In 1991 she gained her doctorate under the supervision of Prof. Eduard Trier with a thesis
on floor sculpture.
Not exact matches
Let them hang their jackets, hats and sweaters
on their very own
sculpture - like tree and watch as your
floors magically reappear before your eyes.
Pull it out, put it
on the
floor and maybe try your hand at
sculpture.»
Inside, the Si boasts deeply
sculptured performance seats, a 60/40 split folding rear seat (which can be folded down completely to create a flat cargo
floor), dramatic black -
on - white gauges, a silver central control pod, and a thick three - spoke steering wheel.
In 1965, Carl Andre challenged preconceived notions of
sculpture by placing work flat
on the
floor in his first public exhibition, Shape and Structure.
Starting in February, two sculptural installations by Banks Violette (b. 1973, USA) and two works of
sculpture by Oscar Tuazon (b. 1975, USA) will be
on view
on the museum's ground
floor, complemented by an audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).
An immersive, experiential work of art, LOVE IS CALLING invites visitors to enter a mirrored room with tentacle - like soft
sculptures hanging from the ceiling and positioned
on the
floor.
I wanted to organize a show that celebrated the artworks that exist in this more problematic zone of «wall works;» challenging and painterly pieces that, if
on the
floor, might be called a
sculpture, but ultimately resist the pressure to be paintings.
The exhibition begins
on the fifth
floor, entitled America Takes Command: 1950s into the 1960s, with Abstract Expressionism, Fluxus, Junk
Sculpture, Collage and Assemblage, Anti-Art, Beat Culture, Proto - Pop, and even some figurative painting.
In the mid-20th Century shared unreality that was «Caroland» it was somehow viable, with intentions that were quite probably
on the right side of honest, to make a
sculpture — in this case, Stainless Piece C, 1974/5 — that sat flat
on the
floor and rose up no more than a couple of inches, so you looked down upon it like a relief laid horizontally (I made a few like this myself); and to make it out of a few scattered (or were they artfully composed?)
Entering painting and
sculpture on the third
floor, one now sees not the intimacy of the late nineteenth century, but the likes of Julie Mehretu, Matthew Barney, and Jeff Wall.
Carl Andre's revolutionary
floor - based
sculptures will be
on view at New York's Mnuchin Gallery in September
On the first
floor of the gallery, complex layers of
sculptures unfold as a series of experiments, leftovers, or introductions, challenging the distinctions between the process of creation and presentation.
RASHID JOHNSON: Islands David Kordansky Gallery, Los Angeles Sept. 13 — Oct. 29, 2014
On view at both of David Kordansky's exhibition spaces, Rashid Johnson's new sculptures will be installed on the floors and the wall
On view at both of David Kordansky's exhibition spaces, Rashid Johnson's new
sculptures will be installed
on the floors and the wall
on the
floors and the walls.
In celebration of International
Sculpture Day on Sunday, April 24, 2016, Mana will open a new group exhibition of sculpture in the 5th floor gallery, Wake the Town and Tell th
Sculpture Day
on Sunday, April 24, 2016, Mana will open a new group exhibition of
sculpture in the 5th floor gallery, Wake the Town and Tell th
sculpture in the 5th
floor gallery, Wake the Town and Tell the People.
The show includes rust paintings made via controlled oxidation alongside works
on paper, his Lapis edition coupled with his rebar drawings, and several
floor sculptures.
The
sculpture is carefully arranged to emphasise and reveal the architecture of the gallery, often being presented
on walls, in corners, or directly onto the
floor, encouraging the viewer to be conscious of the space
The show proper opens with Genzken's «Ellipsoids» and «Hyperbolos» from 1976 - 82, an assortment of lacquered wood
sculptures (some upright but most made to lie
on the
floor) begun while Genzken was still a student at the Düsseldorf Academy.
EXHIBITION Mark Bradford @ Hirshhorn Museum, Washington, D.C. (November 2017): Los Angeles - based artist Mark Bradford will take full advantage of the unique cylindrical structure of the Hirshhorn Museum and
Sculpture Garden in Washington, D.C., installing a suite of site - specific paintings
on the second
floor of the Smithsonian museum where the work will occupy the entire circumference of the curved galleries.
A small hole in the lowest part of the
sculpture allows the salt to escape and slowly pile up
on the
floor during the course of the exhibition.
Presented
on the third and fourth
floors of the Museum, this comprehensive survey will bring together over 115 works, including paintings,
sculptures, drawings, wallpapers and prints, early computer - based art, videos, and 16 mm films.
Starting out with vast sheets of pure colour in huge trays
on his studio
floor, his finished works are something between painting and
sculpture, a joyous celebration of colour and material.
It includes a «Flying Carpet», a sunscreen that hovers above the roof and a 190m steel bridge connecting Millennium Park to a
sculpture terrace that leads into a restaurant
on the wing's third
floor.
At one point as I tried to get more information about a
floor sculpture that resampled broken glass, and a set of blue paintings with some subtle white abstract elements
on them, the gallery director couldn't even tell me about the work.
