Suite of 6 silver gelatin prints
on fiber paper, colophon page, and page with poem by Rainer Maria Rilke printed letterpress on Arches 88, in iris cloth bound clamshell case with silver embossing
Two gelatin silver prints
on fiber paper, with colophon page, in cloth bound clamshell case with silver embossing
Not exact matches
Professor Lanciotti's recent work revealed that microorganisms died much quicker when placed
on corrugated surfaces where they get trapped in the
paper fibers and die due to a lack of water and nutrients.
there is no doubting that Arsene has helped to provide us with some incredible footballing moments in the formative years of his managerial career at Arsenal, but that certainly doesn't and shouldn't mean that he has earned the right to decide when and how he should leave this club... there have been numerous managers at each of the biggest clubs in Europe throughout the last decade who have waged far more successful campaigns than ours yet somehow and someway each were given their walking
papers because they failed to meet the standards laid out by the hierarchy of their respective clubs... of course that doesn't mean that clubs should simply follow the lead of others, especially if clubs of note have become too reactionary when it comes to issues of termination, for whatever reasons, but there should be some logical discourse when it comes to the setting of parameters for a changing of the guard... in the case of Arsenal, this sort of discourse was largely stifled when the higher - ups devised their sinister plan
on the eve of our move to the Emirates... by giving Wenger a free pass due to supposed financial constraints he, unwittingly or not, set the bar too low... it reminds me of a landlord who says he will only rent to «professional people» to maintain a certain standard then does a complete about face when the market is lean and vacancies are up... for those who rented under the original mandate they of course feel cheated but there is little they can do, except move
on, especially if the landlord clearly cares more about profitability than keeping their word... unfortunately for the lifelong fans of a football club it's not so easy to switch allegiances and frankly why should they, in most cases we have been around far longer than them... so how does one deal with such an untenable situation... do you simply shut - up and hope for the best, do you place the best interests of those with only self - serving agendas above the collective and pray that karma eventually catches up with them, do you run away with your tail between your legs and only return when things have ultimately changed, do you keep trying to find silver linings to justify your very existence, do you lower your expectations by convincing yourself it could be worse or do you stand up for what you believe in by holding people accountable for their actions, especially when every
fiber of your being tells you that something is rotten in the state of Denmark
You won't have to grab a
paper towel and hope the
fibers don't get left behind
on the inside of the bottles.
Cotton and other natural
fibers used for cloth diapers are highly absorbent, and depending
on the style, do a better job of holding in leaks than their
paper counterpart, the disposable diaper.
Each book is printed
on a synthetic material made from non-toxic, flashspun high - density polyethylene
fibers that feel like
paper but are very difficult to tear.
(I'm an optimist) I also read
on that site... «If every American household replaced just one toilet
paper roll of virgin -
fiber a year with a roll made from 100 % recycled
paper, approximately 425,000 trees would be saved annually.»
But I was reading
on http://www.toiletpaperhistory.net/toilet-
paper-made/how-is-toilet-
paper-made/ that «The pulp is mixed with a lot of water to produce
paper stock (99.5 % water and 0.5 %
fiber)» It sounds like a lot of water, but hopefully it's recyclable water.
The
paper cone is reinforced with kevlar
fiber for durability
on top of clear sound.
«Ultra» brands of toilet
paper such as Charmin, Cottonelle and Quilted Northern may feel soft
on your bum, but they're hard
on the environment because they're made from virgin
fiber and bleached with chlorine.
And
on a sheet of
paper, Kats explains, «There are hills and valleys and
fibers and little things sticking out — that's why you can't see your reflection in it.
Designer Linda Loudermilk — a pioneer in environmental fashion whose collection is available at a wide range of boutiques — says she uses eco-friendly fabrics exclusively and adds to the list such exotic sustainable
fibers as sea cell (a seaweed - based
fiber), soy
fiber * (extracted from the residue of soybeans used in the manufacture of tofu), and sasawashi (a linenlike blend of Japanese
paper and kumazasa herb with antibacterial properties that «can heal a cut
on your leg» — or so Loudermilk claims).
Earlier research at Rice by chemist and chemical engineer Matteo Pasquali, a co-author
on the new
paper, used an acid dissolution process to keep the nanotubes separated until they could be spun into
fibers.
The final puzzle piece fell into place at the 1999 Conference
on Lasers and Electro - Optics where Jinendra Ranka of Bell Laboratories presented a
paper on a new kind of optical
fiber known as microstructure
fiber.
We generated spiking responses from 100
fibers at a 100 kHz sample rate, with the same distribution of center frequencies (CFs) and spontaneous rates (SRs) as in that
paper (see section «AN Model» below); n = 85
fibers were used based
on reliably evoked responses to the natural stimuli [10], [12].
A 2007
paper published in the journal, JAMA Internal Medicine, investigated the effect of dietary
fiber and magnesium
on the risk of type 2 diabetes.
The
paper's discussion also states: «However, 2 recent articles failed to show any effect of a diet low in fat and high in
fiber, fruits and vegetables
on PSA after 4 years in men who did not have prostate cancer, perhaps because the diet was not as low in fat and did not include exercise or stress management.»
Answer: Textbooks and instructional materials, which are currently printed
on paper with little or no recycled
fiber.
