Sentences with phrase «on electronic publisher»

In the VIP model, customers place their orders based on electronic publisher inventory feeds.

Not exact matches

Publishers including Activision, Warner Bros. and Electronic Arts are on board, but none have announced games for the Switch yet.

Advertisers and advertising agencies will agree to indemnify and hold harmless The Publisher from any claim arising out of the publication of any material or advertisement submitted to The Publisher by the advertiser and published in The Magazine or in any associated products whether delivered on paper or in electronic form.

I have had countless inquiries on elanaspantry.com, Facebook and Twitter regarding the publication of The Gluten - Free Almond Flour Cookbook in electronic format, which propelled me to speak with my publisher on your behalf.

No part of this publication may be reproduced, stored in a retrieval system, posted on the Internet, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher.

Licensed Materials: The electronic journals / resources subscribed to by Licensee, as set out on the Price Quote Spreadsheet approved by the Licensee and Publisher and / or the subscription invoice.

Activision and Electronic Arts are the last big publishers who seem to be caught sleeping on the system's success.

Help students use the Microsoft Publisher Wizard to place their reports on a Web page and save the pages in an electronic class folder or on a floppy disk.

And then your book will drop into high - priced electronic oblivion because to the publisher, that book is now just a property asset on their accounting ledger.

Apple's electronic book effort, iBooks, excludes everything from Random House, the biggest publisher in the world, works only on Apple platforms and helped usher in a massive ebook price increase last year.

Step Two: Novelist gets the manuscript into shape with some first readers and maybe a good copyedit, then launches it on electronic sites and gets it through a POD publisher such as CreateSpace, which will give you cheap author's copies in their $ 39 pro program.

I am assuming you plan on being both an electronic and POD publisher.

After a weekend of brinksmanship, Amazon.com on Sunday surrendered to a publisher and agreed to raise prices on some electronic books.

If publishers are «terrified» of e-books it's mainly because a) they don't understand the technology, b) they don't believe that people actually want to read books on electronic devices, and c) the high - level manager in charge of print sales wants to protect his turf.

Portable computers, the internet, wireless access, on demand printing smart phones and electronic readers all create enormous new, quick earning potential for self publishers.

Many, however, now offer «print - on - demand publishing,» which means that the publisher keeps your manuscript in an electronic file, and you can order as few or as many copies as you wish and have them shipped wherever you want (your home or a conference or other place where you plan to be speaking).

If you screwed up and allowed the publisher to keep the electronic rights or POD rights, even selling only a few copies a year, you won't see any money ever again on this book besides dinner money every year.

Instead of getting 14.8 % on electronic sales (25 % of 70 % — 15 %), that publishers were offering, we got 65 - 70 %.

An e-book publisher will take a Word or WordPerfect file, design an electronic cover for it, format it to look like a book on screen, and send it back to you in PDF format, which can be read by anyone with a computer using Adobe Acrobat.

Publishers are concerned that so many successful new titles are sold for $ 9.99 or less on Amazon.com Inc.'s Kindle electronic book reader and Fictionwise, an e-book retailer owned by Barnes & Noble Inc..

Personally (speaking as an author as well as a trustee) I'd love to see a system like many Europeans have, in which libraries automatically get all electronic titles, with the author and publisher earning modest royalties based on how often their stuff is lent out.

And as Kris pointed out in her blog, with traditional big publishers switching over to electronic books and more print - on - demand books, they get out from under shipping and printing and warehousing costs, and that ugly return system gets cut down.

Monotype Classic fonts are renowned by book publishers for their integrity in print, and provide the highest quality for on - screen display for electronic publications.

For traditional publishers, holding on to a classic can be expensive: Simon & Schuster reportedly paid seven figures for electronic rights to Ray Bradbury's «Fahrenheit 451.»

A debut author is not going to be in the same position and if that debut wants a traditional print publisher on board as well, then they will have to acquiesce to the electronic royalty structure being offered.

This entire indie publishing and electronic reading boom is just going on inside of the two middle areas (publishers and distribution).

And the authors who see the minor royalties from electronic books on their statements coming through from their publisher or from silly places like Fictionwise say that electronic books aren't worth the fight.

