Sentences with phrase «on ephemeral art»

In addition to her artistic practice, Kohlmann is a founding member and curator of Szpilman Award, an award which focuses on ephemeral art.

Not exact matches

And we connected our drawings to several concepts we explore in art, such as appropriation; occupation of physical space; art on, off, or outside the walls; and the nature of ephemeral art.
Opening: «Club 57: The Lost Flyers 1979 — 83» at Alden Projects Running concurrently with the Museum of Modern Art exhibition «Club 57: Film, Performance, and Art in the East Village, 1978 — 1983,» this show focuses on the more ephemeral artifacts derived from the multipurpose downtown art and party space — namely, xeroxed flyeArt exhibition «Club 57: Film, Performance, and Art in the East Village, 1978 — 1983,» this show focuses on the more ephemeral artifacts derived from the multipurpose downtown art and party space — namely, xeroxed flyeArt in the East Village, 1978 — 1983,» this show focuses on the more ephemeral artifacts derived from the multipurpose downtown art and party space — namely, xeroxed flyeart and party space — namely, xeroxed flyers.
Talk: «Neither Here Nor Now» at the Studio Museum in Harlem To celebrate the publication of Triple Canopy's book On Value, which came out in January, artists Adam Pendleton and Ralph Lemon and Triple Canopy associate editor Lizzie Feidelson will be on hand to discuss ephemeral arOn Value, which came out in January, artists Adam Pendleton and Ralph Lemon and Triple Canopy associate editor Lizzie Feidelson will be on hand to discuss ephemeral aron hand to discuss ephemeral art.
Permeated through the aesthetics as well as characteristics of Pop Art, especially encompassing ideas of mass production, mass culture as well as advertising, XUZHEN Supermarket embraces a commentary on the ephemeral values and the frailty of society.
The nebulous notion of ephemeral storage for digital information captures the imagination of many contemporary artists, and it has also been a popular art subject throughout the ages that can now be marketed as if imbued with a new meaning, with Diane Arbus» 1960 photograph Clouds on - screen at a drive - in movie, N.J., offered by Fraenkel Gallery, being just one example.
But as SAMA's visitor notice makes clear, although the seventy - five works on view were translated from ephemeral sand and body paintings, they were done so for the express purpose of participating in the international contemporary art market.
Its mission is to present, preserve, interpret, proselytize and advocate on behalf of avant - garde art, especially forms that may be vulnerable due to institutional neglect, their ephemeral nature, or politically unpopular content.
The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.
The art group Blue Republic makes ephemeral paintings with water on seaside rocks that reference a variety of societal threats.
Much of the most notable art that has emerged from the city since the early 90s has been deliberately non-permanent, short - term and ephemeral, and made on very tight budgets.
In 2011 Goodman Gallery curators Tony East and Claire van Blerck produced The Night Show, a 3 - part exhibition staged at Goodman Gallery Cape Town, which sought to destabilise the notion of the white cube and to engage with contemporary art practice on its own terms, courting the spontaneous and embracing the ephemeral.
Although his photographs are nowhere near as original as his art, they're solid examples of a midcentury American style that zeroed in on the vernacular, the ephemeral, and the everyday.
Through wall paintings, monochromes, ephemeral sculpture and photography he reflects on the tendency of contemporary art to devour references, simultaneously paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, while demystifying the creative process.
In 2015, he has participated in numerous group exhibitions, including expo zero, Tate Modern, Take me (I'm yours), Monnaie de Paris, The Great Ephemeral, New Museum, Time of Others, The National Museum of Art in Osaka, When we share more than ever, Museum für Kunst und Gewerbe Hamburg, Moves & Countermoves: On Sweat, Paper, and Porcelain, CCS Bard / Hessel Museum, Medium at Large, Singapore Art Museum.
From now on, it can either follow in the wake of today's ephemeral art values, or continue to lead Mexico and the world in shaping the art of tomorrow.
Through wall paintings, monochromes, ephemeral sculpture and photography he pays homage to leading figures of the art world such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, reflects on the tendency of contemporary art to devour references and asks of it «what next?»
Her art, characterised by an intense realism, includes works on paper and ephemeral installations, and find inspiration in contemporary or historical events such as the torture of women in Nicaragua, the Holocaust and the atrocities committed during the Vietnamese War.
Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.
For decades she has created large scale ephemeral pigment pieces in desert sites including the Pyramids of Giza and more recently the ice desert of Antarctica where she led an expedition and team of scientists and artists that culminated in the first and largest ephemeral art work created on the continent.
