Sentences with phrase «on formal»

Admittedly, the present judgment is based on formal grounds alone, and does not answer the substantive issues raised by the Commission, namely whether VW's Articles of Association can be challenged on the basis of Art 63 TFEU, nor whether the lower blocking requirement of para 4 (3), by itself, constitutes a restriction.

Therefore, modelling studies suggest that late 20th - century warming is much more likely to be anthropogenic than natural in origin, a finding which is confirmed by studies relying on formal detection and attribution methods (Section 9.4.1.4).»

Another goal of Roy's is to promote universal primary education in rural areas without relying on the formal system alone: «It destroys initiative and creativity Encourage private initiative without commercializing education.

Marketing The available literature on marketing focuses mainly on marketing from the rural areas to the cities and exports, with an emphasis on the formal and central city markets.

The absence of India's Prime Minister Narendra Modi and China's President Xi Jinping from the informal climate summit convened by the UN Secretary General on September 23 is likely to cast its shadow on formal climate negotiations as well.

There is a «disconnect» in policy between the focus on the formal forestry sector and the billions of people that rely informally on the forest every day for food, energy and shelter, it said.

The United States, in particular, refused to take on any formal commitments unless emerging industrial rivals in Asia did, too.

After two weeks of steadily intensifying talks, briefings, speeches and «nonpaper» drafts, the world's major countries early Saturday morning in Bali apparently agreed on a formal two - year schedule for trying to fix a faltering 1992 climate treaty.

My opinion is not based on any formal expertise but nevertheless I think it is valuable because I have no interests at stake.

The film uses a rapid succession of shapes, colours and permutations on a formal theme to create a dynamic retinal experience, while referring to nature in the simplified triangular form of the mountain.

He trained his eye instead on the formal compositional properties of each shape, not on the open ended concept favored by Pollock.

Wall - dependent assemblage, incorporating found and readily accessible materials that focus on formal instead of associative qualities.

As a practicing artist and member of the Torpedo Factory, her work focuses on formal issues of rhythm and movement, structure and spacial and color relationships.

He stopped on a fairly provocative, but most interesting on a formal level, self - portrait by Walter Chappell.

Rather, the intense concentration on the concrete, material means and on formal values constantly translates all emotion into convincing, pictorial sensation.

Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.

His paintings specifically have drawn on the formal languages developed by Piet Mondrian and Blinky Palermo, Ad Reinhardt and Yves Klein, as well as the monochrome project associated with artists such as Josef Albers.

He concentrated on formal concerns in his monumental abstract compositions, which included allusions to the landscape.

Linking writing on formal, economic and social abstraction through the work of artists and curators, Lind has produced an important book that suggests an alternative to muted aesthetic politics.»

From that foundation he moved into work that relied less on the formal qualities and more on the ideas of repetition, sequence, and system, and thus became more of a Conceptualist.

Though his sculptures are the material basis (and fundraising element) for this expanded practice, they can't sustain interest on sculptural terms, on formal terms, apart from that wider practice.

On a formal level Shonibare's use of repetition and the lack of dialogue forgo the conventions of mainstream film and those associated with so - called realist narrative.

I realize that some of my work has an illusionist, trompe l'oeil effect but that's a by - product; if the conversation centers on those formal elements, I've failed.

Furthermore, on a formal level, the contrast between finished and unfinished is always visually striking.

The on a formal level quite austere photographs provide an insight into the offices of the Mackinac Center, which is a conservative think tank, promoter of the free market, lower taxes, reduced regulation, and economic privatization, and place of origin of the so - called Overton window.

Its nihilistic, antirationalistic critiques of society and its unrestrained attacks on all formal artistic conventions found no immediate inheritors, but its preoccupation with the bizarre, the irrational, and the fantastic bore fruit in the Surrealist movement.

In the triad of his collages, which are commentaries on the art world (1940s), the performative series of slides on the formal constellation of the world of art, religion, nature, and architecture (from the late 1950s), and these ultimate paintings (beginning in 1960), he opened a path towards Minimalist and Conceptual art.

