Amber Glow by Jo Moore Painting 30.0 x 30.0:: Jo Moore's compelling original artwork draws
on inspiration from nature displaying dramatically rich textural surfaces.
Not exact matches
My
inspiration comes mainly
from animals and
nature — I get ideas
on walks or watching
nature documentaries.
«Our goal is to realize a variety of artificial functional systems
on the nanoscale, taking direct
inspirations from nature,» says Laura Na Liu, who works with Urban and leads the research group.
This wall art, taking
inspiration from nature photography, focuses
on a single bird feather over a vibrant turquoise background.
We focused
on exploring the beauty of simplicity, by gathering some
inspiration from textures that we can find in
nature.
Ideas should also lead to enjoyment and satisfaction in being able to answer or find answers to the kinds of questions that people ask about themselves and the natural world, and have cultural significance reflecting achievements in the history of science,
inspiration from the study of
nature and the impacts of human activity
on the environment.
The accumulative
nature in the exhibit's presentation of seemingly random objects, all arranged
on identical shelves, draws
inspiration from past Oldenburg's work, such as his pioneering Pop exhibition The Store.
Murphy finds
inspiration for her subjects in the popular culture of the 1940s and»50s, presenting them with an attention to light and shadow that creates a sense of mystery and often incorporates dramatic effects
from forces of
nature — a sign of her youth
on the Great Plains.
As images of experiences and landscapes
from around the world can be seen instantly
on backlit screens and handheld devices, Wasmuht pulls
from her own photography, various Internet - based sources and a meticulous collection of images
from life, landscapes and
nature as
inspiration for her immersive paintings.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting
on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view
on the commodification of artists; Babette Bloch's stainless steel reassessments of
nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works
on paper and plaster are a contemporary comment
on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings
on handmade paper reflect
on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes
inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science,
nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
RELATED LINKS Watch a video of Ellsworth Kelly
on How He Draws
Inspiration From Nature for His Art (Part One of a Series) Order Phaidon's Ellsworth Kelly Monograph
Billgren draws
inspiration from nature and animals, which early
on became a tool and hallmark of his art.
On view in ICA's First Floor Space February 6 through July, 28, 2013, this group exhibition takes
inspiration from this definition by novelist J. G. Ballard: «Fashion: A recognition that
nature has endowed us with one skin too few, and that a fully sentient being should wear its nervous system externally.»
In the past, incorporating
inspirations from nature into buildings was both necessary and beneficial - think of the high windows and ceilings of pre-war apartments that allowed abundant daylight, surrounded by moldings of flowers and animals, overlooking pocket gardens and trees
on the street.
In present - day culture, where it no longer makes sense to seek
inspiration in
nature from a distance, Naturalment reveals itself as a thesis
on creative awareness of the natural environment, an experiment that, like an expression of street art, takes meaning
from, enters into dialogue with and interacts with an urban environment.
But this success is not enough for Lovegrove; he is already working
on the second generation Solar Tree; one that takes even more
inspiration from Mother
Nature's perfect designs.