Sentences with phrase «on friends in the industry»

Not exact matches

But in the end, we have a lot of friends who are still in the industry, some of them working for Western Union, some of them having moved on to other companies.

My friends in the industry say this is a ludicrous oversimplification for a number of reasons including (1) Kenney's valuation is based on what he called the «current global market value» ($ 60 / barrel) which doesn't apply to bitumen, (2) he hasn't included the cost of extraction or the fact producers would never dump that much oil onto the market at once and (3) Albertans only get royalties, not the entire amount.

I was speaking with a friend who has spent some time in the Contemporary Christian Music industry (they wouldn't want me to use their name here, but if you've spent any time listening to CCM, you'd be familiar with it) who let me in on a little secret: A lot of Christian songs aren't written by people who would claim to be Christian.

Unfortunately, you righties and your friends in police departments across the country have been too busy getting fat on all the pork you get for yourselves and your cronies in the private prison industry to care.

He got hooked on the hospitality industry like a marlin in deep water when a friend took him to a Buffalo wings restaurant in Fort Lauderdale, Fla..

For two days I shadowed Gonzalez while a rotating cast of friends and industry folks — pastry chef Pam Yung, late of BA Hot Ten winner Semilla; artist - cum - caterer Laila Gohar; Arley Marks, the madcap bartender behind Honey's in Brooklyn — took turns prepping on the deck and lounging in the sun.

With whiskey in their blood, Maurice and Jonathan Egan, fifth and sixth generation Egan's, alongside longtime family friend and industry expert, John Ralph are revitalizing the company to carry on the legacy and time - honored traditions of the family.

Therefore, Gugu Guru has joined with friends in the baby industry to offer a raffle where 100 % of the raffle sales will be donated to hurricane relief efforts on the island.

It would probably be things like — it depends on which friend I'm talking to — but politics or different world events, my husband is in finance and business but I like talking about the stock market with companies and the mortgage industry, so it went from talking about that and real estate and all that to, «Can you imaging the ease of use for this stroller?»

The banking industry is not in business to be your friend, or help you get ahead, or give you a great deal on a loan.

In the past, de Blasio's been able to rely on his friends in the real estate industry to help fill his war chesIn the past, de Blasio's been able to rely on his friends in the real estate industry to help fill his war chesin the real estate industry to help fill his war chest.

Oddly, as I pointed out earlier, the Friends of Coal industry front group is not attacking the legislation's impacts on coal — instead going for a general criticism of potential increases in energy costs to consumers. And as I've also pointed out, the United Mine Workers union concluded the bill ensured that «the future of coal will be intact (but still withheld its endorsement, seeking more concessions for coal companies and coal - fired utilities).

I get to work with some of my best friends, learn from the best minds in the health and wellness industry, and educate the world on the incredible kingdom of fungi.

I'm calling today's fat - blasting core workout «The Hottest Abs» because it's from one of my good friends in the fitness industry, Shawna Kaminski — who is an expert on fat loss and rocks a shredded six pack stomach at the age of 50 (check out her fat loss over 40 program)!

I'm calling today's fat - blasting core workout «The Hottest Abs» because it's from one of my good friends in the fitness industry, Shawna Kaminski - who is an expert on fat loss and rocks a shredded six pack stomach at the age of 50 (check out her fat loss over 40 program)!

My «normal» days consist of working from my desk in my apartment, spending a few hours on my laptop at a café or coffee shop, getting a workout in, potentially grabbing lunch with a prospective brand partner or friend within the industry, and maybe grabbing dinner or a drink with girlfriends.

The article delves into the subject of what he calls the industry's «dirtiest secret», and is even granted a rare interview with Andrew Conru, the founder and owner of Adult Friend Finder, who wants to «blow the whistle on the widespread use of sexbots in the business.»

That is why this article is just an opinion based on the experience of working in the dating industry for considerable time, having lots of female friends looking for a foreign spouse, personally trying this, collecting the public opinion, having some general observation in the society and studying what mass media and Internet presents about this topic.

