Some areas are known to be more earthquake prone than others because they lie
on major fault lines such as the San Andreas Fault in California, and the Madrid Fault in Missouri, or the Wasatch Fault in Utah.
And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching
on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for artists that blithely hops across the
major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in different places and times that exert various pressures
on him, which at one point appear to drive the artist - as - performer insane.