century» coincided with a 2005 exhibition at the Museum of Fine Arts, Houston, that included a series of large - scale works Dial created in tribute to the Gee's Bend artists, and «Thornton Dial: Thoughts on Paper» explores his early drawings.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

This exhibition focuses on her early abstract metal sculptures and paintings as a starting point for future examination of a long and continuously inventive career.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

At yesterday's press preview, Massimiliano Gioni, the museum's artistic director and co-curator of the ambitious exhibition, recommended that the works be viewed beginning on the second floor where early canvases for which Ofili is best known are on view, and then progressing on to the third and fourth floors.

More events are being planned throughout the run of the exhibition, which is on view through early September.

Still working today on photographic projects of unrivaled global scale, this intimate exhibition will showcase a rare portfolio of 20 of the most important images from Salgado's early Latin American series.

In addition to the founding stories of the RA and PAFA, this exhibition recognizes the other artist - founders of PAFA, West's role as the teacher of eighteenth - and early - nineteenth - century American artists, and the development of monumental history paintings such as Christ Rejected and Death on the Pale Horse.

The exhibition echoes the Kramlich collection's focus on certain artists, its overview on early single channel pieces, and its specific acquisitions of recently produced single channel artworks and installations.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

Mark Mothersbaugh joins exhibition curator Adam Lerner, Director, Museum of Contemporary Art Denver, in this wide - ranging conversation focusing on the artist's career in both music and visual art, from his early, pre-DEVO decals to his recent music - making machines.

This exhibition will focus on the theme of recycling in the earlier works of Gordon Matta - Clark.

The following conversation between Professor Harry Naar of Rider University and Louis Finkelstein took place on the occasion of an earlier exhibition there.

His presence is so heavily felt in the work of so many, it's surprising that an exhibition on his continued influence wasn't conceived earlier.

Divided into seven chronological chapters, from early twentieth century avant - garde movements such as the Harlem Renaissance to current debates around «Post-Black» art, this exhibition opens up an alternative transatlantic reading of Modernism and its impact on contemporary culture for a new generation.

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

Her solo exhibition «Carrie Mae Weems: Considered» is on view at the SCAD Museum of Art through June 12; She is directing «Grace Notes: Reflections for Now,» a special performance at Spoleta Festival USA in Charleston, S.C. (June 4 - 5); and her book «Carrie Mae Weems: Kitchen Table Series,» which explores one of her early and most acclaimed bodies of work, was published last month.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manearly historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero ManEarly Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

Bringing together more than 90 works from pubic and private collections, the exhibition features paintings and works on paper spanning the early 1930s through the late 70s, from his early depictions of African masks and figurative works to the abstract images for which he is most recognized.

So this exhibition of around a hundred of his works, with a focus on Davis's mature period (1921 — 64), is something of a homecoming for the artist, who had a habit of going back to where he came from: The show emphasizes how motifs from earlier works tended to resurface in later pictures.

Vanessa Carlos is the founder and director of London gallery Carlos / Ishikawa, which, from early May through mid-June, hosts an exhibition by Lloyd Corporation, the collaborative duo offering a witty mash - up of DIY advertisements with street ephemera as commentary on current - day consumption.

In the present moment of virtual like, love, and swipe, when all aspects of public and private life circulate in seemingly endless supply on the Internet, the exhibition takes a step back to look at the formidable history of this subject from photography's early days to the present.

Beginning Thursday, January 5, visitors can see the exhibition for additional hours on Thursday evenings from 5 to 8 p.m. and one hour earlier on Saturdays and Sundays from 10 to 11 a.m..

«One Blood,» his first exhibition with Susanne Vielmetter, was on view early this year, four months before his representation with the gallery was announced.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the coveOn» (1974) on the coveon the cover.

This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of early American modernism to explore the origins of its style, its relationship to photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.

Gavlak then went on to give early exhibitions to Sheila Hicks, Marilyn Minter, and Aleksandra Mir, among others.

The conversations of the 2016 Summit built on the dialogues on U.S. - China museum partnerships and exchanges that were the focus of three earlier conferences: «Meeting the West: Exhibitions from American Museums» (Nanjing, 2014), organized by the American Federation of Arts and the Nanjing Museum, and the «U.S. - China Museum Leaders Forum» (Shanghai and Hangzhou, 2014) and «U.S. - China Museum Directors Forum» (Beijing, 2012), both organized by Asia Society and the Chinese People's Association for Friendship with Foreign Countries.