Sentences with phrase «on figurative language»

• A tutorial on figurative language and how different descriptive techniques can bring settings alive for readers while conveying a symbolic message or deeper meaning

Lessons on figurative language concepts are particularly difficult for students who are English Language Learners (ELLs), as they may not understand the nuances of the language.

Not exact matches

In his earlier writing, Pinnock's Biblically derived qualifications concerning inerrancy were based on the facts that modern historiography was unknown in Biblical times, that writers use the language of simple observation (e. g., the sunrise), that figurative and mythological language is used (Isa.

Does this refer simply to families, such as something you might get from James Dobson at Focus on the Family, or it is figurative language for how John will call the children of Israel back into faithful obedience to God, in the same manner as their forefathers (cf. 1:16)?

Figurative speech communicates literal truth in a more precise and powerful way than ordinary language can on its own.

I still hit on plot and sequencing, figurative language and sensory details, theme, and hooks.

There are three types of figurative language your child is likely to see on Valentine's Day:

There are a few ways you can practice figurative language with your child on Valentine's Day.

Students are often required to identify idioms on reading tests, but they are one of the more difficult parts of figurative language.

Vocabulary Word Wall Posters This section includes 14 figurative language wall posters — one for each type of figurative language — that you can print and put on the classroom walls for revision.

Receive activities on: figurative language, literary terms, Latin root words, prefixes, suffixes, text types, idioms, characterization, homophones, parts of speech, and more.

Wear your tailor made figurative language on your own semantic runway, not the linguistic hand me downs of someone else.

Peter Doig, whose practice over the past twenty years has drawn heavily on the language of cinema, layers the personal and public, figurative and abstract, visual and conceptual in works that resonate with narrative potential.

Scully abandoned his early figurative work, and in the late 1960s and early 1970s, began formulating his own abstract language, based on the grid.

During the late 1960s, Guston became frustrated with the limitations of abstraction and returned to figurative painting, amassing a potent language of motifs whose roots can be seen in the forms and shapes of Traveler III, and illustrating what Christoph Schreier refers to as subcutaneous figuration.2 Following his 1966 exhibition at the Jewish Museum in New York, Guston relocated to Woodstock, New York, embarking on what would become a two - year hiatus from painting.

Nery will present several large format works on paper that combine figurative images and rhetorical language that directly question viewers» positions on race relations.

Moving fluidly between painting, publishing, photographic collage, video, and performance, Pendleton creates structures that engage with language on a literal and figurative level to yield new, radical meanings.

A focus on American artist Mark Rothko, who believed that figurative art no longer connected us to human tragedy and that only a completely new visual language of strong feeling could wake humanity from its moral stupor.

In preparing the exhibition, the active dialogue between Jorge Pinheiro and Pedro Cabrita Reis has generated a selection of 80 works focusing on specific periods of Pinheiro's career dating from the 1960s until the present, in which figurative painting and the language of concrete and conceptual abstractions coincide.

Through this contemplative approach, premised on the notion that «every working day starts with a different problem», Yiadom - Boakye continually reappraises her figurative language, answering each problem with a new painting (L. Yiadom - Boakye, quoted in R. Newbanks (ed.)

Playing with pictorial space of the canvas — often closing in on her subject — Otto - Knapp creates a visual language that oscillates between the abstract and the figurative, reflecting the movement she captures in paint.

In creating paintings, Emin upholds the timeless legacy of figurative artworks, often modeled on her own body or on historical photographs, while developing a pictorial language and style that distinguishes her within this genre.

The early Pictographs were created with a defined grid structure in order to organize theimages, often figurative and fragmented, in a utilitarian manner.Around 1948, Gottlieb began deconstructing the grid in an effort to find an alternative way to balance nature's interrelated forces: order and chaos.The earliest work on view, Inscription to a Friend, 1948, is an example of Gottlieb's initial attempts to integrate abstract forms that could still be relatable to a larger universal language, without the help ofthe grid.Inscription, 1954, demonstrates Gottlieb's further progression into purely abstract imagery using an evocative and highly developed lexicon.

The article touches on the use of humor and figurative language in opinions and then concludes with a useful checklist for critiquing opinions.