Sentences with phrase «on emotional scenes»

As with all the 3D games, though, there's a greater emphasis on emotional scenes between characters like living tree musicians, Link's own grandmother and sister, and even the lost demigods that failed to protect this Hyrule long before the game started.

While latter issues of «Fantastic Four» would depict the Invisible Woman as a capable hero and mother who dealt with complicated topics such as losing a child to a stillborn pregnancy, Alba was actually asked to hold back on all her emotional scenes.

Not exact matches

The emotional scene at the Capitol came on a day when more than 100 more students from the school were headed to Tallahassee by bus to meet with Gov. Rick Scott, Attorney General Pam Bondi and legislative leaders.

The emotional scenes emerged during debate on the Civil Partnerships, Marriages and Deaths (Registration Etc.) Bill, which includes introducing formal recording for a stillborn child born before 24 weeks» gestation and giving coroners the power to investigate late - stage stillbirths.

Tom Watson made an emotional farewell, starting with a standing ovation on the first tee and finishing in the darkness of a poignant scene around the 18th green.

Gilberto Nunez sits expressionless in Ulster County Court this week as a emergency medical responder on the scene when Thomas Kolman's body was found in his car describes Nunez's emotional reaction at the scene.

On Rosemary Avenue, the scene is similar; a school for kids with learning, social and emotional needs sits less than a mile from where the sex offenders now reside.

[On the other hand] we see more amygdala involvement when you say, «Yeah, I really remember it in a lot of detail» if it's an emotional scene.

In both age groups, a nap soon after encoding scenes that contained a negative or neutral object on a neutral background led to superior retention of memory for emotional objects at the expense of memory for the neutral backgrounds.

To the people saying the story sucks, it doesn't at all and even gets strongly emotional when you are forced to do something terribly heart breaking late in the game, now that is a gripping and sad emotional moment granted it doesn't last long enough but it is better story and more emotional than anything in halo or gears and that is one scene on a handheld!

So there are plot twists and several good scenes (I particularly love how Sartet and Samuel break into the police station to get an incriminating video on a USB), but it is all on one emotional level.

A master of both innuendo and crime scene investigations, Masuka may hit on anything that moves but he's essentially harmless and can be counted on for real emotional support when the time calls for it.

This delight leads to tragedy (see: the predictable holiday on the beach scene, where Annie cavorts without properly warm clothing, apparently leading to her illness, a scene that is collapsed into parents» feelings of overwhelming guilt), a logic that is profoundly emotional, and hard to reconcile with religious faith (Innes offers up the explanation that «God works in mysterious ways»).

The chemistry between Winchester and Stapleton is a treat, the action scenes remain brutal and thrilling and fun, and the show transcends simple guilty pleasure status by paying enough attention to the emotional toll this kind of work takes on the people who do it.

But Basinger, who worked with Hanson previously on L. A. Confidential, acquits herself perfectly well, consciously and deliberately downplaying even her most emotional scene so that Rabbit's story and experience is always in the foreground.

Despite a warmly interacting cast that includes Jennifer Ehle as Emily's sister and Keith Carradine as her lion - maned, lionized father, and a valiant effort on the part of Nixon and Davies to externalize the poet's inner demons in emotional, high - tension scenes, the film can't escape an underlying static quality that extinguishes the flame before it can get burning.

Broken Age tries to end on a heartwarming final scene, but its an ending that it doesn't feel like the game earned, with Act 2's stagnant characters never maturing or developing in any way that would give the scene the emotional weight it seems to think it evokes.

That scene is so brazenly powerful that in retrospect it made me wish the main character had gone on a journey with more emotional gradations.

The emotional beats are right on cue - although this can be called into question slightly in the closing minutes of the movie - and the action scenes are visceral, real and are actually incredibly scary for a PG - 13 movie.

«Room» actress Brie Larson dissects the emotional scene where she is reunited with her on - screen son after he escapes and gets help.

Powell gives the scene terrible beauty — the wind whips the cabin, the fire flickers around his face, the clouds have a texture so palpable they look like you could step out into the sky and walk to heaven on them — and an emotional power to match.

William's death on This Is Us was one of the most emotional scenes this season.

This might have been a savvy satire on today's celebrity - struck media culture, but Niccol unfolds the story at a lumbering pace, peppered with not - funny gags and dramatic scenes that build little emotional power.

The movie's utter watchability despite its linearity — and its subjects» dialogue being so inscrutable to Yankee ears — attests to Nolan's ability to make his audience elicit the same extreme emotional reactions to, say, a scene of a few hundred anonymous soldiers slowly responding to the impending barrage of German bombers as they did to Astronaut McConaughey outliving his family on Earth.

It's all on the page in terms of dialogue, but the deer scene, for instance, or the scene on the phone near the end, were the moments where I felt she's allowed to be more emotional than anywhere else in the film.

Moretz ends up going on a rampage for the climax like the Dark Phoenix from X-Men: The Last Stand with arms held out and eyes in «looks could kill» mode, but lacks the emotional resonance of Spacek's trance - like turn, in which her powers unleashed came as a shock, but with an overriding sense of tragedy; Moretz is shown practicing her skills extensively during several scenes, which makes her revenge seem much more calculated and evil.

Sometimes you can cut one scene and the scene plays out great, when you see that scene on its own, but when you see the scene strung together with the whole movie suddenly the scene feels ultra long or feels incomplete or you feel like you don't want that emotional payoff at that point of the film.

