Sentences with phrase «on musical expression»

Not exact matches

At first they may be taken merely as aesthetic moments, such as communing with nature, savouring memories andimages, meeting mysteries, the heightened sensing of musical sounds, odours, colours, the thrill of acute poetic expression, or moving encounters with other human beings; but on further reflection people often cite such experiences as having a spiritual quality and as hints of the divine.

People feel free to wear their politics or musical tastes etc on their proverbial sleeve, but somehow religion has to be an exception to the free speech / free expression principle?

«We are talking about a major form of human expression that many people may be missing out on because they believe, falsely, that they do not have musical talent.»

Throughout the piece, software running on her laptop read data produced by the sensor gloves, extracting musical expression from Kimura's and Eggar's bows as they played.

Touching on a teacher's struggle against the educational establishment in a search for the liberating musical self - expression of her students.

Borrowing heavily from The Muppets (or even High School Musical), the overall plot — put on a show, save the home from closure — is predictable, but the performers are clearly having a good time; Michael Gambon is deliciously cruel as the show's controlling musical director, while unlike Marigold Hotel, Maggie gets more to do than simply look at people with a withering exprMusical), the overall plot — put on a show, save the home from closure — is predictable, but the performers are clearly having a good time; Michael Gambon is deliciously cruel as the show's controlling musical director, while unlike Marigold Hotel, Maggie gets more to do than simply look at people with a withering exprmusical director, while unlike Marigold Hotel, Maggie gets more to do than simply look at people with a withering expression.

A recording of Benjamin Britten's sparkling The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, a composition meant to introduce children to the various musical instruments, serves brilliantly as a musical expression of how each character has a colorful role in the landscape and community.

Here on the molecular level of written expression, we learn the potential of what Donald Hall calls the «insides of words,» their connotation, their musical sounds, their aura, their beat.

Snow's most recent projects include Portal 1: A Rippling Space, an interactive sound and video installation presented at the 2015 New Interfaces for Musical Expression Conference; Wash: Awake, a generative installation for computer sound and projection mapping on a 40 «x20» hanging sculpture by artist Jamey Grimes; Arcanum: Memories Cryptic — a series of works for piano solo commissioned by Katalin Lukács; and Singing Sweetly from a Spider's Web — an interactive sound installation in which participants» voices are transformed and re-presented as harmonic content in a network of sound synthesis.

Based on his over 20 years experience in music production, his artistic and musical expression have always been intrinsically linked.

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

While concentrating on releasing jazz, post-jazz and world music, the company's primary focus is creativity in musical expression.