Sentences with phrase «on fiction features»

She co-wrote the documentary with her sister Nesrin, whom she typically collaborates with on fiction features.

Angela is currently in post-production on the fiction short The Row, commissioned by Indigenous Media through their Project Her Incubator and in development on fiction feature projects The Space Between, about a woman obsessed with becoming a professional bodybuilder, and Sparkle Panthers, a comedy set in the arena of eSports and multi-player online gaming.

Eligibility: Filmmakers must be in picture edit on a fiction feature film; by the start date of the residency, filmmakers must have completed a first cut but still have significant time allotted in the schedule before picture lock.

Directors must be in picture edit on a fiction feature film and must have completed at least a first cut by the start date of the lab.

The Feature Film Program offers four directors in post-production on a fiction feature the opportunity to pair up with one of the composer fellows to collaborate and explore the role of music in their work.

Not exact matches

At the time, O'Connell was working on a poster for a science - fiction and horror film festival featuring John Carpenter's 1988 cult classic «They Live» about aliens living incognito among humans.

The ambiguity of what it means to be Christian is a key feature that has allowed it to survive despite the fact that it's based on a book of fiction.

Whether a work features the kaleidoscope of broken and rearranged images or reminds us of 19th - century novels, Dillard wishes to judge fiction on its own internal integrity: Do the parts cohere?

I am first defining the poetic function in a negative manner, following Roman Jakobson, as the inverse of the referential function understood in a narrow descriptive sense, then in a positive way as what in my volume on metaphor I call the metaphorical reference.7 And in this regard, the most extreme paradox is that when language most enters into fiction — e.g., when a poet forges the plot of a tragedy — it most speaks truth because it redescribes reality so well known that it is taken for granted in terms of the new features of this plot.

Henning Mankell's crime novels featuring the Swedish detective Kurt Wallander were extremely significant because it got me hooked on fiction again!

He is now working on two books, one that could be titled «America's Secret NASA,» the other a work of fiction featuring the 17th - century microscope inventor Antonie van Leeuwenhoek.

For instance, in the first chapter a box feature looks at Neanderthals in fiction, another discusses racial features and the epicanthic fold of the eye, another focuses on current archaeological interest in the edges of stone tools, and so on.

Jodrell Bank also occasionally features in fiction on TV too.

Fiction is an on trend bootie featuring a high stretch lycra sock - like design, peep - toe and leather stacked veneer heel.

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The script comes from Zach Helm (Stranger Than Fiction), This American Life's Ira Glass is on board as a producer, and the cast features Paul Rudd, Owen Wilson, Kristen Wiig, and Christopher Walken.

Released in theatres on August 24,1966, «Fantastic Voyage» was not only a film of authentic wonder but a science fiction masterpiece with amazing special effects... the team enters the body of a man where they see first hand the oceans of life within the human body that contains the «corpuscles», «the heart», «the lungs» and other features of the human body through which the crew move through are exquisitely designed in great detail with artistic quality.

As the writer of such science fiction features as «Never Let Me Go,» «Ex-Machina» and, now, «Annihilation,» Alex Garland — like many others — uses the genre to comment on us and our place in the universe.

The slate includes a number of familiar names, most notably «Simon Killer» filmmaker Antonio Campos, who will return to the festival with «Christine» (a narrative feature about TV reporter Christine Chubbuck, who killed herself live on - air in 1974; interestingly enough, the Sundance slate also includes a Chubbuck - centric documentary, «Kate Plays Christine,» a new feature from director Robert Greene that looks to blend fact and fiction in ways similar to his previous documentary, «Actress») and «This is Martin Bonner» director Chad Hartigan, who will debut his «Morris from America» at the festival.

It's the intent of Chinese - American filmmaker Chloé Zhao to carve a story out of the real lives of the people she puts on screen; her docu - fiction technique was what distinguished her striking 2015 feature debut Songs My Brothers Taught Me, set among the Lakota Sioux in South Dakota's Pine Ridge Indian Reservation.

