Sentences with phrase «on museum walls for»

QR codes have popped up on museum walls for a while now, but Houston Center for Photography takes the effort further, offering each artist in its 31st annual juried exhibition an opportunity to explain his work to visitors with the cellphone technology.

Not exact matches

I visited the Chocolate Museum while I was in Cologne this past January and there was a piece up on the wall exclaiming all the virtues of chocolate and how healthy it is for your body.

Bandshell at Forest Park in Woodhaven • $ 300,000 to improve lighting along the shorefront facing Queens in Franklin D. Roosevelt Four Freedoms Park on Roosevelt Island • $ 1.5 million to renovate the baseball fields at Glen Oaks Playground in Glen Oaks • $ 1 million to renovate Hallets Cove Playground in Astoria • $ 975,000 to improve the asphalt field at Hoffman Park in Elmhurst • $ 1.3 million to construct a meditation garden and upgrade Rachel Carson Playground in Kissena Corridor Park in Flushing • $ 322,000 to construct a skate park at Laurelton Playground in Laurelton • $ 850,000 to upgrade Lannett Playground in Far Rockaway • $ 600,000 to renovate Maple Playground in Flushing • $ 1.5 million to install new play equipment and to upgrade the sprinklers and surface at Mauro Playground in Kew Gardens Hills • $ 350,000 for landscape improvements along the Merrick Boulevard Mall in Springfield Gardens • $ 700,000 to enhance the lawn area, install new walkways, decorate pavers, install new benches and plantings, create a new entry and repair the retaining wall at Newtown Playground in Elmhurst • $ 2 million to upgrade to existing benches and equipment in Norelli Hargreaves Park in Jamaica • $ 300,000 for a mall enhancement and tree plantings along the Northern Boulevard Mall between 62nd Street and 102nd Street in Woodside / Jackson Heights • $ 400,000 to renovate Kingsland Homestead in Flushing • $ 3 million for the preservation of the New York State Pavilion in Flushing Meadows — Corona Park • $ 480,000 to replace the aviary mesh and marsh bridge at the Queens Zoo in Flushing Meadows — Corona Park • $ 2 million to renovate the asphalt field at the World's Fair Playground in Flushing Meadows — Corona Park • $ 800,000 to formalize the picnic grove, add gravel pads and grills, install new fences and benches and upgrade the basketball courts in Rainey Park in Astoria • $ 1.5 million for turf and track upgrades at Roy Wilkins Park in Jamaica • $ 1.4 million to renovate Sandpiper Playground in Rockaway Beach • $ 600,000 to renovate the museum building at Socrates Sculpture Park in Long Island City • $ 500,000 construct a dog run at Triborough Bridge Playground B in Astoria • $ 375,000 for pavers and accent lighting at Tribute Park in the Rockaways • $ 250,000 for site acquisition to add to Udalls Cove in Little Neck • $ 175,000 to improve sidewalk and perimeter of Veterans Grove in Elmhurst • $ 1.6 million to resurface the baseball field and upgrade the play equipment at Vleigh Playground in Flushing • $ 300,000 to support the borough's Tree Stump Removal Program.

The Pine Tree Forest Gallery Canvas Wall Art is a museum - quality print on artist canvas that gives the illusion of rustic wood colorfully stenciled with pine trees, perfect for a cabin or any décor with a woodsy touch.

A costume wall and portrait station invite visitors to pose for their own noir - inspired «museum selfie,» while writing materials encourage on - the - spot noir narratives.

Try to visit in the morning and you'll find many old shops selling local delicacies like the butter cake called Kouign Amann, or stop for a coffee in the old city center to appreciate the architecture of the historic houses before visiting the maritime museum which is in a boat docked on the city walls.

Visitors can lounge on one of the many nearby sandy beaches or take a stroll along the medieval city walls, visit the museum in the Dominican monastery, and climb up the hillside for spectacular views of the red rooftops of Dubrovnik's UNESCO World Heritage old town.The hotel's guest rooms are functional and modest, each with private en suite bathroom, handy refrigerator, and a small sitting area.

