Sentences with phrase «on modern painters»

Works by Matisse, Degas and Michelangelo have been suggested as sources for the two figures — and its display in the Barber's Red Gallery among the old master paintings of the permanent collection simultaneously suggests the debt and influence of historic art on modern painters.

Not exact matches

HTC, the Taiwanese smartphone manufacturer and maker of the Vive VR headset, said Monday that it has partnered with Tate Modern on an upcoming exhibit featuring the works of painter and sculptor Amedeo Clemente Modigliani that will be accompanied by a new VR project.

Pennsylvania, United States About Blog Taryn Day's style of painterly realism is inspired by the work of modern painters who combine realism with a strong emphasis on abstract design, such as Richard Diebenkorn, Fairfield Porter, Edwin Dickinson and Edward Hopper.

Reiterating his effusive rhetoric from 1958, Sylvester wrote of Bomberg on the occasion of an exhibition at the Herbert Art Gallery in Coventry in 1960: «I feel no other modern British painter is in the same class as Bomberg».23 This judgment, Sylvester later acknowledged, still referred exclusively to Bomberg's late work.

Despite the pronounced effect on his work of the hugely influential Russian - born French painter Nicolas de Stael, described by the art critic Marco Livingstone as, a godsend to Kinley, the young British painter apparently, trod a solitary path that has made him difficult to place in the pantheon of Modern British art.

He is particularly proud to note that he acquired works by critically celebrated artists before many of them began to receive national recognition and appear on the cover of mainstream art magazines, including Xaviera Simmons (Art Pulse, Spring 2012), Wangechi Mutu (Art in America, June 2007), Rashid Johnson (Modern Painters, April 2012), Radcliffe Bailey (Sculpture, June 2012) and Theaster Gates (Art in America, December 2011).

Alice Neel: Painter of Modern Life opened in Hamburg on 13 October and will continue until 14 January 2018.

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend thepainters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend thePainters and Sculptors out there keen to extend the genre.!

PG: The Renaissance chiefly - Piero, Mantegna, Uccello - but I was attracted also by the modern idioms - Leger, Picasso - and was close to the abstract painters on the project such as Stuart Davis, Burgoyne Diller, Arshile Gorky, Balcomb Greene, etc..

Corral was invited to attend the 106th session of the Working Group on Enforced and Involuntary disappearances at the United Nations in Geneva, Switzerland; awarded a Joan Mitchell Foundation Emerging Artist Grant (2015); included in «Artists to Watch: 18 Exceptional New Talents» by Modern Painters; and attended the International Artist - in - Residence at Artpace, Künstlerhaus Bethanien Residency in Berlin, Germany.

Agnes Martin (b. 1912, Macklin, Saskatchewan, Canada; d. 2004, Taos, New Mexico), one of the most influential painters of her generation, left an indelible mark on the history of modern and contemporary art.

Wonderful piece on many of what I believe are the best of todays modern painters.

Guston briefly provides biographical information and spends the remainder of his time speaking of his experiences working on the Mural Project (PWAP) in Los Angeles; his move to New York working under Reginald Marsh as a non-relief artist; his multiple mural projects in New York (Penn Station Subway, Queensbridge Housing Project, WPA Mural for the World's Fair, etc.); his success in WPA Fine Arts competitions; his move to Woodstock, New York; his time spent teaching at the University of Iowa; his many influences (Renaissance, Modern and Abstract Painters); his personal / professional feelings about the WPA as well as his political feelings about it.

Glen Kessler and Richard Weiblinger Main Gallery Up Close and Personal: A Modern Perspective Through the Eyes of a Photographer and Painter On View: November 13 — December 20, 2013

Walk into your prototypical observational painter's studio and you are likely to find monographs from modern painters such as Edwin Dickinson and Giorgio Morandi side by side with books on early Renaissance masters Masaccio and Piero della Francesca, as well as a tome filled with the prehistoric cave paintings from Lascaux.

In 2015, London's Royal Academy presented a broad survey of his career, while in 2017, the San Francisco Museum of Modern Art mounted a major exhibition, Matisse / Diebenkorn, which explored the French artist's influence on the American painter.

To coincide with the Museum of Modern Art show Martha Jackson showed Younger American and European Painters which opened on 18 May (closed 12 June).

One could easily mistake those naked bodies and pale, acid pinks for Susan Rothenberg's latest work on the cover of Modern Painters this very month.

There is a feature on the artist and her 12th Manexhibition in the February 2015 issue of Modern Painters.

One can easily forget that few painters here wholly gave up what they had been doing to become abstract, any more than modern art altogether turned its back on Cubism.

May Four paintings by Scott were included in the exhibition The New Decade: 22 European Painters and Sculptors, which opened at the Museum of Modern Art, New York, on 10 May (closed 7 August).

A special summer issue of Modern Painters, which will be published in installments on ARTINFO this month, surveys the world's best galleries, across six continents and 36 countries.

She has written on curating and exhibition practices for numerous publications and magazines, including Parkett, Modern Painters, Mousse, Art in America, Manifesta Journal, the Exhibitionist, and Frieze.

On the event of the exhibition David Milne: Modern Painting, running at London's Dulwich Picture Gallery from 14 February — 7 May 2018, fellow Canadian artist and Photo London Master of Photography 2018 Edward Burtynsky discussed with exhibition co-curator Sarah Milroy the extraordinary legacy of Milne's work and the relationship between the painter's pictures and Burtynsky's early photographs.