For a moviemaker equally at home on blockbusters like World War Z (2013) and more intimate features like Finding Neverland (2004) or Stranger than Fiction (2006), Forster has impressively maintained a unique visual style that is identifiably his own.

I'm going to go out on a limb and say that I found Barry Levinson's much - maligned Sphere to be an intelligent, superior science fiction / horror movie, featuring excellent performances by the likes of Dustin Hoffman and Sharon Stone and taut, focused direction.

Morris is also beginning preproduction on his next film, Holland, Michigan, a thriller starring Naomi Watts, Bryan Cranston, and Edgar Ramirez, which will be, «for all intents and purposes,» his first fiction feature.

Best Feature: «The Wrestler» Best Director: Tom McCarthy, «The Visitor» Best Male Lead: Mickey Rourke, «The Wrestler» Best Female Lead: Melissa Leo, «Frozen River» Best Supporting Male: James Franco, «Milk» Best Supporting Female: Penelope Cruz, «Vicky Cristina Barcelona» Best Screenplay: «Vicky Cristina Barcelona» Best Cinematography: «The Wrestler» Best First Feature: «Synecdoche, New York» Best First Screenplay: «Milk» Best Foreign Film: «The Class» Best Documentary: «Man on Wire» Robert Altman Award: «Synecdoche, New York» John Cassavetes Award: «In Search of a Midnight Kiss» Lacoste Truer Than Fiction Award: Margaret Brown, «The Order of Myths» Piaget Producers Award: Heather Rae, «Frozen River» Someone to Watch Award: Lynn Shelton, «My Effortless Brilliance»

A great mix of old and new cinematic gold, this year's lineup includes Ildikó Enyedi's Berlinale Golden Bear - winner On Body and Soul; Mrs. Fang, Wang Bing's unflinching document of an elderly woman in her final days, which won the Golden Leopard at Locarno; the North American premiere of Katharina Wyss's powerful debut feature Sarah Plays a Werewolf, about a woman who channels her fears into theater; Govinda Van Maele's fiction feature debut Gutland, featuring Phantom Thread's Vicky Krieps; the U.S. premiere of Slovenian director Rok Biček «s The Family, a compassionate portrait of a young man's life over the course of 10 years; and experimental artist Bertrand Mandico's exhilarating, gender - bending Wild Boys.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

The program supports 10 to 12 writers or writer / directors developing a fiction feature screenplay and includes a hands - on writing workshop, a screening of a recent Sundance film followed by an in - depth conversation with the filmmaker, and two one - on - one script feedback sessions with creative advisors.

Disney IMAX Films: Aliens of the Deep • Ghosts of the Abyss • Sacred Planet • The Young Black Stallion Produced by Frank Marshall: Who Framed Roger Rabbit • Eight Below • Indiana Jones and the Kingdom of the Crystal Skull Space in Science Fiction: The Black Hole • 2001: A Space Odyssey • First Spaceship on Venus (MST3K) Featuring Paul Newman (Roving Mars» Introductory Narrator): The Hustler: Collector's Edition • Cars • The Verdict: Collector's Edition New to DVD: Voyagers!

The story walks a delicate, fragile, and damn near invisible - line between full - on science fiction and an art house independent feature.

With the director's first two features, Reservoir Dogs and Pulp Fiction, he favored using rock and roll tracks that played on the radios or loudspeakers that the characters were listening to.

A work of nonfiction that dances along the edges of documentary and fiction, confession and characterization, Actress follows Brandy Burre, former featured player on The Wire, as she struggles to revive her acting career while playing the real - life roles of mother and homemaker.

As one of the founders of Cowboy Pictures, Vanco led the distribution efforts on behalf of dozens of foreign language, documentary and American fiction features, including works by Lynne Ramsay, David Gordon Green, Catherine Breillat and Shohei Imamura.