The show is divided into two categories; artists who approach the topic on a formal level through the use of highly saturated materials; and artists whose work looks at these themes in a more figurative way, using the female image as a point of reference, often investigating the fashion industry.

Art works by Buckley, Holme and Hudson act as interchange stations between painting and sculpture, with multiple references to real and abstract space and ruminations on formal properties such as transparency, opacity, colour, shape and line.

Ostensibly a three - person show of paintings, this grouping of works might appear at first glance to hang together solely on formal terms — stability battles de-centralization, the presence of vibrant color engages with its absence, concept collides with gesture.

Curated by Los Angeles artist Charles Gaines, a close friend and collaborator of Adkins, the New York exhibition «focuses on the formal methods he employed to distill his art down to the very «essence» of his materials, often mining the history of the African diaspora for marginalized forms and figures.

Tillim's latest series of photographic images taken in Libreville, the capital of Gabon in 2012, draws on the formal and aesthetic concerns of his Second Nature series, as well as the ongoing interest in power and ideology in Africa that informed his Avenue Patrice Lumumba and Congo Democratic series.

The conceptual development and the assemblage method of these artworks pose diverse questions on formal aspects such as material, form, repetition and geometric structure.

Though he never lived to see the full blossoming of movements such as Minimalism and Post-Painterly Abstraction, his focus on the formal qualities of Abstract Expressionist mark making definitely led to their intellectual development and their critical success.

By scrutinizing the relationship between Noguchi and these internment camps, established in the USA after Pearl Harbors» bombing (December 7, 1941), Orlaineta conceived a series of sculptures based on formal, aesthetic and conceptual «knots», whose leitmotiv are the lives and creations of those artists effected by said events.

Politics, while hardly ignored (in works by Andrea Bowers, Sam Durant and Harrell Fletcher, among others), exchange claims of affliction for a greater emphasis on formal allure.

On a formal level,...

«Siskind focused on the formal relationship between light, structure and texture, exploring ideas of decay and regeneration.

With an emphasis on the formal vocabulary of abstraction, Schoultz exposes the ways in which meaning is manipulated and perception skewed as the locus for civic debate has shifted from the town plaza to the isolated, anonymous realm of cyberspace.

On a formal level, the execution of the piece conveys mystery and a precarious balance from the odd placement of the parts and the shadows created by light as it passes through the holes, a perfect engagement of material with the psychological anxiety that was Surrealism.

The Smooth, The Cut, and The Assembled, curated by his friend and frequent collaborator Charles Gaines, focuses on formal methods by which Adkins distilled the essence of his materials, be they found artifacts, musical instruments, or industrial materials.

Whether working purely from imagination or from deep abstractions of visual phenomena, the artists of Lyrical Abstraction focus on the formal relations within each piece.

His use of unorthodox materials reveals an eye trained on formal idiosyncrasy and alive to visual possibility.

Five writers reflect on the formal and the metaphysical aspects of Kaleka's art.

Based on formal analogies, Halmer creates a subtle coherence between painting and objects and transforms their specific function into a poetic state of being.

Henrique Faria Fine Art is pleased to present Imagining Spaces: Constructions in Color and Text, a group exhibition focused on the formal and thematic elements of color and text in Latin American art of the last sixty years.

The walls of the space will be treated like a collage sheet and furnished with a constellation of paintings and collages focusing on the formal relationship of - human - figure and pictorial ground.

If you have to force out inspiration, all you will get is a dull idea based on formal logic.

NG: The egg shape is appropriated from a shaped canvas by Lucio Fontana (1899 - 1968); on a formal basis, it is concerned with finding space on the flat picture plane.

By pairing Willie Birch's three works on paper and a set of papier - mâché sculptures from the New Orleans based artist's 7th Ward Series alongside conceptual and text - based artwork by Liam Gillick, the curator draws on formal differences to point towards related conceptual attitudes about history and materiality.