The series has never shunned from growth and as a result, it still chooses to follow up
on focal characters that could have been written out.
Not exact matches
Rather, it has the
character of a
focal point of attention (correlated with dominant inheritance
on my model) washed over by various vaguely discriminated backgrounds (correlated with oblique inheritance
on my model).
Where «Roots» and «Roots: The Next Generations» were extensive studies
on, not one
character, but a series of members in a bloodline that spans about a century or so, this series centers around one
character, thus the unevenness that plagued this series» sisters has been thinned out tremendously, though unfortunately still not quite to the point of dissipation, because as generally comfortable as this story's flow is, Halle Berry's titular Queen Jackson
character extensively faces several dynamic events and
characters, yet still doesn't take the time that it should to meditate upon the full exposition and depth of this story's range, thus leaving certain key story aspects to come off as unnecessary and, of course, supplementary to
focal inconsistency.
To be so meditative
on characters going about their business, little is actually said by Matthews, as writer, due to very limited extensiveness, if not
focal unevenness, that leave development to fail in distinguishing the
characters all that much, making it harder to become invested in them.
But even being the
focal point of the trilogy wasn't enough to explain his life, and therein lies the point of the origin tale; to explain where each
character comes from for those who didn't spend their childhood reading the comics or watching the cartoon
on Saturday mornings.
But for all the exposition and flashback, The Hateful Eight struggles to explain exactly what makes Domergue so evil, and why she's the
focal point the film's plot eventually begins to revolve around as
characters like the hangman Oswaldo Mobray (Tim Roth), the grunting Mexican caretaker Bob (Demian Bechir), and the soft - spoken cowboy Joe Gage (Michael Madsen) sniff around
on the sidelines.
In this masterful Swedish novel about the Danish revolution of 1768 - 72, a deranged king, his adolescent queen, his doctor - become - prime - minister, and a puritanical professor - turned - bureaucrat are the
focal characters — the principal players in an ironic romantic tragedy that inspires horror and pity
on every page.
Unburdened by the drag of whatever the hell has being going
on with these
characters in recent years, the story sails with freewheeling action and fun as the
focal point.
To get the last 2 % and increase your profile to 100 % Simply race Mars track 1
on Quick race with the «Ultra
Focal length» easter egg
on as the
character KUTOO.
These storylines represent a critical choice presented early
on in the game, forcing you as the
focal character (Corrin, by default) to choose between two warring kingdoms.
Morals and life lessons are shoved down the player's throat, putting emphasis
on two - dimensional side
characters and taking the spotlight completely off of the four heroes initially propped up as our
focal point, but they become just that: props.
It is also one of the first Role - playing games to have the death of the main
character be a
focal plot point, and provide multiple endings depending
on which side - quests are completed throughout the game.
In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings
on walls that surround a replica of a hearth («the traditional
focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life
character the mannequins seem to be modeled after (the artist's mother).