Shot on a shoestring budget in just 16 days, «Blood Stripe» has already garnered several awards: It received the U.S. Best Fiction Feature Film Award at the 2016 Los Angeles Film Festival; the Audience Award at the 2016 Austin Film Festival; the John Schlesinger Award for First - Time Filmmaker at the 2016 Provincetown International Film Festival; and both the Audience Award and the Indie Vision Breakthrough Performance Award at the 2016 Twin Cities Film Festival.

His new science fiction film, «Annihilation,» features an almost entirely female cast led by Natalie Portman, Jennifer Jason Leigh and Gina Rodriguez («Jane the Virgin»)-- who play smart, resourceful women on a scientific mission to explore a mysterious phenomenon that has overtaken a forest.

Since his first cinematic composition, a collaboration with then - newcomer Richard Band on the low - budget science fiction thriller, LASERBLAST (1978), Joel scored a number of feature and television films throughout the 1980s and «90s, including the sci - fi series SUPER FORCE (1990), Roland Emmerich's early sci - fi thriller MOON 44 (1990), and Jim Wynorski's gentle family comedy, LITTLE MISS MILLIONS (1993).

Now there's nothing inherently wrong with a science fiction action movie that features unbelievable and cartoonish characters and relies a lot on CGI.

The time will surely come for a fiction - feature about the Gipper — focusing, I predict, on the 1981 assassination attempt.

STARCRASH represents an early foray for the composer into the realm of science fiction and he would soon return again when he worked in 1979 on THE BLACK HOLE, Disney's attempt to compete with rival studios in the wake of STAR WARS and MOONRAKER, that year's entry in the James Bond series, which featured many science fiction elements.

«Pulp Fiction» finally gets the Blu - ray treatment thanks to Lionsgate, and it's every bit as good as the movie deserves, with a director - approved high definition transfer that looks amazing, a 5.1 DTS - HD Lossless Audio track, and two brand new special features: a 43 - minute retrospective titled «Not the Usual Boring Getting to Know You Chit Chat» that includes interviews from several key cast members about making the movie, and a film critic roundtable («Here Are Some Facts on the Fiction») moderated by Elvis Mitchell.

In Fiction Factory's brand - new interview feature THE WOMAN IS DANGEROUS, filmmaker Vanessa Wanger Hope talks passionately about her grandparents — Hollywood star Joan Bennett and producer Walter Wanger — and the pair's collaboration with director Fritz Lang on no less than four films: MAN HUNT (1941), THE WOMAN IN THE WINDOW (1944), SCARLET STREET (1945) and SECRET BEYOND THE DOOR (1947), the latter two produced by Diana Productions, a company founded and run by the star / producer / director trio.

His first fiction feature, Maborosi (1995), is a quiet study of bereavement, about a young woman struggling to move on after her husband's inexplicable suicide.

The debut feature of comic book artist Dash Shaw, My Entire High School Sinking Into the Sea, begins by firmly zeroing in on the concerns of young adult fiction: the new school year, the character's social status, and all the insecurities that are inherent in being a teenager.

The Intensive provides emerging screenwriters the opportunity to hone their craft in a two - day workshop focused on the development of a fiction feature screenplay.

Some Background: Besides being an attorney, which informs this film, her feature directorial debut, Porter has served as an executive producer on both fiction and non-fiction projects, and worked on projects at various TV and cable networks.

It contains comprehensive sections on: Context; Chapter by Chapter Summary (with quotes); Main Characters; Themes; Language Devices; Features of Historical Fiction.

Reading features fiction, literary nonfiction, poetry, exposition, document, and procedural texts or pairs of texts, and focuses on identifying explicitly stated information, making complex inferences about themes, and comparing multiple texts on a variety of dimensions.

There are three Featured Titles available: on the Books & Mags home page, the Fiction homepage and the Non-Fiction homepage.

If you write fiction, create feature articles based on research from your novels.

If you «click» on Fiction or Non-Fiction on the drop - down menu, you will arrive at the homepage for each where you will find the Featured Title, for example this page / feature for Non-Fiction books.