Lured back to the industry by a friend, she started to work on Belle, the true story of Dido Elizabeth Belle (Gugu Mbatha - Raw), the mixed - race daughter of a Royal Navy Admiral who was raised by her aristocratic great - uncle in 18th - century England.

«I doubt, Mr Speaker, that the Cornish tourist industry will be best pleased by my honourable friend's assertion that tourism in Cornwall is dependent on truanting children for its survival.»

In addition to the millions of dollars that Commissioner Pryor wasted on out - of - state consultants and his successful effort to divert hundreds of millions in scarce taxpayer funds to Connecticut's charter school industry, another one of Pryor's controversial actions was to hire his close personal friend and former Newark aide, Adam Goldfarb, to serve as his chief of stafIn addition to the millions of dollars that Commissioner Pryor wasted on out - of - state consultants and his successful effort to divert hundreds of millions in scarce taxpayer funds to Connecticut's charter school industry, another one of Pryor's controversial actions was to hire his close personal friend and former Newark aide, Adam Goldfarb, to serve as his chief of stafin scarce taxpayer funds to Connecticut's charter school industry, another one of Pryor's controversial actions was to hire his close personal friend and former Newark aide, Adam Goldfarb, to serve as his chief of staff.

As one enthusiast friend who's not in the industry noted, Cadillac has always pushed back whenever it looks like Buick might encroach on its territory.

The people who got Jordan Priestley started on his 15 - year career in the performance industry included his father, Don, who helped him build his first big - block when Jordan was only seven years old; family friend Forest Seek, who owned a parts store that focused on performance cars; and Dave Lindsley, who owned a ’67 Camaro RS with a built small - block and was also a successful business owner.

Google has been working on self - driving cars for years and is finding friends in the OEM and aftermarket industries.

People on my Facebook know I write, but I can't just keep yammering about my books to people who are my personal friends and co-workers in the entertainment industry.

Your friend Porter Anderson covers many of those same events, and recently concluded in a Writing on the Ether piece that a new breed of conference is needed, one that better unites the creative (writers) and business (publishers) halves of the industry.

I have made some fantastic online friends, connected with peers in the industry, gained an online platform that now reaches thousands of people and my novel, Pentecost, is still in the Amazon bestseller rankings after six months, based on a launch fueled by social media.

Cote has granted Barnes & Noble, the American Booksellers Association, the Authors Guild and attorney and music industry executive Bob Kohn, all of whom oppose the settlement, permission to act as «friends of the court» and weigh in on the settlement in amici curiae briefs.

If you are reading this article, you probably work in the financial services industry, and you have grown accustomed to friends, casual acquaintances, and even near - strangers expecting you to comment, with Cramer-esque authority, on penny - stock fliers, explain the latest day - to - day gyrations of the stock market, or reveal the secret code to the price path of gold futures.

Of course, the places people choose to live after college depend on a whole range of factors, from the industry you want to work in to where your friends are headed.

And while its great to see our feline friends in need get loving homes, when talking dollars and cents, cat ownership simply does not have the same impact on pet industry spending as dog ownership.

When Webb decided to follow a friend's example and strike out on her own in the mobile grooming industry, the friend happened to decide to sell her van and purchase a larger model.

I chose Healthy Paws based on the great reviews I read online, and advice from a friend who works in the pet insurance industry.

Building on their strong sense of animal welfare, the Friends has grown in the past 25 years to an organization of great reputation in the animal - sheltering industry.

Chuck also compelled many of his friends and competitors to join NASC, selling them on the importance of working in unison to elevate the entire industry.

For the third year in a row, HSUS researchers have taken on the painstaking and heartbreaking task of reviewing hundreds of pages of state and federal inspection records to uncover and expose 100 puppy mills that are responsible for some of the most shocking and persistent mistreatment of man's best friend within that awful industry.

In recent years, there has been a growing focus in the industry on what cat owners are feeding their feline friendIn recent years, there has been a growing focus in the industry on what cat owners are feeding their feline friendin the industry on what cat owners are feeding their feline friends.

