Her work focuses
on ephemeral experiences pertaining to light, air, and sound, often involving audience engagement.
Not exact matches
«When I reflect
on the fact that I have made my appearance by accident upon a globe itself whirled through space as the sport of the catastrophes of the heavens,» says Madame Ackermann; «when I see myself surrounded by beings as
ephemeral and incomprehensible as I am myself, and all excitedly pursuing pure chimeras, I
experience a strange feeling of being in a dream.
This struggle
on the part of the artist to capture the sequence of
ephemeral experience is not only the heart of Soutine's method, but also expresses his tragic anxiety, his constant brooding over being and not being, over bloom and decay, over life and death.
If optimism fueled the impulse to create large, permanent works in the «60s and «70s, the artists in this exhibition are more likely to rechannel that optimism into collaborative and collective
experiences; to dwell
on memory and the
ephemeral by charting the traces of the just - happened; and to embrace the rich social, cultural and political meanings of their throwaway materials.
The
ephemeral and transitory nature of this project and
experience has crept into the enchanted tangibility of the museum building, while a scenario vacillating between invention, sensation and reflection takes
on form in the here and now of the white cube.
Samara Scott (b. 1984, London) revels in the emotional resonance of contemporary consumerism, the glut of imagery
on the internet and
ephemeral urban materials; addressing head -
on our complex and conflicted contemporary
experience of the body.
Based
on verbal or written instructions that are utopian,
ephemeral and performable, Yoko Ono presents viewers with art which becomes a shared mental or physical
experience.
Based
on photographic documentation of spirit mediums, séances and ectoplasm (pseudo-scientific term for spiritual matter) popularized in the 1920s and 1930s, Haunted Documents explores the roots of photography as a doorway to other worlds, recording the
ephemeral and the liminal, archiving
experiences of spiritual and geographic crossroads.
How can I guarantee that space camp won't lose value, especially when it's an
ephemeral experience that entirely depends
on an individual's subjective observation and participation?