The optically titillating large - scale paintings are made by applying layers of acrylic paint to a canvas in a pre-determined order, resulting in heavily - built surfaces that take
on illusionistic depth as the tone scale varies.
Not exact matches
Working in stainless steel, glass, copper, stone or paint
on plaster, he employs subtle
illusionistic devices, instigating a play of
depth that remains consistent from piece to piece.
Martin Weinstein (NYC) creates paintings
on 3 - 5 sheets of plexiglass layered together to form an image of
illusionistic depth; he interprets this special theatre by depicting the same scene multiple times, and by inserting discontinuous elements... a reminder of the tenuous nature of reality itself.
Ferguson's paintings are comprised of built - up troweled layers of plaster with uneven surfaces, repeated patterns and
illusionistic depth that suggest something representational yet actually derived from geometric variations created
on her computer.
Their uneven surfaces and repeated patterns hint at
illusionistic depth and suggest something representational, but in fact their forms are based
on geometric variations the artist creates
on her computer.