However, for those who believe loyalty should be part of the equation in the ultra-competitive airline industry where large numbers of customers book solely based on price and schedule, Delta is not your friend.

id has produced some of the most genre - defining PC FPS games in the history of the industry, but Nix realizes that the console market is just too large to ignore, «I know I have friends who are considered core gamers, who years ago were just keyboard and mouse guys — now, when a game ships on all platforms, they buy the console version, even though they have a PC version sitting there and they have a PC that would run it perfectly well.

I got my start before I was even a teenager building Lode Runner levels on the Vic 20, by my mid twenties I was making levels in UnrealEd to play with friends, and my first game industry job was as a level designer.

Above all, she attributes her ability to thrive in the games industry on not just being friends with her male colleagues, but by her active enjoyment of shared activities like paintball, or playing Doom on a LAN.

In Deus Ex: Mankind Divided — System Rift, you will re-unite with Frank Pritchard, Adam's friend and former colleague at Sarif Industries, and assist him in hunting down information on the mysterious Santeau GrouIn Deus Ex: Mankind Divided — System Rift, you will re-unite with Frank Pritchard, Adam's friend and former colleague at Sarif Industries, and assist him in hunting down information on the mysterious Santeau Grouin hunting down information on the mysterious Santeau Group.

With that, his cast of friends, enemies, and rivals was ever - expanding, including love interest Amy Rose, his sidekick Tails (whose popularity led to his own spin - off title), and then most recently, a burly brawler from a lost civilization known as Knuckles the Echidna, a «friendly nemesis» who at the time was beginning to look like a potential break - out star in his own right with the upcoming costarring title role in Sonic & Knuckles, a game which had potentially revolutionary repercussions on the industry.

Having worked in the video game industry for closing in on a decade, I've heard a lot of common misconceptions from my friends and family regarding exactly what it is that I do as my job.

2004 Post Coverage of Games and Game Consoles • Game and Software Reviews From The Post, Sorted by Title • Playing With TV: This Year's Hot Toys Take «Interactive» to a New Level • Dual Screens Give Gamers New Options • Video Game Makers Rush To Cash In On Top Titles • Half - Life 2's Real Battle: Theft, Lawsuits Made Getting It to Market A Daunting Task • Halo 2 Ready to Run Rings Around Video Game Industry • Screen Sizzlers: Video Gaming Industry's Hottest New Titles Aim At Generation XXX • Problems You Can Shake a Joystick At: War Room to Sickroom, Video Games Are Red - Hot • He's Got Games: Bing Gordon Knows What Plays in the Interactive Video World • MTV, Gamers Hope Video Clicks With Young Voters • Addicted Gamers, Losing Their Way • Madden NFL Scores Again • A New Player at The Video Screen: Gaming Industry Discovers Girls • Play Fast And Loose: New Portable Game Systems Are Close at Hand • Virtual War, Among Friends: With Cyber Cafes, Games Are No Longer a Solitary Pursuit • GameSpy Sees Room to Play • Video Cards Are Big Players • Handheld Lets Kids Leap Into Learning • Redesigns Add Variety To Games • Games Go Boom: Electronic Entertainment Exposition Showcases A $ 10 Billion Industry • Game Firms Think Small: In a Recent First, No Hot New Console Is Part of E3 • Welcome (BackIn On Top Titles • Half - Life 2's Real Battle: Theft, Lawsuits Made Getting It to Market A Daunting Task • Halo 2 Ready to Run Rings Around Video Game Industry • Screen Sizzlers: Video Gaming Industry's Hottest New Titles Aim At Generation XXX • Problems You Can Shake a Joystick At: War Room to Sickroom, Video Games Are Red - Hot • He's Got Games: Bing Gordon Knows What Plays in the Interactive Video World • MTV, Gamers Hope Video Clicks With Young Voters • Addicted Gamers, Losing Their Way • Madden NFL Scores Again • A New Player at The Video Screen: Gaming Industry Discovers Girls • Play Fast And Loose: New Portable Game Systems Are Close at Hand • Virtual War, Among Friends: With Cyber Cafes, Games Are No Longer a Solitary Pursuit • GameSpy Sees Room to Play • Video Cards Are Big Players • Handheld Lets Kids Leap Into Learning • Redesigns Add Variety To Games • Games Go Boom: Electronic Entertainment Exposition Showcases A $ 10 Billion Industry • Game Firms Think Small: In a Recent First, No Hot New Console Is Part of E3 • Welcome (Backin the Interactive Video World • MTV, Gamers Hope Video Clicks With Young Voters • Addicted Gamers, Losing Their Way • Madden NFL Scores Again • A New Player at The Video Screen: Gaming Industry Discovers Girls • Play Fast And Loose: New Portable Game Systems Are Close at Hand • Virtual War, Among Friends: With Cyber Cafes, Games Are No Longer a Solitary Pursuit • GameSpy Sees Room to Play • Video Cards Are Big Players • Handheld Lets Kids Leap Into Learning • Redesigns Add Variety To Games • Games Go Boom: Electronic Entertainment Exposition Showcases A $ 10 Billion Industry • Game Firms Think Small: In a Recent First, No Hot New Console Is Part of E3 • Welcome (BackIn a Recent First, No Hot New Console Is Part of E3 • Welcome (Back?)

