Not exact matches
He begins
by drawing in brush and Chinese ink
on heavy,
handmade paper which has been soaked in persimmon juice.
Help promote conversation at your Easter brunch
by pre-arranging where everyone will sit at the table
by placing
handmade Easter egg place cards with everyone's name
on a small piece of
paper that can sit in the top of the egg.
Dresser / Bookshelf / End Table: DIY makeover Crib and changing table: Buy Buy Baby Glider and rocker: SimplyBabyFurniture.com Curtains: DIY (Fabric from Kenya) Pillows: DIY (Fabric from Kenya) Rug: Urban Outfitters Knobs: Hobby Lobby
Paper lantern: World Market Baskets: The Mighty River Project Canvases / Photos: Photos I took Frames: Pier One Wreath
on door: DIY Chevron Diaper Bag: Gift from Ooh Baby Designs Blankets: Gifted (
handmade by friends and family)
This winter I'll be researching a book
on handmade paper of SE Asia — considered a distraction from «serious art - making»
by gallerists.
Among the works included will be four new drawings made
by Jasper Johns after his Catenary work, which was exhibited at Matthew Marks Gallery this past spring; the largest single drawing Roni Horn has ever made, executed in yellow - green pigment and collage; a suite of five new plant drawings and a collage of colored geometric forms
by Ellsworth Kelly; two new folios
by Brice Marden, each consisting of a group of seven drawings
on handmade paper; and several large - scale, brightly - colored ink drawings
by Charles Ray.
Richard Serra, out - of - round X, 1999 Paintstick
on handmade Hiromi
paper 79 1/2 x 79 inches Private Collection April 13 — August 28, 2011 Organized
by the Menil Collection, the first retrospective of the drawings of American contemporary artist Richard Serra will be
on view at The Metropolitan Museum of Art from April 13, 2011, through August 28, 2011.
Relief, serigraph, stitching, collage
on two layers of
handmade paper by Tyler Graphics, 46 inches diameter, 51 1/8 x 51 1/8 inches framed.
Pieces of cotton
paper, made
on old - fashioned Jacquard machines still in use in some towns in Latin America but fast - disappearing, carry the words hecho a mano (
handmade) woven into them
by Candiani.
A sheet of robust
handmade paper from suppliers in Japan and India is then laid
on top of the pigments and, with a steel block [and the weight of his own body] Serra applies pressure to the sheet in a structure — or better, a vector — that is not preestablished but is always, once grounded
by that first stroke, pursued as consistently as possible.
Each print is unique and painstakingly produced
by several methods
on handmade Japanese
paper.
This 1989 textured collograph print
on handmade paper with green, red, and yellow is
by New York / San Francisco artist Gary L. Shaffer (1936 - 2001).
This color woodcut
on White Richard B. Tullis II
handmade paper was created
by the artist in 1991.
Stacey Steers Night Hunter, 2011
Handmade works
on paper converted into film, 35 mm to HD, stereo sound duration: 15:30 Music and sound
by Larry Polansky Courtesy of the artist and Galerie Anita Beckers, Frankfurt Photo: courtesy of Galerie Anita Beckers
Polly Apfelbaum, Little Dogwood 66, 2012; Woodblock print
on handmade paper, 20 x 20 in.; Courtesy of Durham Press; © Durham Press and the artist; Printed and published
by Durham Press
Kate Shepherd, Color Trope Black Lemon Yellow, Reds, Orange, 2011 Stenciled linen pulp paint
on cotton base sheet 24 x 18 inches May 17 — June 25, 2011 Dieu Donné is pleased to present an exhibition featuring select works in
handmade paper created in our wet studios
by artists Ian Cooper, Arturo Herrera, Kate Shepherd, Jean Shin, Allyson Strafella, and Richard Tuttle.
An original signed oil painting
on handmade heavy rag
paper by French artist Pierre Marie Brisson (1955 --RRB- titled «Bonjour», 1986.
Rachel Whiteread, Squashed, 2010 Relief print
on handmade paper 27 x 37 inches March 26 — April 30, 2011 Luhring Augustine is pleased to present Long Eyes, an exhibition of new sculpture and works
on paper by Rachel Whiteread.
His recent inventive, refreshing exhibition — Brandt's first solo show in Europe — presented three series of woodblock prints, all made
on the artist's
handmade paper with his
handmade ink, in frames crafted
by him from his own matrices.