Lydia continues to manage production for artist Brandan «Bmike» Odums, including his first solo exhibition «Ephemeral Eternal» at Studio Be and, in collaboration with Welcome Table New Orleans, the Algiers Oral History and Public Art Intensive through which 24 high school youth are creating a freestanding mural based on interviews they conduct with elders on the evolution of race relations.
The exhibition focuses on revealing the ephemeral and intangible nature of much of his art, while also highlighting the inherently incomplete summary that an exhibition offers of an artist's life and work.
Drawing Outside the Lines, High Museum of Art, Atlanta, GA 2015 Leap Year (s), The Hambidge Center, Rabun Gap, GA 2015 Ephemeral Memorable, Mammal Gallery, Atlanta, GA 2013 AQUA Art Miami, AQUA Hotel, Miami, FL 2012 Fresh Blood, Mason Murer, Atlanta, GA 2012 Trans / Positions, Kiang Gallery, Atlanta, GA 2011 GA Artists, Abernathy Arts Center, Atlanta, GA 2009 ARThouse [09], The Pink Palace, Atlanta, GA 2009 The December Show, Whitespace Gallery, Atlanta, GA 2008 Crop Circles, Cosmograms, and Psychogeographies, Eyedrum, Atlanta, GA 2007 New Life Visuals, New Life Shop, Berlin, Germany 2007 Looks Good on Paper, Spruill Gallery, Atlanta, GA 2007 Scientific Aesthetics, Altered Aesthetics, Minneapolis, MN 2005 Tug of War, Starland Gallery, Savannah, GA
Her academic research focuses on the development of ephemeral art and strategies of institutional intervention in 1960s and 1970s Mexico.
Based on verbal or written instructions that are utopian, ephemeral and performable, Yoko Ono presents viewers with art which becomes a shared mental or physical experience.
The work that we were creating at that time was explicitly trying to undermine the commercial gallery museum's access with ephemeral performance art and posters on the wall and posters for the rat population of New York — stuff that undermined the pillars of values that were established in the art world.
The exhibition features about 30 works and will be on display in the Vivian & David Campbell Centre for Contemporary Art (Level 5) and in Walker Court, where Tino Sehgal's ephemeral Kiss (2002), a choreographed dance referencing sculptural kisses from art history, will be exhibited alongside two of the works that inspired it: Auguste Rodin's The Kiss and Constantin Brâncuşi's KiArt (Level 5) and in Walker Court, where Tino Sehgal's ephemeral Kiss (2002), a choreographed dance referencing sculptural kisses from art history, will be exhibited alongside two of the works that inspired it: Auguste Rodin's The Kiss and Constantin Brâncuşi's Kiart history, will be exhibited alongside two of the works that inspired it: Auguste Rodin's The Kiss and Constantin Brâncuşi's Kiss.
A photo taken on an iPhone shows «The Kiss,» part of Tino Sehgal's show of ephemeral art at the Guggenheim Museum.
Bringing both real and imagined subjects into fragile, ephemeral community, English artist Adam Chodzko's projects — which include hunting for God look - alikes, reuniting children «murdered» on film by Pasolini, and entrusting a London gallery's archive to the care of Kurdish asylum seekers — keep that question ever in mind, engendering a fluid, subtle poetics that soars above the current «relational art» mainstream.
DallasSITES: Charting Contemporary Art, 1963 to Present, on view May 26 through September 15, 2013, will be composed of mainly ephemeral works — gallery invitations, posters, publications, photography, video — as well as a select group of art objecArt, 1963 to Present, on view May 26 through September 15, 2013, will be composed of mainly ephemeral works — gallery invitations, posters, publications, photography, video — as well as a select group of art objecart objects.
Franklin Furnace's mission is to present, preserve, interpret, proselytize and advocate on behalf of avant - garde art, especially forms that may be vulnerable due to institutional neglect, their ephemeral nature, or politically unpopular content.
In 2010, Franklin Furnace received its second major grant from the NEH to digitize the event archives of its second decade, 1986 to 1996; and to publish these records on Franklin Furnace's website with the goal of embedding the value of ephemeral art practice in art and cultural history.
SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!
Perhaps most interestingly, the premise was built on the simplest of ephemeral gestures and still had the capacity to travel widely and engage many, many people — when this is possible, art is at its best.»
Because they were not painted on something movable, each of his works was site - specific and temporary, emphasizing the essential fragility and ephemeral nature of his art.
For $ 10,000 you can obtain a passport, an aluminum «Citizenship Box» briefcase and national flag from Jing Bang, an ephemeral state created for the fair by Chinese artist Sun Xun, whose installation is a satirical comment on art, commerce and nationhood.
Arranged in a variety of mesmerizing forms, these pieces of land art focus on the ephemeral beauty of the natural world.
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