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greateIn 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its lesser relationship to the greater.

Solo exhibitions 2017 «The Guinness Curse», T293, Rome 2016 «Palace Ruin», Public Art Project, Amsterdam 2014 «Dowsing Schools: Preliminary Findings and Corresponding Survey Kit», The Physics Room, Christchurch 2014 «Dowsing Schools: Preliminary Findings and Corresponding Survey Kit», Artspace, Auckland 2014 «KaVo Zahnarztstuhl Regie 1520 A», Wilfried Lentz, Rotterdam 2013 «That's That, That Way «Round, Basically — As You Probably Know», Artists» Club Coffrefort, Brussels 2013 «Passionate Advocate for a Poisoned Earth», TWAAS, New York 2012 «Of Animal and Inventory», Blank Projects, Cape Town 2012 «Door and Milk Permutations», Luettgenmeijer, Berlin 2011 «My Friend André's Grandmother's Sawmill», Neuer Kunstverein, Vienna 2011 «Khevsurvite Derivative (potential dwellers in ravines)», T293, Rome 2010 «Untitled», Museum Hilversum, Hilversum 2009 «Bagnoli (and Italsider as extract — arrangement)», T293, Naples 2008 «Limburgerhof (The Agricultural Extract - Arrangements)», Wilfried Lentz, Rotterdam 2008 «Dalmine (and other industry extract — arrangements)», LuettgenMeijer, Berlin 2008 «Spade Scrapes 1 — 6, Van Zijll Langhout Gallery, Amsterdam 2007 «Living Registration», T293, Naples 2006 «Living Registration», BüroFriedrich, Berlin 2006 «Untitled Installation», Natal Society of Arts, Durban 2003 «Climb on Shoulders to Peep Over and Dismount with Lips in Hedge», NICC, Koninklijk Museum Voor Schoene Kunsten, Antwerp 2002 «Extract arrangements (tribute to Mucha)», PLUS Gallery, Dusseldorf 1999 «Home», Natal Society of Arts, Durban 1999 «Breathing Space», The Yard, B / W Photography, London 1999 «Breathing Space», Natal Society of Arts / Palmer street studios, Durban

These guys came in with a set of assumptions on every single issue, biased toward their friends, political allies, and campaign financiers (and not to mention their former colleagues and family members and themselves) in the fossil fuel businesses — and every single thing they have done has advanced the wealth of those people, in those industries.

As we reflect on the life of our friend and associate this tribute is intended to provide an opportunity to express thoughts in a memorial to Dan's contribution to our industry.»

The point here is not that Gelbspan appears to have put out misinformation about his collective work back in 2004, it is that his words have huge influence right up to the present time, such as the only months - old «fossil fuel industry misinformation» research paper written by an impressionable young college student, or the days - old suggestion by one of his Facebook Friends that he should get a guest appearance on CNBC's Rachel Maddow show.