Sentences with phrase «on exhibition title»

Sponsorship of an upcoming exhibition including: name on exhibition title wall, all printed media including press release, announcements and website.
In this sense the exhibition focuses on one of these possible relationships and at the same time builds on the exhibition titled the Origins of Abstract Art, which took place several years ago in Paris.
Grove, who will remain at the High through July, is working on an exhibition titled «Chris Burden: Builder,» a monograph on Belgian artist Michaël Borremans and exhibitions of Canadian artist Tim Gardner.

Not exact matches

The launch of these initiatives will be announced on Friday, May 6th at the United Nations Headquarters in New York during a panel discussion on food security and food safety, surrounding the exhibition titled «We Are What We Eat».
Inspired by the 1980s solidarity movement in Poland and the more recent Orange Revolution in Ukraine, Ms. Onuch's academic work focuses on «Revolutionary Moments and Revolutionary Movements», the title of her dissertation which inspired her and her father to host a 2009 exhibition and symposium in Kiev, aptly called «Revolutionary Moments».
On Wednesday evening, an exhibition opened at Loisaida Center, titled «CHARAS is Alive on Spaceship Earth.&raquOn Wednesday evening, an exhibition opened at Loisaida Center, titled «CHARAS is Alive on Spaceship Earth.&raquon Spaceship Earth.»
The Costume Institute Takes on Catholicism (The New York Times) «The title of the department's 2018 fashion exhibition will be «Heavenly Bodies: Fashion and the Catholic Imagination.»
Two - time Formula 1 world champion Mika Häkkinen will also be on hand at the event making spirited exhibition laps in the McLaren M23 that Emerson Fittipaldi drove to the 1974 title.
The international book exhibition, «Books on...» — The Frankfurter Buchmesse invites publishers from around the world to exhibit their current titles in the Guest of Honour's pavilion.
Jurisdiction Who may offer conformation events Definitions General Rules Dog Temperament and Behavior Use of Alcohol and Illegal Drugs at Events Misconduct and Discipline Entering a UKC Event Judging Schedule Judge Changes United Kennel Club policy on Show Site Changes and Canceled events Licensed classes Awards, trophies and ribbons UKC recognized breeds eligible for conformation competition Rules applying to exhibitors and spectators Exhibitor Guidelines UKC Special Exhibition and Judging Procedures for Belgian Shepherd Dogs Only Conformation Titles Non-licensed Conformation Classes Top Ten Competition.
Serving as both the Producer of ARMS and the «Final Boss» exhibition match opponent of the ARMS Invitational, Kosuke Yabuki shed some light on the future of the title and the potential for DLC characters.
I have a solo exhibition titled «Charge Your Self,» which will be going live at Chandran Gallery in San Francisco on July 13, and a public art piece I will be working on in downtown Denver.
Currently Taylor is hosting an exhibition titled «Camarillo State Hospital» at his other studio / open gallery on 3rd Street in Los Angeles, and has work featured in the group exhibition «A Shape That Stands Up,» organized by Jamillah James at the Hammer Museum in Los Angeles in conjunction with Art + Practice.
It was held on February 5 at Michael Hoppen Gallery in London, an event to celebrate the exhibition of photographs by Guy Bourdin titled «Walking Legs».
This exhibition focuses on a handful of forms and objects that appear and reappear in her work: a torn fragment of a 1958 work titled White Spica, her camera tripod, a hybrid item created from an antique candlestick telephone, flowers, a generic tissue box, or a tiny ceramic cup.
Five Passages exist, the first (marking one million) and final (marking five million) of which are currently on view in the opening exhibition of the Met Breuer, New York, titled Unfinished: Thoughts Left Visible.
In the exhibition there are four examples; one titled 107th and Broadway (1976) shows a white building with a large blue shadow of another building projected on it.
With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so,» — this groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art.
This event celebrates the publication of Come as You Are: Art of the 1990s and the exhibition by the same title, on view at the Montclair Art Museum this spring before embarking on a national tour.
She will reveal them on June 13th at AFA Gallery in Soho, New York in her solo exhibition titled, «Charming the Wilds».
The Museum's exhibition programme and collection focuses on contemporary Polish and International artists and its resources include the Filmoteka Muzeum — a collection of artists» films comprising of a few hundred titles, available online.
Originally titled Picasso in Contemporary Art, the exhibition was first presented at the Deichtorhallen Hamburg on the occasion of its own 25th anniversary and curated by the institution's general director, Dirk Luckow.
Damien Hirst's latest exhibition which opens to the public on April 9th, 2017, titled «Treasures from the Wreck of the Unbelievable,» focuses on a fictitious ship wreck which happened some 2,000 years ago off the coast of East Africa.
Bouwer is part of the new group exhibition [Working Title] 2013, now on view through August 19 at Goodman Gallery in Johannesburg, South Africa.
COLOGNE — Corbett vs. Dempsey's booth exhibition at Art Cologne 2013 is titled Scar, Left Cheek, after a descriptive line in Duke Ellington's c. 1939 passport, which will be on display.
A fully illustrated catalogue will be published to accompany the exhibition with an essay written by Walead Beshty titled «The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo».