There are stairs that lead down to the beach for you to explore, as well as a little museum and plaques on the walls decoding its history.

I think not — there are many different images that I have been compelled to visit in the different museums in Manhattan that I am perfectly happy leaving there on the walls of the museums and that I thoroughly enjoy seeing over and over and over again when I visit them — along with new exhibits that are put on periodically but that I would never even consider purchasing let alone live with hanging on my own walls for any length of time if at all --

Richter's illusory paintings find themselves on the walls of the world's most revered museums — for instance, London's Tate Modern displays the Cage (1)--(6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic «Rambert Event» hosted by Phillips Berkeley Square in 2016.

Currently on view in New York is Profound Approach Easy Outcome, an installation commissioned for the curved wall of the atrium at the Queens Museum of Art.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

However, for once the display of a private collection does more than plaster a wealthy donor's name on museum walls.

For his solo show «Ballpoint Drawings,» on view at the Queens Museum of Art through the 30th of this month, Lee created his largest work yet: BL - 090, a 5 - by - 50 foot installation that wraps around a curved wall.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

2013 Luke, Ben, Kehinde Wiley on his first UK solo show for Frieze week, Evening Standard, 11 October George, Kendall, Kehinde Wiley's The World Stage: Israel, SFAQ International Arts and Culture, 19 February Chun, Kimberly, Kehinde Wiley brings «World Stage» to SF, San Francisco Chronicle, 13 February Frock, Christian L., Background Considerations: Kehinde Wiley at Contemporary Jewish Museum, KQED, 17 February Mason, Wyatt, Kehinde the First, GQ Magazine, 232, April Crow, Kelly, A Creative New Frame Game, The Wall Street Journal, 8 March G.M., The Portraits of Kehinde Wiley, The Black Diaspora, via Israel, The Economist, 18 February Crenn, Julie, Kehinde Wiley, Art Press, January, p. 28

Photographing the work of artists in collectors» homes, in galleries, on the walls of auction houses, and in museum storage, Lawler is also known for her installation pieces and experimental works.

For instance, when taking a photograph of a group of people in a museum, the photo may also show some paintings on the walls.

Carleen Brice edits the blog and On & Off the Wall, the member magazine for the Denver Art Museum.

(Tokyo Opera Art City Gallery, 2000), Counter Pieces (Galerie der Stadt Stuttgart, Germany, 2000), Count of Life (Art Sonje Center, Seoul and Art Sonje Museum, Gyeongju, Korea, 2002), Tatsuo Miyajima (Museo d'Arte Contemporanea Roma, Rome, 2004), Beyond the Death (Contemporary Art Museum, Kumamoto, Japan, 2005), Counter Voice (Contemporary Art Centre of South Australia, Adelaide, Australia, 2005), Art in You (Art Tower Mito, Japan, 2008), Time Train (Kunsthalle Recklinghausen, Germany, 2008), 38 (Mongin Art Center, Seoul, 2008), Time Train (Six, Osaka, Japan, 2010), Ashes to Ashes, Dust to Dust (Ullens Center for Contemporary Art, Beijing, 2011), Three Time Train / Counter voice on the Wall (Kunstmuseum St. Gallen, Switzerland, 2011), House Lives with Time (Han Family's House, Gahoe - dong, Seoul, 2012), LIFE I - model (SCAI THE BATHHOUSE, Tokyo, 2012), I - Model (Lisson Gallery, London, 2013), Life (Rhizome)(Buchmann Galerie, Berlin, 2013), KU (Lisson Gallery, Milan, Italy, 2014).

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Independent curator Charlotte Eyerman went through old catalogs for the annual juried shows to find paintings, prints and drawings, tracked them down and mounted them on the walls of the museum's mezzanine in the rotunda under a stained glass ceiling.

