Sentences with phrase «on laid paper»

1854, Charles Meryon (French, 1821 — 1868), etching with drypoint in black ink on laid paper, fifth of twelve states.

Signed «Augustus E John» in pencil l.r. Etching on laid paper, plate size 4 More...

Benvenuto Cellini, A Satyr, 1544/1545 pen and brown ink with brown wash over black chalk on laid paper; laid down, with framing line in brown ink National Gallery of Art, Washington, Woodner Collection, Patrons» Permanent Fund

van Rijn, detail from Christ Preaching (La petite Tombe)(ca. 1652), etching, engraving, and drypoint on laid paper, 15.5 x 20.8 cm.

ALINA SZAPOCZNIKOW Untitled (# 526) 1968 Pencil on laid paper watermarked «Arches Ecoles Ingres» 24 x 18 7/8 inches (61.1 x 48 cm) Framed: 29 x 23 inches (73.7 x 58.4 cm) ARG # SZA1968 - 001 © The Estate of Alina Szapocznikow — ADAGP Paris Courtesy BROADWAY 1602, New York

John Singleton Copley, American, 1738 - 1815, Governor John Wentworth (1737 - 1820)(detail), 1769, pastel on laid paper, mounted on canvas.

Part of the RA CollectionBlack and red chalks, heightened with white, on laid paper on canvas.

Daniel Garber (1880 - 1958) Young Man and Woman, circa 1920s Charcoal on laid paper, 19 x 22 inches Signed upper right: «Daniel Garber»

Smart Museum of Art, The University of Chicago, Gift of Brenda F. and Joseph V. Smith, 2000.89 l. Above right: Claude Mellan, La Sainte Face (The Holy Face), 1649, Engraving on laid paper.

Francisco Zúñiga (Mexican, 1912 - 1998) Seated Women Signed and dated «Zgá / 1976» l.r. Charcoal and conté crayon on laid paper with Ingres Canson watermark, 19 11/16 x 25 1/2 in.

Kawase Hasui, Carp Banner, Toyohama, Kagawa Prefecture,, color woodblock print on laid paper, 1948.

John Dixon after John Hamilton Mortimer, Incantation, 1773, mezzotint on laid paper, Gaillard F. Ravenel and Frances P. Smyth - Ravenel Fund, 2002.65.2

1853, Charles Meryon (French, 1821 — 1868), etching and engraving in brown ink on laid paper, fourth of six states.

Smart Museum of Art, Bequest of Ruth Philbrick, 2010.37 Top: James Abbott McNeill Whistler, Long Venice, 1879 - 1880, Etching on laid paper.

Dante Gabriel Rossetti, Jane Morris, 1870, pen and iron gall ink with brown wash on laid paper; laid down on paperboard, Ailsa Mellon Bruce Fund, 1988.29.1

Image: Leonardo da Vinci, Sheet of Studies [recto], probably 1470/1480, pen and brown ink over black chalk on laid paper, The Armand Hammer Collection, 1991.217.2.

James Abbott McNeill Whistler, Black Lion Wharf, 1859, Etching and drypoint on laid paper.

Watercolor, metallic paint, and pencil on laid paper, 6 1/2 x 4 More...

Robert M. Barnes, Canto I, From the series of eight drawings based on Ezra Pound's Cantos, 1961, Pastel on laid paper.

Edgar Degas, Self - Portrait (Ca. 1855 - 57), red chalk on laid paper, 31 x 23.3 cm.; courtesy The National Gallery of Art, Washington, D.C.

Study of a Woman Holding a Shawl, 1765 — 70, black chalk with smudging, oil - soaked chalk, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 57.

Wooded Landscape with Cottage, Cowherd, and Cow, ca. 1750, graphite, with smudging, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 51.

A Boy with a Book and a Spade, 1748, graphite with smudging, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 59b.

Lady Walking in a Garden, ca. 1785, black and white chalk with smudging, worked wet and dry, watercolor, on laid paper, purchased by Pierpont Morgan in 1909.

Thomas Gainsborough (1727 - 1788), Lady Walking in a Garden, ca. 1785, black and white chalk with smudging, worked wet and dry, watercolor, on laid paper, purchased by Pierpont Morgan in 1909.

Landscape with Horse and Cart, and Ruin, ca. 1770, oil paint, lead white chalk, watercolor, over black chalk, varnished, on laid paper, varnished; purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 55.

Wooded Landscape with Horseman, Figures, and Bridge, ca. 1780, black chalk with smudging, opaque lead white, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum.

Above: Boetius Adams Bolswert, After Abraham Bloemaert, Landscape, c. 1614, Etching on laid paper.

Etching on laid paper.

1940, John Taylor Arms (American, 1887 — 1953), etching and aquatint in black ink on laid paper.

1854, Charles Meryon (French, 1821 — 1868), etching and drypoint in dark brown ink on laid paper, first of two states.

1855, Charles Meryon (French, 1821 — 1868), etching in black ink on laid paper, first of two states.

1922, John Taylor Arms (American, 1887 — 1953), etching with stipple in black ink on laid paper.

Image Credit: The Vampire (Le Stryge), 1853, Charles Meryon (French, 1821 — 1868), etching in brown ink on laid paper, fourth of eight states.

signed in pencil Laura Knight, lower right, and inscribed by the artist with title and 55 proofs in edition, lower margin, printed in black ink on laid paper: from the edition of 55.

Francisco Goya (1746 — 1828) Pesadilla Pen and black ink, black wash on laid paper The Morgan Library & Museum, New York; 1959.13 Gift of Mr. and Mrs. Richard J. Bernhard