Isamu Noguchi Floor Lamp
Paper, bamboo, and iron Retailed by Forthright George Kovacs, New York, mid - 20 th century Handmade paper globe, over a single socket on bamboo stem with a cast iron base Mo
Paper, bamboo, and iron Retailed
by Forthright George Kovacs, New York, mid - 20 th century
Handmade paper globe, over a single socket on bamboo stem with a cast iron base Mo
paper globe, over a single socket
on bamboo stem with a cast iron base More...
Isamu Noguchi Floor Lamp
Paper, bamboo, iron Retailed by George Kovacs, New York, c. 1978 Handmade Mino - gami paper globe made from the bark of a Mulberry tree, over a single socket on bamboo Mo
Paper, bamboo, iron Retailed
by George Kovacs, New York, c. 1978
Handmade Mino - gami
paper globe made from the bark of a Mulberry tree, over a single socket on bamboo Mo
paper globe made from the bark of a Mulberry tree, over a single socket
on bamboo More...
This 1999 original lithograph
on handmade paper abstract with the text «House of Cards» is
by New York / San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936 - 20...
Brought to you
by the lovely folks at People of Print, this amusing, monochrome artwork
by talented illustrator Lisa Laubreaux is
handmade and printed with water based inks
on 250gr
paper.
Tyler describes: «For the Genji and Madame Butterfly woodcuts, she made wonderful painted wood panels that were used as the guide for making the color woodcuts
on colored
handmade papers (made
by John Hutcheson and Tom Strianese).
Palestinian - born British artist Mona Hatoum makes drawings
by affixing human hairs in abstract patterns
on handmade paper.
Helen Frankenthaler Tahiti 1989 Mixograph in colors,
on handmade paper, the full sheet, S. 32 1/4 x 53 1/2 in (81.9 x 135.9 cm) signed, dated «89» and numbered 13/45 in pencil (there were also 11 artist's proofs), published
by Mixografia, Los Angeles, in very good condition, framed.
HELEN FRANKENTHALER Guadalupe (H. 164) mixograph in colors, 1989,
on white
handmade paper, signed and dated in pencil, numbered 50/74 (there were also 16 artist's proofs), published
by Mixografía, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 69 x 45 in.
TALES OF GENJI V Color woodcut, 1998,
on rust TGL
handmade paper, signed and numbered 11/36 in pencil, published
by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.
Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins,
on three panels of TGL
Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil
on the right panel (there were also 10 artist's proofs), published
by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.
HELEN FRANKENTHALER (1928 - 2011) Sirocco Mixographía in colors, 1989,
on handmade paper, signed and dated in pencil, numbered 34/52 (there were also 11 artist's proofs), published
by Mixographía, Los Angeles, the full sheet, in very good condition Sheet: 37 1/4 x 34 5/8 (946 x 880 mm.)
Helen Frankenthaler (American, 1928 - 2011), «The Red Sea,» 1978 - 1982, color lithograph from four stones and four aluminum plates
on pink wove
handmade paper, pencil signed and dated lower right, edition 13/58, printed
by Roger Campbell, Lee Funderburg, and Kenneth Tyler, published
by Tyler Graphics, Ltd., image: 15.5 «h x 20.75 «w, sheet: 24 «h x 28 «w, overall (with frame): 29 «h x 37 «w
HELEN FRANKENTHALER Beginnings screenprint in colors, 2002,
on heavy
handmade paper, signed in pencil, numbered 28/126 (there were also 18 artist's proofs), published
by the Lincoln Center / List Poster and Print Program, the full sheet, in excellent condition, framed S. 36 3/8 x 35 5/8 in.
HELEN FRANKENTHALER (B. 1928) Sanguine Mood (Harrison 33) pochoir and screenprint in colors, 1971,
on J.B. Green Hayle Mill English
handmade paper, signed and dated in pencil, numbered 2/75 (there were also 5 artist's proofs), published
by the Women's Board Commission, San Francisco Museum of Art, the full sheet, in excellent condition, framed S. 22 3/4 x 18 in.
Helen Frankenthaler The Red Sea 1978 - 82 Lithograph in colors,
on pink HMP
handmade paper, with full margins, I. 15 3/4 x 20 3/4 in (40 x 52.7 cm); S. 24 x 28 in (61 x 71.1 cm) signed, dated» 1978 - 82» and numbered 35/58 in pencil (there were also 14 artist's proofs), published
by Tyler Graphics Ltd., Bedford Village, New York, in very good condition, framed.