The electronic scanning lines printed on the back cover or book jacket are encoded with information about the book product, such as the title, publisher, and price.

Keep in mind that electronic book adoption and sales abroad are easily 3 years behind what is going on in the U.S. Foreign publishers must be convinced to license rights to a digital - only title.

And, of course, they are making this because of the writers caving in on the 50 % of cover price of electronic rights and allowing publishers to only offer 25 % of net instead.

Give them a normal profit, 50 % of gross on electronic is a fine deal for a traditional publisher.

And on the other side of this transition, when electronic books are 50 % or more of all books sold every year, the traditional publishers will be raking in profits that will make oil company profits look pale.

«We can not ignore the impact which the expanding market for electronic books has on the publishing industry,» said Yoshinobu Noma, vice president of publisher Kodansha and the leader of the new association.

IngramSpark combines the power of Lighting Source print - on - demand with CoreSource ®, our e-book distribution platform, to offer self - publishers a single platform to manage all their print and electronic titles.

The Defendants» conspiracy to limit e-book price competition came together as the Publisher Defendants were jointly devising schemes to limit Amazon's ability to discount e-books and Defendant Apple was preparing to launch its electronic tablet, the iPad, and considering whether it should sell e-books that could be read on the new device.

On April 11, 2012, the United States filed a civil antitrust Complaint alleging that Apple, Inc. («Apple») and five of the six largest publishers in the United States («Publisher Defendants») restrained competition in the sale of electronic books («e-books»), in violation of Section 1 of the Sherman Act, 15 U.S.C. 1.

In the past, Amazon would give publishers a fixed price for both the printed and the electronic version of a book, and then any discounting on the e-book version would come out of Amazon's pocket.

This figure — which does not include titles published without an ISBN and may include some electronic editions of books also published in hard copy — represents a 59 % increase on 2011's total and compares with 301,642 produced in hard copy by traditional publishers in the US.

If you're wondering which one to trust more, keep in mind that they are both projections and that it's worth looking at methodology: BookStats incorporates net sales revenue and unit data from nearly 2,000 U.S. publishers, then projects the size of the entire industry; PwC says that it looks at «retail spending by consumers on consumer books... and spending on books in electronic formats» and that it derives historical data «principally from confidential and proprietary sources» — including research group Informa Telecoms & Media — then projects.

It wasn't too many years ago that authors gained claim to the liberating possibilities of electronic page design and began self publishing books instead of relying on vanity presses or mainstream publishers.

E2BU, aka the Enhanced Ebook University, educates authors and publishers on the creative and business potential of enhanced ebooks — electronic books that transcend traditional reading experiences by incorporating video, online links and other multimedia elements into the narrative.

Suchomel writes:"Amazon.com is putting pressure on publishers and distributors to change their terms for electronic and print books to be more favorable toward Amazon.

Advancements in print - on - demand technology, such as the Espresso Book Machine, are offering publishers and authors alike new opportunities to bridge the still - pronounced divide between electronic and «tangible» publishing.

But he speculated that pressure on publishers to bring out their wares in electronic versions would only grow, and he was right.

«Turning itself into a kind of electronic vanity publisher, Scribd, an Internet start - up here, will introduce on Monday a way for anyone to upload a document to the Web and charge for it.»

So new authors who are looking for visibility need to get on bestseller lists by electronic publishers.

Then add in author percentages, interest on the money spent on the project, and other factors including how much each electronic distributor (such as Kindle) takes and traditional publishers have a bottom line in pricing e-books they have to stay above.

Amazon already worked with virtually all the world's publishers as a bookseller, so it was able to make huge numbers of titles available for Kindle in electronic format — over 88,000 books were available on the launch date.

On the poetry resources page is to be found general writer's resources, online libraries and dictionaries, guides to style, rhetoric and grammar, plus leading sites for philosophy, literary theory and criticism, poetry teaching, book news, poetry publishers and publishing advice, legal matters, electronic publishing, website hosting and access by subscription libraries.

Because there is a power shift going on, less to do with print versus electronic books than publishers versus authors.