Known for artist - centric projects and collaborations, The Contemporary invites exploration in both its urban and natural settings - downtown at the Jones Center on Congress Avenue, lakeside at the Laguna Gloria Campus (including the Betty and Edward Marcus Sculpture Park, the Art School, and the historic Driscoll Villa), and around Austin through the Museum Without Walls program.

2010 100 Years of Performance, curated by Klaus Biesenbach, The Garage Center for Contemporary Culture, Moscow, Russia Off the Wall: Part 1 — Thirty Performative Actions, curated by Chrissie Iles, Whitney Museum of American Art, New York, NY Contemporary Art from the Collection, Curated by Kathy Halbreich, Museum of Modern Art, New York, NY Soaps Flukes and Follies, Cheekwood Botanical Garden and Museum of Art, Nashville, TN Greater New York 2010, PS1 MoMA, Long Island City, NY At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, curated by Matthew Higgs, CCS Bard Hessel Museum of Art, Annandale - on - Hudson, NY

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Opmuseum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum OpMuseum Openings

As happy as Murray was to be among the few female artists whose work was regularly shown at the museum — and as proud as she was in 2005 to be one of the handful honored with a retrospective there — her Artist's Choice pointedly proclaimed her refusal to be a stand - in for all the women present in the institution's database yet unaccounted for on its walls.

In 2002, on the Museum's east lawn, Seven Walls, a concrete structure by conceptual artist Sol LeWitt, was installed with support for its construction provided by the Jere Abbott Acquisitions Fund.

His work has been the topic of several solo exhibitions including Walking on The Wall, Nahum Tevet Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet: Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet: Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet Sculptures, Museum of Modern Art, Ludwig Foundation, Vienna, 1997.

And «Dance at Bougival,» which only recently returned to the museum's gallery walls after spending seven months earning money in Japan, will be on loan again to an important, non-fee-paying exhibition for an entire year, beginning in October.

Jeffrey Deitch, art dealer and former director of the Museum of Contemporary Art, Los Angeles argued, «Museums are giving these galleries the best platform in the art world for free, where they can sell work to their clients on the walls of the greatest mMuseums are giving these galleries the best platform in the art world for free, where they can sell work to their clients on the walls of the greatest museumsmuseums.

I Killed Kenny is the first museum exhibition devoted to New York — based artist Joyce Pensato's work and features the monumental wall painting «Running Mickeys,» created on - site for CAM.

The French novelist and theorist André Malraux, who was Minister for Cultural Affairs in Charles de Gaulle's government from 1959 — 69, wrote a book, The Museum without Walls (1967), in which he proposed the possibility of a museum that is not dependent on location but is, instead, carried inside one'sMuseum without Walls (1967), in which he proposed the possibility of a museum that is not dependent on location but is, instead, carried inside one'smuseum that is not dependent on location but is, instead, carried inside one's head.

Of Soane's drawings of his own designs (many are by his assistants and pupils, most notably Joseph Gandy), covering his entire career, most are bound in 37 volumes, 97 are framed on the museum walls, and the rest are 601 covering the Bank of England, 6,266 of his other works, and 1,080 prepared for the Royal Academy lectures.

Focusing primarily on African American artists in and out of the Black Arts Movement, the exhibition features approximately 100 objects assembled from the Smart Museum's collection and other public and private collections, including art and ephemera associated with the Wall of Respect, Black Creativity, the Civil Rights Movement, AfriCOBRA, Afrofuturism, the Hairy Who, and the radical sounds of the Association for the Advancement of Creative Musicians.

And artists will still damn the Modern for them — more and more often on the museum's own walls.

The jargon used on gallery and museum walls, for instance, has long induced eye rolls, even as the art establishment still clings to such practices for validation or even as an intentional weeding out of «less sophisticated» audiences.

As an encyclopedic museum, there are always a variety of exhibitions, but the current offerings are especially rich: The James Turrell retrospective on view through April 6 beats out last year's Guggenheim show for breadth of offerings and the survey «Calder and Abstraction» boasts exhibition design by Frank Gehry that includes curved walls that cast those mobiles and stabiles in a whole new light.