This bodes well for everyone's favorite lake scene in Ender's Game, which, as book readers will know, hinges on the emotional connection between Valentine and Ender.

The first half of Talk to Me builds on the specific thrust of its subject's story, and it leads to a scene portraying the aftermath of a historically, tragically significant event full of such emotional power, the rest of the film can not keep up with it afterwards.

She is currently on the big screen reuniting with Du Vernay for «Selma» — and much like Tessa Thompson makes an emotional impact in the few scenes she has on screen — and can be seen on TV in the Ioan Gruffud series «Forever,» a show we've as yet not caught up with, but her stint on «OINTB» has kicked her up several profile levels to the point that she'll hopefully be headlining something soon.

Cage reveals the same general desire to be taken seriously as an actor again here that was already on display in the recent «Joe» and «The Dying of the Light,» right from an early scene in which his Colin Pryce makes an emotional testimony before Congress about the impact of the BP spill on local fishermen and tourist business.

«None of this story is literally true to my mom and I, but there is a core of emotional truth,» says Gerwig, who intentionally composed an opening scene showing Marion and Lady Bird side by side, with the same straight, shoulder - length haircut, having the same teary reaction to the end of The Grapes of Wrath audiobook, which they listened to on their mother - daughter driving tour of local colleges.

Dayton and Faris handle their burgeoning relationship, including a sex scene, free of exploitation or voyeurism, instead focusing on their growing emotional intimacy, an intimacy Jack — the odd man out who's treated with sensitivity and empathy — watches from a distance, acknowledging their relationship initially as «just a phase,» before painfully accepting that Billie's ultimate happiness means an end to their marriage.

This emphasis on complexity and a disinterest in reducing a heroine to a sad - sack victim extends to Lelio's hyper - vivid aesthetic, which drapes the film in surreal dream sequences, beautiful colors and left - field soundtrack choices like «Time» during a pivotal emotional scene.

Also, she never even commented on the long, sweeping and emotional one - shot beach scene which is going to stand out in Cinematic History for it's intense and all - together difficulty in shooting and brilliance in realization.

On paper, the jump from an emotional funeral scene to a frantic attempt at shower sex during a party might seem like a shock of humour, but on - screen, it's rather unbalanceOn paper, the jump from an emotional funeral scene to a frantic attempt at shower sex during a party might seem like a shock of humour, but on - screen, it's rather unbalanceon - screen, it's rather unbalanced.

The flashback scenes are pitch - perfect on the emotional scale, making «Dory» Pixar's most moving film since «Toy Story 3».

Moving to the video side (encoded in HD on Blu - ray, naturally), we get «Emotional Lives: Making Manchester by the Sea» (16:00), a solid making - of featurette that complements the expected talking head comments with behind - the - scenes footage and film clips.

The fact that any action scene connects on an emotional level is a win.

As much as Wadlow can direct an action scene, he can cut to a character's emotional core — Â a very positive sign for folks keeping an eye on the filmmaker's «X-Force» adaptation.

Action fans may enjoy the prolonged set pieces, mostly set inside and on top of fast - moving trains, though at 2.5 hours in length, there is a similar tedium factor to them that also marred the Pirates flicks, especially as the lack of emotional connection to the sketchy characters makes these scenes ring hollow underneath the impressive CGI elements.

Dayton and Faris honor the feel of 1973 by shooting on anamorphic 35 mm film, even if handheld lensing during emotional scenes gives things a more contemporary edge.

Rachel McAdams is convinced Benedict Cumberbatch is her lucky charm after she was able to cry on cue for an emotional scene in Doctor Strange.

That makes for a cold, pretty, delicate movie — one that too often relies on scene - stealing production design or the overwhelmingly insipid score for its otherwise strikingly absent emotional power.

But for the most part, those who made their name in the scene (bar Joe Swanberg, slowly disappearing up himself) have moved on, with Adam Wingard to the much - praised horror «You're Next» and the Duplass Brothers to starry comedies built on emotional truth.

The formalist challenges she took on in the fashionista thriller Rage — comprised almost entirely of confessional close - ups — seem to have resulted in the huge emotional payoffs in the intimate scenes in the current film.

Written and directed in a way that never allows even a hint of ambiguity, each scene and line of dialogue is on - the - nose, pushing the audience to a specific emotional response.

Primer ends on a moment of philosophy, while Coherence ends with a tightly filmed scene of kinetic action and primal emotional tension.

Every single one of us should be praising the complexity with which Dee fights against and humanizes Scott's movin» - on - up reductivism (that slapping scene, a scorching evocation of a mother marking her territory and asserting her right to be heard, is of a volatile emotional tenor only Tilda Swinton comes close to achieving), but the almost racist rumblings echoing from certain circles suggest that Dee's miniscule screen time is not just a point of contention but a point of active resentment (must be all those size queens rallying behind Blanchett), and may work against her and the traction she picked up since her SAG victory.

Woody Harrelson as Haymitch does a bit of angsting; Elizabeth Banks as Effie in her trademark overblown peplums gets an emotional closeup near the end after a few nondescript scenes; Stanley Tucci as smarmy broadcaster Caesar flickers briefly on the big screen while issuing a video news bulletin; we even get a glimpse or two of the late great Philip Seymour Hoffman as Plutarch Heavensbee who, in a nice farewell touch, has almost the last word in his final missive to Katniss which is read aloud.