Sentences with phrase «on modern film»

But the mission came to be to try to recreate that look using different lenses on modern film stock, playing with the way we timed it, the way we printed it.

Though the full two - piece business suits, as smart and vibrant as they are, can not quite match the elegant simplicity of the jacket and polo neck sweater ensembles; the fit and finish as perfect as you will see on modern film:

And, given the relatively slim picking on the modern film landscape, even marginal success on any one level is enough to keep the average moviegoer sated.

Not exact matches

Bennett resides in Los Angeles, and is currently working on a new feature film, Modern Love, where he will star alongside Kate Walsh and Anthony Rapp.

When one talks of World Cups and match - winning performances it is easy to overlook the achievements of Plánička and his contemporaries, their performances on grainy, monochrome film, in favour of more modern keepers, whose every save and move is captured in High Definition and repeated ad nauseam.

A modern and pop art variety show, the group will focus on modern dance, but will also include music, film, and theatre.

The film sheds light on one of the most private royals of recent years who overcame great personal struggles, reluctantly accepting his place as King and uniting his country, providing faith and hope through one of the darkest periods of modern history, the Second World War.

The series focuses on classic films, modern films and documentaries that highlights a wide range of labor issues.

This modern female icon is an exceptional combination of beauty and brains who became one of the most envied women on the planet when she married film star George Clooney in 2014 — but frankly, we think HE is the lucky one!

She may be channeling Audrey Hepburn in Gigi, a Broadway adaptation of the star's 1958 film, but puts a modern spin on a black peasant midi dress with a spiky red mani at a meet and greet for the play in N.Y.C.

The film, which hits theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.

His modern approach to fashion films — a genre on the up in the digital world - has made him one of the most exciting talents in the industry, winning him accolades from the Clio Image Awards, the Berlin Fashion Film Festival and The Society of Publication Designers.

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The video is from a series of films based on the book Marriage for Moderns by Henry A. Bowman.

88 Wood Street, Liverpool L1 4DQ Best if you're dating: a film lover If your date likes their culture on the modern side, Liverpool has its very own Foundation for Art & Creative Technology, which has exhibitions on new media, film and video.

In their latest film The Farrelly Brothers have decided to provide a modern audience with an updated take on The Stooges, played spot - on by Will Sasso, Sean Hayes and Chris Diamantopoulos.

A decent, well - made, small - scale genre film with a great cast of on - the - cusp players, The Lazarus Effect begins as a modern - day spin on Frankensteinian mad science, but segues into more demonic matters.

Recent sub films have focused on modern - day vessels, but U-571 returns to the genre's wellspring: World War II.

His films have always challenged the attention span of the modern moviegoer, but for those who can get on his wavelength, they offer plenty of rewards as well.

They've taken one of the most glamorous actresses of the modern era — a woman whose looks have been abstracted into hubba - hubba caricature in most films, and on awards shows — and ironically restored her earthliness by having her play a creature not of this earth.

Birdman or (The Unexpected Virtue of Ignorance) is a brilliant directed film by Alejandro González Iñárritu, who manipulates the camera to give the illusion that the film is one continuous long take (which can get dizzying at times) giving a film that is resonate to a modern day audience as it examins these fictitious characters and their commentary on what it means to stay relevant.

Based on the exciting true story of one of the greatest moments in modern history, the film captures a time and place where differences could be settled by games and a cold war could be put on ice.

It'd be unlike Denis — whose far - flung features over the last 30 years have ranged from the luridly modern vampirism of 2001's Trouble Every Day to films tackling war, colonialism, French modernity, and so on — to make a straightforward romantic comedy.

Why yes, I did read MAJ's article on the lack of dynamic female characters in modern mainstream film - making...

His film has had much more immediate critical love, but the dwindling box office means that this is a movie destined to be discovered on that modern day equivalent of the repertory cinema, Netflix.

There are a few overt references to more modern sounding ethical opinions on the treatment of the «natives» sprinkled throughout the film, but to be honest, they kind of feel forced, even if they may have been period accurate.

A modern film can't, and shouldn't, celebrate whites killing Native Americans, and so it must feature other tribes on the whites» side who «approve.»