Normally a sun drenched thoroughfare, the spacious multi-story glass reception area directs patrons to the two galleries
on the main
floor or to the café overlooking the museum's
sculpture garden.
Spanning Parasol Unit's ground and first
floor spaces, the works
on view encompass large and smaller scale
sculpture as well as a series of works
on paper.
Elements of the
sculpture spread out
on the
floor are reflected in the glass that protects the photographs.
There are
sculptures that act like paintings,
sculptures that sit
on the
floor, and immersive installations.
One visitor drew our attention to the spheres that were nestled in the
sculpture's interior, while another noted how the shadows the work cast
on the gallery
floor extended its sense of movement.
On the second
floor, near the library space, a gorgeously delicate Carol Bove
sculpture suspended with seashells occupies the center of the landing, a vibrant blue Guillermo Kuitca viewable through the thin gold structure of the piece.
thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates
Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao
on Barnett Newman / DIA / 535 W 22 —
floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler
on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar
on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock
on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow
on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles
on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.
Highlights of the installation include the diptych slide projection Dispossession (2013), which explores Attia's research
on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a
floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).
His invariable ability to disrupt what is considered «art» is blindingly clear from the show, removing art from the vertical wall and placing it
on the
floor, turning painting into
sculpture, and experimenting with incorporating cutting - edge technology (for the time) into his work.
Scharf's animated show for Cartoon Network — screening
on the second
floor, his bronze
sculptures in the third -
floor Founders» Gallery, and the transformation of the PMCA garage into the
(Top) In the living room, dominated by a black steel
sculpture by Brian Wall and Manuel Neri's marble 1989 Odalisque 1
on the
floor, are a Louise Nevelson — esque bookshelf and steel pivot door to the kitchen that Francis Mill designed with Chris French.
Highlights in the Galleries sector included a wall installation of works
on paper by Sol Lewitt (b. 1928, d. 2007) and
floor sculptures by Carl Andre (b. 1935) at Paula Cooper Gallery, a solo presentation by Ugo Rondinone (b. 1964) at Galerie Eva Presenhuber and Ellsworth Kelly's (b. 1923, d. 2015) «Sumac» at Lévy Gorvy.
The museum's second -
floor galleries feature American paintings,
sculptures, and works
on paper from the eighteenth century to the present.
On view in ICA's First
Floor Space from February 12 through August 17, 2014, the exhibition features
sculpture, photography, and video.
The exhibition was made up of a series of
sculptures across the main and first
floor galleries, as well as the outdoor area
on the expansive Victorian brick wall of the SLG's Fox Garden.
The works
on display at Lynden include «Field Study 15: Bur Oak» (2011), a large - scale
sculpture of a branch draped across an architectural steel vessel that occupies much of the gallery
floor.
The first three galleries
on the first
floor feature the museum's collection of Old Master paintings and
sculpture, which is particularly strong in canvases from the Italian Baroque.
Bling, minimalistic
floor sculptures, dirt, and artist books... what else would you want to see
on a Saturday evening.
«The other exhibition spaces always take my works down in the end,» says the artist while climbing from
floor to
floor up to the roof of the museum, turning switches
on and off, and thereby setting her kinetic
sculptures into motion.
While best known for his
sculptures made from metals, positioned flat
on the
floor and placed in symmetrical configurations, a rich and significant element of Carl Andre's practice remains largely unseen and unpublished.
A grove of David Smith
sculptures on the eighth
floor terrace is phenomenal (like a little visit to Storm King) and just inside the windows in the Abstract Expressionist galleries, the most powerful rooms in the museum, a Barnett Newman and Willem De Kooning are close enough to sunlight to pulse with color.
Tags: Brooklyn Galleries, ground
floor gallery, group exhibition, group show, painting, sculpture Posted in Art for Sale, Collecting Art, Exhibition, Info, NYC Comments Off on Ground Floor Gallery's 4th Anniversary Exhibition, Current Locations until May 29th,
floor gallery, group exhibition, group show, painting,
sculpture Posted in Art for Sale, Collecting Art, Exhibition, Info, NYC Comments Off
on Ground
Floor Gallery's 4th Anniversary Exhibition, Current Locations until May 29th,
Floor Gallery's 4th Anniversary Exhibition, Current Locations until May 29th, 2017
Wheeler and Turrell belong to the same cohort of artists that, since the 1960s and»70s, have produced immaterial counterparts to the pared - down
sculptures of artists like Donald Judd and Dan Flavin (some prints by whom you can currently see
on Zwirner's second
floor).
Biggers» use of light, reflection and shadow inspired this improvised
sculpture which uses household glass items currently available
on the warehouse
floor.
In celebration of the American sculptor Joel Shapiro, the Nasher
Sculpture Center, which holds six examples of his work in their permanent collection, has unveiled a new piece specifically designed for the central gallery
on the ground
floor.
The Whitney Studio is located within the larger complex of the New York Studio School of Drawing, Painting and
Sculpture on the 2nd
floor hayloft level of an original 1877 carriage house behind 8 West 8th Street
on MacDougal Alley in the Greenwich Village Historic District.