Sentences with phrase «on jump scares»

And it didn't rely on jump scares like it's competitor, Resident Evil.

Whilst they relied heavily on jump scares and body horror more than the likes of Silent Hill, they were masterpieces of horror for sure.

Dead Space relied on jump scares and didn't create the necessary level of existential dread.

Thank you for making horror games that are actually horrifying without relying on jump scares and gore.

In their responses to comments on the recent Rock, Paper, Shotgun article, you can see the emphasis on cultivating a sense of dread without much reliance on jump scares.

The love has never been felt from me primarily for two reasons: an over reliance on jump scares (such as something jumping out of...

They are lack luster and depend on jump scares, gore and blood which is common in most movies.

As much as other AAA «horror» titles rely on jump scares and the occasional creepy set - piece, Corpse Party can't be summed up with the words creepy, disturbing or unsettling.

Amnesia relies less on jump scares and more on building atmosphere and tension than its competitors (Dead Space, and later Outlast).

Despite some storytelling hiccups and an over-reliance on jump scares, Layers of Fear: Legacy is a haunting and incredibly solid horror experience.

It relies too heavily on jump scares, but after a while you start to know when to expect them, which completely ruins the point of jump scares.

Fortunately, these faults don't undermine the picture because Krasinski doesn't rely on the jump scares, he doesn't even rely on the monsters that much.

Wisely opting against relying on jump scares, the director establishes fear by isolating this family in a house that's surrounded by blizzard - type conditions and creatures sneaking around the streets.

I praised the film's use of a quiet atmosphere, favoring it more and relying less on jump scares to achieve suspense.

There is an over-reliance on jump scares but director André Øvredal keeps the tension going throughout (barring one major misstep in a scene that bridges the second and third acts... you'll know it when you see it).

Progress at a purely mechanical level is quite easy in Wick, and it often relies on jump scares and fear tactics to force mistakes from players.

A Quiet Place is a superb exercise in understated terror that puts to shame «horror» films that rely on jump scares and cheap theatrics.

The Conjuring 2 is heavy on jump scares, yet these are effective most of the time.

I think too many horror films nowadays rely too much on jump scares, blood, and gore to win over the audience.

An anniversary horror film overreliant on jump scares and deafening soundtrack stings, The Amityville Horror is shake - and - bake entertainment based more on elements from Amityville II: The Possession than from the first film — which makes it a little bit bloodier (though it could've been PG - 13 with almost no tweaking) and which is to say that you have your choice of which pile of manure to blame.

When bad things start happening, though, Effect begins to derail as it falls back on jump scares and other horror clichés.

While a film based on jump scares and young kids bonding seems relatively benign, the rise of so - called torture porn raises more troubling questions.

The camera will pan, and you'll see a glimpse of Michael Myers standing in the background, and that will be terrifying, rather than relying on jump scares, and things we've come to know within the genre.

This is light on jump scares, and instead, creates a creepy tone while delivering a few surprise twists.

So that was a trend, and now partially thanks to Insidious and films like Paranormal Activity we've got a trend that definitely relies on jump scares and this adrenaline which I'm not adverse to at all.

Under James Wan's direction, even the most clichéd haunted - house tropes (and this movie is bursting with them) are genuinely creepy, and although the movie isn't overly reliant on jump scares, the ones it does use — well, they work.

While Insidious: Chapter 3 is short on story and character development, it turns out to be quite long on jump scares.

Yes, It relies heavily on jump scares, but Muschietti's approach to plumbing your fear has more depth than that and he manages your rising terror expertly.

This is one film that only relies on jump scares to scare you, and time and time again you find yourself more bored than enjoying yourself due to the fact that it is a poorly constructed horror film that doesn't offer anything remarkable for genre fans looking for something really interesting to watch.

The soundtrack is pretty unmemorable in retrospect but works effectively at conjuring the desired mood whilst actually playing, complemented by the ambient sound design, which while arguably overly reliant on jump scare moments, will raise the hairs on the back of your neck when playing with headphones.

Not exact matches

We've had dogs jump on kids and scare them, and we've had dogs running around the building,» he said.

Could it be that women are ready to jump on the intervention train at the very first sign of something abnormal during the birth process because they are scared shitless of what might happen if they DO N'T accept the intervention?

If your child asks to jump on the beds, playfully ask her to jump «carefully,» with enough of a sparkle in your eye that she'll know it's OK to surprise and scare you with how high she can jump.

(I'm scared to put frames on the bed, because they jump a lot, and I don't want them to get hurt).

I'll never forget my first fitness assessment and having to jump up stairs with week pelvic floors, feeling scared at the thought of doing 5 mins on the treadmill and the awful biological age reading of 58 years old; 20 years older than my actual age, nice!

When was the last time that you did something that really scared the shit out of you... run from a lion... run from a dog... go bungee jumping... get on a roller coaster... go bouldering or rock climbing... take up an extreme sport... pick a fist fight that's worth fighting for... (I did this at the post office one day when a man was bullying a woman clerk, he retreated).

* Wear wide or straight leg jeans / trousers * Add a thin polo neck under the dress * I would avoid layering a bodycon dress * Throw on a blazer and belt it all up at the waist * Oversized long jumpers look great with dresses * Don't be scared to mix prints like florals with checks * Stick to black layers (like me) for a safer option * Introduce textures: leather, denim, knits

It's a spoof, and judging it based on jump - scares and nail - biting suspense is like rating a romantic comedy on gore.

Recent offerings have relied far too heavily on gore, **** and jump scares to get a rise out audiences, and while The Cabin in the Woods has all three of these, they are not a means to an

It doesn't rely on jump - scares to freak out the player but instead opts to make them uneasy and uncomfortable with its environment and brilliant setpieces.

Robert Eggers gives us an incredible writing and directing debut with virtually no jump scares and proves that the best horror films rely on psychology over loud noises and too many special effects.

No thrills to be had here, one or two jump scares but you won't be on the edge of your seat.

It keeps it's creepy fill throughout and doesn't rely on cheap jump scares to carry the film.

Some of the lampooning is tacked - on like the non-idyllic portrayals of LA and NY, but «Mother's Day» is first and foremost a rabid exploitation movie and it drips an unbearably sickening atmosphere (the supernatural Queenie freeze - frame is a pulpy jump scare) which is the purpose of these films.

While other horror titles focus on audio - centric jump scares to instill fright in players, Layers has some truly masterful set up.

As with most PG - 13 shockers, the frightful moments are merely a collection of jump - scares, reliant on sudden noise and movement to try to unnerve you in your seat.

It's all done with a lurking subtlety, relying more on the strangeness of Sidney's new situation as a whole rather than the typical jump - and - scare techniques lesser ghost stories fall back on.

Phil Stevens is the kind of underground, extreme horror filmmaker that we need more of — the kind of filmmaker who places great emphasis on establishing a haunting and memorable atmosphere, and not relying on an overabundance of jump scares.

It seems the days of Alone in the Dark offering solo scares are over, because the series is jumping on the increasingly popular co-op bandwagon.

From Eric Bana's hackneyed character arc — a man wrestling with personal demons becomes obsessed with a particularly troubling case and subsequently even more distant from his family — to the merciless employment of jump scares, to the predictably lame conclusion that relies on nothing more than a standard exorcism to bring the horror to a crescendo, everything about this project suggests what Derrickson and company have to work with here is hand - me - down material.