It is hard sometimes to shake the feeling that this live - action Disney adaptation is relying too much on the 1991 animation, to the point that it almost feels like an extended version of that film; but even so, it offers a fresh and modern look at the classic story that makes it worth it.

The Hasidic Jews» traditional dress may serve as a barrier on the street, and the film does indulge itself occasionally in playing on the incongruity of the suited and hatted men making their way around modern New York, but seeing the generalities of life reflected in such a particular setting amounts to a genuinely powerful insight into some of the universal themes of love, sacrifice and (gentle) self - improvement that are here handled with a charmingly light touch.

Maybe if they realized the influence these classic directors and films have had on the modern filmmakers and movies they enjoy, they would be more inclined to see these films.

But only one major - studio film of the modern era, Richard Fleischer's notorious 1975 Mandingo, dared to meet slavery on its own terms — a grind house bacchanal of sadism, incest, and miscegenation, capped by an unforgettable finale in which the eponymous bare - knuckle fighter is boiled alive by his master in a cauldron.

The case for Hitchcock as a modern Conrad rests on this ruthless investigation of the heart of darkness, but the film is uniquely Hitchcockian in its positioning of the godlike mother figure.

Martin Scorsese's intrusive insistence on his abstract, metaphysical theme — the possibility of modern sainthood — marks this 1973 film, his first to attract critical notice, as still somewhat immature, yet the acting and editing have such an original, tumultuous force that the picture is completely gripping.

Its not a stunning film visually but less is more, a winning formula modern films fail on so many times.

The focus is largely on the fascinating and strikingly filmed visual contrasts of an old - fashioned people against a modern city.

«Creation,» based on the book written by Darwin's great - great - grandson and entitled Annie's Box, is a secular hagiography of Darwin, which is not surprising, given that modern films have a proclivity towards themes that fly in the face of biblical teachings.

Agora proves that it is entire possible to have an old - school blockbuster (and I am talking Cecil B. DeMille and Alan Mann spectacle films with casts of thousands wearing togas and swords) coupled with science, mathematics and commentary on modern times nudge shoulders with romance, upheaval and politics of antiquity.

Haynes also commented on how a modern audience views all of Carol's female relationships versus how people within that time period in the film would have seen it:

The film features some of the earliest screen appearances of Emmy - nominated sitcom veteran Ed O'Neill («Married... With Children», «Modern Family»), playing a mercenary reluctant to go on the mission, and a young Jim Broadbent, who is lowly credited but instantly recognizable in a brief background role.

New York's Museum of Modern Art has created a YouTube series, «How To See,» that features museum curators and sometimes the artists themselves delving into the work, Monitor movie critic Peter Rainer's pick for best film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.

We sat down with the writer / director recently to discuss some of the film's themes and get his thoughts on the state of modern comedy.

Paramount among studios trying to cash in on Chinese box office boom with film transplanting ancient clay soldiers to modern world, writes Ben Child

Two other films are currently growing in RHP's greenhouse, including Hill's L.A.P.I. and a biopic on modern teen outlaw, Colton Harris Moore, with Green circling to direct.

This week on GeekScholars Movie News, presented by Eclipse Magazine, the crew debuts a new segment called the Casting Competition Challenge where the GeekScholars must attempt to recast classic films in the modern era.

The latter remains a special film not just for a lot of viewers, but its maker too; speaking with Collider, Proyas gave his thoughts on the idea of remaking it for modern audiences when questioned on the current efforts.

Based on the book The Disaster Artist by Greg Sestero and Tom Bissell, the film tells the behind - the - scenes story behind one of modern cinema's biggest cult classics The Room.

Directed by Paul Mercier, the film is a modern take on the legend of Diarmuid and Gráinne — a contemporary myth about the pursuit of power, class, love and the chance to start again.

Instead he stands on the threshold of what modern America is turning into and spends the film struggling to reconcile the conception of how he has lived (as seen through his aging, dying father) and how that may have to be adapted or abandoned to survive.

Modern jazz informs not only Forman's perspective on culture and alienation, but also the structure of his film.