On the occasion of these events, the Rubell Family Collection has mounted its most ambitious exhibition program to date and published a 700 - page collection overview catalog titled Highlights and Artists» Writings, Volume 1.
Ballroom Marfa is pleased to announce the upcoming exhibition titled The Art and Architecture of Anstis and Victor Lundy, which will be on view at the gallery March 25 through July 30, 2006.
Neochrome Gallery is pleased to announce the opening of the exhibition of works by Maurizio Pellegrin titled «The Stoker» on Friday, September 29th from 6 to 8 p.m..
Under the Cover THE SEEN announces the Spring / Summer preview titles launching Issue 06 in print this April 2018, featuring Brendan Fernandes on the cover to align with his recent exhibition, The Master and Form, at the Graham Foundation.
Organized by curator Jason Andrew, this exhibition presents major paintings from the»70s by Jack Tworkov featuring a seminal work titled Diptych II (NY - Q1 - 71 # 1)(1971) on loan from the collection of the Solomon R. Guggenheim Museum, New York.
The concept of a point of view, a perspective, an act of framing on account of the viewer is as evident in Camera as it is in the Window sculptures presented in the solo show at Frankfurt's Portikus in 1992 — a traveling exhibition with other stations in various places, among them the Renaissance Society in Chicago — with the evocatively shimmering and metaphorical title «Everyone needs at least one window.»
Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.
The title of the exhibition is the most concise description of the works on view: Blue Paintings Light to Dark One through Ten.
Numbness is never an enlightening aesthetic response, and, as the exhibition's title insinuates, Golub insisted on its opposite.
Dominique Lévy is pleased to announce an exhibition of new work by German artist Günther Uecker, titled Verletzte Felder (Wounded Fields), on view at the gallery's Old Bond Street location.
Following her monumental installation in MASS MoCA's largest gallery, Building 5, in 2007 — which marked her first indoor projection in the U.S. — Holzer returns with a campus - wide series of work that will include a large - scale outdoor projection on the River Street side of the factory's complex titled For North Adams, 21 of her celebrated carved stone benches located throughout MASS MoCA's sprawling campus, an installation of her Inflammatory Essays posters, and rotating exhibitions of her work spanning the breadth of her career.
The exhibition title is taken from a flag called «Power for the People» installed by the artist on Battersea Power Station in 1972.
Aruna D'Souza's new book Whitewalling: Art, Race & Protest in 3 Acts (Badlands Unlimited) presents, in reverse chronology, three events that sparked protest against racism at New York art institutions: the inclusion of Dana Schutz's painting of Emmett Till in the 2017 Whitney Biennial, the white artist Donald Newman's solo show titled «The Nigger Drawings» at Artists Space in 1979, and «Harlem On My Mind,» an exhibition of all - white artists at the Metropolitan Museum of Art in 1969.
A photo titled «Ronda Winking» will be on exhibit in New York as part of the new Meryl Meisler exhibition at Steven Kasher Gallery.
From May 4th until June 23rd, the first New York solo exhibition of the performance art pioneer and conceptual artist Ulay titled «Renais sense» will be on view at Boers - Li Gallery New York
The exhibition title is a play on two simultaneous traditions: the modernist charge to flatten illusionistic space and the «flat top» hair cut popularized during the Def Jam era of hip hop.
While the title alludes to the well - known 1984 novel The Unbearable Lightness of Being by Milan Kundera, this exhibition focuses on a literal lightness of materials and engages the tradition of abstraction.
Titled Entrance, the exhibition will present a new series of paintings and will be on view October 29 — December 21, 2013.
He is currently working on a major city - wide public art and architecture exhibition titled Monument Lab for the city of Philadelphia.
The title of the exhibition refers not only to Walker's record of his experiences, but also to the antiquarian text on which he draws — a 17th century document of the Dutch Colonial empire of Brazil — which in turn becomes the theater in which the Afro - Brazilian women Walker befriended emerge from and dominate within the history of colonization and enslavement.
With a nod to the «walkers,» or zombies, from the TV series The Walking Dead, the exhibition's title references the lingering power of film detritus on the imagination of the living.
The Atlantic Wire quoted recent digital arts graduate Ben Fino - Radin, a self described «media archeologist, archivist, and conservator of born - digital works of contemporary art,» in an article on a New Museum project and exhibition titled...
The exhibition's title conjures both mythological and astronomical associations, and the primary medium of the work on view — the wool of the shag rugs Betbeze has distressed and distorted — makes it difficult to resist considering a further literary one, the 1870 novella Venus in Furs by the Austrian writer Leopold von Sacher - Masoch, from whose name the term «masochism» is derived.
Following an exhibition in Moscow in 1933 titled Fifteen Years of Artists of the Russian Soviet Federated Socialist Republic, the formalist avant - garde artists were heavily criticised, the journalistic hand falling hardest on the geometric abstraction of a certain Kazimir Malevich.
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