Six of the seven offered lots
by Hockney sold above or within their estimates, including the complete portfolio of Illustrations for Six Fairy Tales from the Brothers Grimm, 1970, with 39 etchings, some with aquatint, as well as an additional six etchings
on handmade paper.
HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998,
on TGL
handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published
by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.
HELEN FRANKENTHALER Frankenthaler Alaska (H. 165) mixograph in colors, 1982,
on heavy white
handmade paper, signed and dated in pencil, numbered 20/50 (there were also 13 artist's proofs), published
by Mixografia, the full sheet, in excellent condition S. 48 x 37 in.
Running concurrently with Kenneth Noland: Into the Cool, Pace Prints will exhibit four related works, as well as other prints and works
on handmade paper made
by Noland in his last years.
HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989,
on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published
by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.
Helen Frankenthaler Monoprint XIII - The Clearing 1991 Unique proof printed from edition blocks
on white Richard B. Tullis II
handmade paper Published and printed
by Garner Tullis, New York Signed and dated in pencil lower right sheet; inscribed «XIII» lower left sheet; signed and dated in pencil verso; inscribed «GT / HF 6 - 91 XIII Block A» in pencil verso; inscribed «Monoprint XIII» in pencil verso; inscribed «28 - May» in pencil verso Image (irreg.)
Jan Frank at Paul Kasmin, through June 18 The 30 recent drawings in this suite, accompanied
by one painting, are rendered in ink and correction fluid
on handmade paper.
Made
by pouring colored and pressed
paper pulp into molds
on damp
handmade paper, each impression of the series is variable; the color bleeds unpredictably as the wet sheet runs through the printing press.
HELEN FRANKENTHALER (1928 - 2011) Tales of Genji III, from Tales of Genji woodcut and pochoir in colors, 1998,
on TGL
handmade paper, signed in pencil, numbered 33/36 (there were also 14 artist's proofs), published
by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 46 5/8 x 41 5/8 in.
HELEN FRANKENTHALER Beginnings screenprint in colors, 2002,
on heavy
handmade paper, signed in pencil, annotated «AP 14/18» (an artist's proof, the edition was 126), published
by Lincoln Center List Poster and Print Program, New York, the full sheet, in very good condition, framed S. 37 x 35 in.
In 2008 - 2009, Hall gave eight works to the Permanent Collection — seven prints and a work
on handmade paper —
by several internationally known artists including Pat Steir and April Gornik.
Helen Frankenthaler (1928 - 2011) ARIEL Color woodcut, etching and aquatint, 1996,
on white wove
handmade TGL
paper, signed, dated and numbered 3/45 in pencil, published
by Tyler Graphics, Ltd., Mount Kisco and with their blindstamp, with full margins, framed.
HELEN FRANKENTHALER (1928 - 2011) Monotype V monotype in colors with hand - coloring in crayon, 1991,
on Richard B. Tullis
handmade paper, signed, dated and inscribed «V» in pencil, annotated «Frankenthaler»91 15 May Monotype # 1 (with hand addition)» in pencil
on the reverse, published
by Garner Tullis, New York, the red attenuated, otherwise in very good condition Sheet: 23 1/2 x 31 in.
Helen Frankenthaler, Cedar Hill (Harrison 121) Woodcut printed in colors, 1983, signed in pencil, dated and numbered 11/75 (total edition includes 18 artist's proofs),
on handmade Mingei Momo
paper, with the blindstamp of the publisher Crown Point Press, framed Sheet 512
by 631 mm 20 1/8
by 24 7/8 in
Second stop: Lesley Dill's recent book, I had a Blueprint of History, an artist's book
on handmade paper with a poem
by Tom Sliegh,
on view at Dieu Donne.
in colors, 1980 - 2,
on heavy beige
handmade paper, signed and dated in pencil, numbered 3/8, published
by, with full margins, in excellent condition, framd S.
Helen Frankenthaler Dream Walk 1977 Lithograph in colors,
on mauve HMP
handmade paper, with full margins, I. 22 x 29 5/8 in (55.9 x 75.2 cm); S. 26 x 35 1/2 in (66 x 90.2 cm) signed, dated «77» and numbered 6/47 in pencil (there were also 12 artist's proofs), published
by Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.