They may want to chew the
paper on the bottom of the cage, the woodwork or the wall board (all sources of
fiber they are craving), but refuse to eat their pellets.
The B / W darkroom prints are printed
on a variety of
fiber - based
papers.
PAGES 38 - 39: At left, from top, «Child in Sky / Victims in River,» 1966 (Gouache and ink
on paper) by Nancy Spere and «Archeological Find # 21: The Aftermath,» 1961 (destroyed sofa — wood, cotton, wire, vegetable
fiber and glue,
on wood backing) by Raphael Montanez Ortiz; At right, «Red April,» 1970 (acrylic
on canvas) by Sam Gilliam.
Pen and ink,
fiber - tipped pen, graphite pencil, rubbing, and colored pencil
on paper, 27 × 21 in.
Featured image: Murray Garrett, Sinatra Recording Session, gelatin silver print
on archival
fiber paper, 1953 © Ralph Lauren Home and Getty Images
Working with
fibers,
paper, and graphite
on paper, Rosana Castrillo Díaz crafts studies of space.
Vintage chromogenic print
on fiber - based Kodak
paper with «A Kodak Paper» watermark on the verso, Mo
paper with «A Kodak
Paper» watermark on the verso, Mo
Paper» watermark
on the verso, More...
Christian Rodriguez of Savannah College of Art and Design used a Mamiya RZ ProII and Fuji Acros 100 film; he printed
on 11x14 - inch Ilford
fiber paper.
So This Is, (diptych) 2011 Silver gelatin print
on fiber - based
paper, 3.135 x 4.705 inches and silkscreen
on paper with color shifting ink, 8.135 x 9.705 inches (unframed),
These works, realized in their largest format to date, are connected with the artist's
fiber installation and works
on paper, composing a dynamic constellation of Fogt's practice.
2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works
on Paper, Greene Naftali, New York, USA
Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany
Vintage chromogenic print
on fiber - based Kodak
paper with an More...
Vintage chromogenic prints
on fiber - based Kodak
paper with «EKC» More...
Untitled # 1 from the series New Forms, digital collage, 2014 - 15 archival pigment print
on fiber - based
paper mounted
on dibond, 45 x 35 inches (detail)
Untitled # 9 from the series Above & Below, 2014 (pinhole photograph) archival pigment print
on fiber - based
paper, 40 x 60 inches
Drawing
on ancestral knowledge in conversation with Huitoto and Tikuna women, indigenous communities native to the Amazon, eleven botanical species were identified along with the alchemical processes for the use of their pigments
on natural
fibers such as fique, cotton, and
paper.
Installation: Peter Downsbrough, Untitled 1978 - 2009, Black and white photographs silver gelatin prints
on fiber based
paper 30x40 cm
B / W photograph Silver gelatin print
on fiber based
paper.
It becomes interesting when the newer form of presentation, with Sintra - mounted inkjet prints, is also applied for the earlier acquired «Proto - Investigations» that were initially made manifest with gelatin silver prints
on fiber - based
paper that were push - pinned to the wall.
Acrylic, mylar, glitter glue, enamel, fast food advertisements, and vintage contact
paper on medium density
fiber board.
Set within what Thelen describes as «the unrestrained environment» of 21c's vault gallery, Hotel Theory includes individual drawings, collaged works
on paper using watercolors, ink and graphite drawings, and wall painting, along with a new wall drawing and a
fiber piece that utilizes fabrics sourced from Raleigh Denim.
Charcoal and pastel
on blue
fibered laid
paper, 223⁄8 x 181⁄4 in.
Vintage chromogenic print
on fiber - based Kodak
paper with «A Kodak Paper» watermark on Mo
paper with «A Kodak
Paper» watermark on Mo
Paper» watermark
on More...
Vintage chromogenic print
on fiber - based Kodak
paper More...
B&W print from a 35 mm negative
on Glossy Illford multigrade
fiber based silver gelatin
paper.
RAUGH Furniture: Energetic Accumulator I (detail) 2008 Wood, Tung oil, bronze legs, rigid wrap, small glass jars with paint,
paper, metal,
fibers, rocks and dried vegetation
on carpet 90 1/2 x 119 x 4 1/2 inches (229.9 x 302.3 x 11.4 cm)
So This Is, 2011 Silver gelatin print
on fiber - based
paper, 3.135 x 4.705 inches and silkscreen
on paper with color shifting ink, 8.135 x 9.705 inches
Image: Robert Polidori, «The Mocking of Christ, Fra Angelico, San Marco Monastery Museum, Florence, Italy,» 2010, aqueous inkjet
on natural
fiber paper mounted to dibond, 54 x 44 inches, 137.2 x 1...
Oil Monotype w / Wool
Fiber, Japanese
Paper, Ink Transfer, Clothing Tag, Metal Leaf and Coffee Hand pulled
on white BFK Rives Printmaking
Paper Edition: Unique
The couple's early focus was
on contemporary ceramics; today the collection also encompasses
fiber art, furniture, glass, jewelry and works
on paper dating from the 1940s to the present.
Collect the artist's C - print photograph
on fiber silk
paper, The Hug, characteristic of the artist's investigations into the politics of race and identity.