Soaring midair on a mobile platform inside an unused Harlem church, she has been working and reworking two towering paintings taking shape on opposite walls, a monumental commission for the San Francisco Museum of Modern Art.

Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.

In the museum dedicated to his work on Naoshima, the small island in the Inland Sea of Japan known for its displays of contemporary art, there is a room containing four works painted directly onto the walls.

In addition to features on National Public Radio and in the pages of The Wall Street Journal, New York Times, Los Angeles Times, LA Weekly, Filter and Spin Magazines, the artist has had major solo exhibitions at Moore College of Art in Philadelphia, Rice University in Houston, the Museum Ludwig in Cologne, Germany, the Linden Centre for Contemporary Art in Melbourne, Australia, and the Czech Centre in London.

Using humor, satire, and perturbation to comment on serious problems that effect the art world at large, Andrea Fraser has helped create a dialogue around systemic issues, paving the way for groups like W.A.G.E. (established in 2008) that advocates for a more equitable distribution of the art world's economy (i.e. fair wages for artists), and Occupy Museums, an activist group that sprung from the Occupy Wall Street Movement and that made an instillation about artist's debt at the 2017 Whitney Biennial.

For starters, Cincinnati Swing, by Austrian artist Erwin Redl, features animated LEDs suspended from 160 pendula on the museum's 107 - foot - high back wall.

With hundreds of millions of # # # / $ $ $ worth of museum quality work on the walls and floors this fair was world class, and yes it was all for sale!

For him, the medium of drawing is not limited to an image carrier, but is instead a technique that he uses to trigger a performance - based process — in the public space, as well as on the walls of museums and galleries.

Art for Rollins, The Alfond Collection of Contemporary Art at Rollins College, Winter Park, FL Analogital, Utah Museum of Contemporary Art, Salt Lake City, UT Harold Ancart, Kristin Baker, Mark Barrow, nina Beier, Anna Betbeze, Mark Flood, Thilo Heinzmann, John Henderson, Scott Lyall, Jayson Musson, Renaud Regnery and Pae White, Galerie Perrotin, Paris, France The Writing is on the Wall, Jonathan Viner, London, UK Art for Art's Sake, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA LAME LEWD AND DEPRESSED: Lane Hagood, Mark Flood, and Jeremy DePrez, Co-Lab Projects, Austin, TX Outside the Lines: UIA (Unlikely lterations of the Abstract), The Contemporary Arts Museum, Houston, TX Double Hamburger Deluxe, Marlborough Chelsea, New York, NY ANAMERICANA, American Academy, Rome

1983 On & Off the Wall: Shaped & Colored, Oakland Museum, Oakland, CA; Boise Gallery of Art, Boise, ID; Utah Museum of Fine Arts, Salt Lake City, UT; Center for the Fine Arts, Miami, FL; Jacksonville Art Museum, Jacksonville, FL; Palm Springs Desert Museum, Palm Springs, CA; Laguna Art Museum, Laguna, CA Visions: Margit Omar / Betye Saar, Mt. St. Mary's College, Los Angeles, CA The Artist and the Quilt, Marion Koogler McNay Art Institute, San Antonio, TX; Jane Voorhees Zimmerli Museum, Rutgers University, New Brunswick, NJ

After having tea, looking at art, and talking about Mr. Armand Hammer and the Hammer museum, we all continued together to see more sights of Dandong, which included the Ming Dynasty eastern starting point of the Great Wall on Tiger Mountain, climbing an inner city hill to see an ancient pagoda, then to dinner for delicious Korean food and late night Karaoke with Aili and his artist friends.

Benefits: All EDUCATION BENEFACTOR benefits, plus recognition on Museum's Major Donor Wall, invitations to Annual Director's Circle Dinner, opportunity for artist's studio visit, and special events.