Three major exhibitions, including one at the Van Gogh Foundation in Arles, France, are going on in Europe right now, and Yale University Press has just published a magnificent volume, Alice Neel: Painter of Modern Life, which contains 130 color reproductions of her work.

«Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction,» which opens to the public Monday at New York's Museum of Modern Art, presents a fascinating account of the chameleon painter's shifting styles over four decades, from his pointillist pastiches of Camille Pissarro to his idiosyncratic innovations on Hollywood movie - poster kitsch.

As a writer on art and culture, Arning's essays have been published in Time Out New York, Aperture, Modern Painters, The Village Voice, Art in America, Trans, Out, and Parkett.

He has been a critic for The New Art Examiner, has been interviewed by Huffington Post, Modern Painters, and on NPR, and is a regular contributor to Nashville Arts Magazine.

2017 Cabbages and Kings, Maddox Arts, London Contemporary Abstract Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Gary Hume's Elusive Paintings — Carol Vogel, who has been increasingly stretching her news - breaking repertoire into profiles recently, adapts her latest slow - news - season «Inside Art» column to lead with a mini-spotlight on the YBA painter to mark his new Tate Modern survey.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, ParisPainters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Parispainters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Sheena Wagstaff, chairwoman of the Metropolitan Museum of Art's modern and contemporary art department, was relatively new on the job in 2013 when Pamela J. Joyner, a prolific art collector and supporter of artists of African descent, invited her on a trip to Washington to visit the studio of the Color Field painter Sam Gilliam.

«Emerging Artists: Kalup Linzy, Joshua Mack on Persiflage and Family Values», Modern Painters, February 2006, pp. 54 - 55.

Last week, the New York Studio School hosted members of the Center for Italian Modern Art (CIMA) for an interesting talk on one of the greatest Italian painters of the twentieth century: Giorgio Morandi — the subject of the current exhibition at CIMA, on until June 25th.

Nine artists show how geometric shapes still inform and delight modern painters, creating vibrant works which suggest that one hundred years on abstraction is alive and kicking.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

The artist has also been a «painter of modern life,» plugged to the mundane and reflecting on the pervasive lure of capitalism.

2009 Staff, Critics Picks, TIME OUT NEW YORK, 31 December Smith, Roberta, Cutbacks in Plans but Not in Energy, THE NEW YORK TIMES, 17 December Staff, Previews: December 10, WHITEWALL, 10 December Ashman, Angela, Class Act: An Art School for Artists by Artists, THE VILLAGE VOICE, 8 December Chaplin, Julia, And the Beat Goes On: A Night Out With Members of the Bruce High Quality Foundation, THE NEW YORK TIMES, 4 December Garcia, Carnelia, The Bruce High Quality Foundation at Susan Inglett Gallery, MODERN PAINTERS, 1 December Staff, Alternative Power, ART AND AUCTION, December Cotter, Holland, The Year of Tumult, THE NEW YORK TIMES, 30 October, pp.

For modern painting head to Robilant + Voena, which concentrates on the work of the Italian still life painter Giorgio Morandi.

His retrospective at Tate Britain - curated by Nicholas Serota and Enrique Juncosa, director of the Irish Museum of Modern Art in Dublin - coincides with the publication of Writers on Howard Hodgkin, a collection of essays in which various novelists, essayists and poets (from Susan Sontag to Julian Barnes, Alan Hollinghurst to Bruce Chatwin) pay tribute to the painter.

Directed by Siegfried Gohr, the show features paintings such as «Kopf» (1963), «Ein moderner Maler» (1966), «Orangenesser (VIII)» (1980/81), and «Modern Painter (Remix)» (2007), a selection of works on paper, and the sculpture «Blauer Kopf» (1983).

Modern Painters Daily March 14, 2012 Tomorrow: «Occult Contemporary» in Chelsea By Modern Painters «Occult Contemporary,» the title of Detroit - based artist Hernan Bas's exhibition at Lehmann Maupin Gallery in Chelsea, is a spin on «adult contemporary,» the term used to describe light pop music.

Associated with painters such as Frank Stella, minimalism in painting and sculpture, as opposed to other areas, is a late modernist movement and depending on the context can be construed as a precursor to the post modern movement.

He retrained himself as a painter by studying modern art on a trip to Europe and by drawing after Renaissance paintings.

Jennifer Krasinski (moderator) has written on the subject of art, film, video and performance for numerous publications such as Artforum.com, The Village Voice, Modern Painters, Art In America, Spike Art Quarterly, Bidoun, N +1 Film Review, and The Paris Review Blog.

As he remarked on the evolution of abstract art in a lecture given at the Museum of Modern Art in 1951 «for the painter to come to the «abstract» or the «nothing» he needed many things.

Kyle Chayka is the curator of Dying on Stage: New Painting in New York at Garis and Hahn Gallery in New York City, co-curator of Shortest Video Art Ever Sold at Moving Image Art Fair New York 2012, and a freelance writer for publications including the New York Observer, Pacific Standard, and Modern Painters.

As a painter of the Op Art movement, his first solo exhibition, «Optical Paintings,» opened on October 5, 1964 at the Terrain Gallery in New York, after which he exhibited a painting at the Museum of Modern Art's Responsive Eye show, which remains in MOMA's permanent collection.

(R. Prince, quoted in «Like a Beautiful Scar On Your Head,» Modern Painter, Autumn 2002.)